Re: [Frameworks] Screening Friday, Summer Opportunities and Visiting Artists!

[Anthony Yanick]

very cool, thanks for sharing
Tony

On Tue, May 30, 2017 at 1:37 PM, MONO NO AWARE 
wrote:

>
> Good afternoon Frame-workers,
>
> I wanted to share some of this summers events and offerings with you all.
>
> MONO NO AWARE will be presenting six workshops in June including a *35mm
> workshop* and a special *2-D cut-out animation* workshop on 16mm color
> film.  Please feel free to share these offerings with friends and
> colleagues in the area and consider joining us this Friday night for our free
> screening premiere party 
> of the 30+ films made with MONO this May. All screening on Super 8mm and
> 16mm film, all filmmakers in person plus we'll have snacks, beer and ALL
> KODAK stocks available for purchase along with corresponding chemistry from
> Photographers Formulary and MONO : ) all part of our newly strengthened film
> distro program . Plus screenings
> all summer long and field trips!
>
> *JUNE WORKSHOPS! *
> All workshops are inclusive: Film stock, processing, camera access,
> editing equipment, HD scans and premiere screening with festival waivers
> and more.
>
> 16mm Film-making on Color Negative with edited Work print
>  -
> *create a short film on 16mm COLOR
> which you conceived, directed, shot, splice edited, and projected
> independently. *
>
> ** Traditional 2-D Cut-out animation on Color Negative with Color answer
> print - *
> practice the fundamentals of
> animation, work to storyboard paper characters for multi-plane animation,
> and ultimately create their own short film.*
>
> 16mm Film-making on B/W Reversal film -
>  *learn 16mm film making
> techniques from start to finish, including camera options, film stock
> choices, exposure, lenses, how to load, focus, run, maintain and operate
> the H16 Bolex Reflex camera*
>
> Make your own film stock: Emulsion 101
> -
> *coat, dry, shoot, process and project your very own film stock! You'll
> learn about ripening, shredding, washing, sensitizing and stabilizing the
> emulsion. *
>
> ** 35mm Film-making on Color Negative film!
> *MAKE THE JUMP TO 35MM learn how
> to load, focus, run, maintain and operate the Arri 435 camera kit. *
>
> Hand-processing B/W Reversal Film with D-19
>  - *mix our own chemistry then
> take a 100’ roll of film through each stage of the reversal process!*
>
>
> *SUMMER SCREENINGS! *
> Connectivity Through Cinema with *Deborah S. Phillips:* Including two
> premieres: IM GRÜNEN BEREICH, 2017 and NACH OSTEN SCHAUEN, 2017
>
> Connectivity Through Cinema with *Julie Orlick* : Including the premiere
> of Queen Bettie, 2017 (co-produced by MONO NO AWARE)
>
> Connectivity Through Cinema with *Sandy Ding* : Including the New York
> premiere of NIGHT AWAKE, 16mm.
>
> *SUPPORT FOR YOU! *
>
> MONO NO AWARE has a full list of rental equipment: cameras, lights,
> projectors, and facilities; optical printer, flat bed editor, darkroom
> access and more. Visit our home office in downtown Brooklyn or say hello at
> any of our public events in the months ahead : )
>
> Hope to see you all this summer!
>
> Steve Cossman
> Founder / Director
> ◅
> *MONO NO AWARE*
> 501c3 Cinema Arts Non-Profit Organization
> e: mononoawarefilm.com c: +1 267 456-1143
>
> ___
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>
>
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Re: [Frameworks] Looking for Nizo 6080 service manual

[Anthony Yanick]

http://www.mondofoto.com/manuals/nizo_6080-6056.pdf

On Wed, Jun 6, 2018 at 3:56 AM, Albert Alcoz  wrote:

> try this webpage:
>
> https://super8exchange.com/camera_instructions.php
>
> On Wed, Jun 6, 2018 at 12:26 AM, mike piso  wrote:
>
>> Sorry if this is inappropriate to post here, but I recently recieved a
>> Nizo 6080 super 8 camera with motor issues - wondering if anybody on this
>> list had access to a service manual?
>>
>> Thanks
>>
>> ___
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>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
>
> --
> http://visionaryfilm.net/ 
> http://albertalcoz.com/ 
>
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Re: [Frameworks] Electronic Soundtracks for Avant-Garde Films

[Anthony Yanick]

Tarkvosky used the ANS synthesizer

On Tue, Dec 26, 2017 at 9:58 PM, C Keefer  wrote:

> A correction re the John Stehura film, mentioned in Albert's first post
> below. * Cibernetik 5.3* (note correct spelling) was made between
> 1960-65. Not 1968. Center for Visual Music is the distributor for this film.
>
> John's older page about the film with this data is at
> http://cyberanimation.tripod.com/
> Please note the CVM addresses are quite old, but the CVM phone number and
> email are correct there.
>
> Other films for Albert's list:
> *Allures* (1961) by Jordan Belson, sound by Belson and Henry Jacobs.
>
> More films by Jordan Belson including
> *LSD* (c. 1962), sound by Belson
> *Seance *(1959), sound by Pierre Schaffer
>
> *Odds and Ends* (1959) by Jane Conger Belson Shimane, sound by Henry
> Jacobs
>
> Also
> Hank Stockert's *Scope Two*, sound by Henry Jacobs
>
> Cindy Keefer
> Center for Visual Music
> www.centerforvisualmusic.org
> CVM email is cvmaccess at gmail dot com
>
> On Thu, Dec 21, 2017 at 4:00 AM, 
> wrote:
>
>>
>> -- Forwarded message --
>>
>> From: Albert Alcoz 
>> To: Experimental Film Discussion List 
>> Date: Thu, 21 Dec 2017 12:38:59 +0100
>> Subject: [Frameworks] Electronic Soundtracks for Avant-Garde Films
>> Hello all,
>>
>>
>>
>> After asking about jazz
>> ​ and​
>> ​ music an experimental film
>> ​, ​
>> and feeling grateful for all the answers​, I was wondering about the
>> connections between early electronic music and avant-garde film.
>> ​ ​
>> Recently I watched *OFFON* (1967-72) by Scott Bartlett with a “sound
>> composition” by Manny Meyer.
>>
>>
>> Again, there should be plenty of avant-garde films where the soundtrack
>> is instrumental electronic music or experimental
>> ​abstract ​
>> sound created with magnetic tape recorders, synthesizers, electronic
>> tools, etc.
>>
>>
>>
>> Maybe one question would be to define what is considered to be early
>> electronic music but anyway, lets try it.
>>
>>
>>
>> Does anyone remember some other avant-garde films with
>> ​early ​
>> electronic music
>> ​ from the 50's, 60's, 70's even 80's​
>> ?
>>
>>
>>
>> Right now here’s the first list:
>>
>>
>>
>> *Cybernetik 5.3* (1968) by John Stehura. Music: Tod Dockstader.
>>
>>
>>
>>
>>
>>
>>
>>
>
>
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Re: [Frameworks] Voice over

[Anthony Yanick]

Chris Marker, Wim Wenders, https://vimeo.com/108736758...

On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett 
wrote:

> Hi!
> Does anyone have recommendations of films that are all voice over that are
> particularly great?
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Re: [Frameworks] Films about the clock

[Anthony Yanick]

Safety Last (1923) -- the famous Harold Lloyd hanging clock scene
https://www.youtube.com/watch?v=9SRGKc9DbyM

Speed (1994) and all the "race against the clock" type films in general
Tony


On Sat, Oct 27, 2018 at 9:50 AM Beebe, Roger W.  wrote:

> There’s a sequence in Jon Jost’s *Speaking Directly* where we are just
> forced to watch a stopwatch for several minutes that you should check out.
> My memory is that it’s fairly late in the film (all of which is worth
> watching).
>
> Best,
> Roger
>
> On Oct 27, 2018, at 8:07 AM, Albert Alcoz  wrote:
>
> Hello frameworkers,
>
>
> I’m trying to write a short article in spanish about different notions of
> time concerning contemporary experimental film and video. Since the concept
> of “time related to cinema” is almost impossible to delimit I have decided
> to concentrate just about the clock.
>
>
> So, i’m searching films and videos where the clock is an important
> object/issue for the development of the piece. By now I have just found
> appropiation works as *60 Seconds* (2002) by Christoph Girardet and *The
> Clock* (2012) by Christian Marclay but i’m sure there are dozens.
>
>
> There’s a brilliant film by Chris Gallagher named *Time Being* (2009)
> that could also be useful to theorize some ideas but I need some more
> titles.
>
>
> Any suggestions?
>
>
> Thank you all,
>
>
> Best,
>
> Albert
>
> --
> http://visionaryfilm.net/ 
> http://albertalcoz.com/ 
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