Dear Frameworks Friends.
I'm interested in 'linear film editing', as in cutting and splicing film at
an edit bench or Steenbeck or however you do it. I'd like to know more
about artist filmmakers who continue to edit film physically whilst also
living in this digital era!
I've attached a
Kristallnacht by Chick Strand
On Tue, Nov 27, 2018 at 6:50 AM Marcin Gizycki wrote:
> Has anybody mentioned *Hurlements en faveur de Sade* by Guy Debord?
>
> Marcin Giżycki
>
>
>
> *From:* FrameWorks *On Behalf Of
> *Daniel A. Swarthnas
> *Sent:* Tuesday, November 27, 2018 11:57 AM
> *To:*