[Frameworks] Liquidol / Eco Pro...any experience???
Hi all. Hoping someone might have some input/advice here. I teach an Advanced 16mm class in which students do most of their own B+W Reversal Processing for the semester. I'm looking for a Dektol alternative that comes in liquid concentrate to avoid the powder mixing. These are what I'm considering: 1) Eco Pro Chemicals: https://www.digitaltruth.com/products/ecopro_overview.php <https://www.digitaltruth.com/products/ecopro_overview.php?fbclid=IwAR2rT4rxzOTenuF_RMWWLS1C40P6LR6EpZavbAllUz-v195_0bu6SUuLG5g> Eco pro makes eco-friendly developer, stop, fix might be good for the students and their nervous sloshings around. 2) Liquidol: http://stores.photoformulary.com/liquidol-paper-developer/ <http://stores.photoformulary.com/liquidol-paper-developer/?fbclid=IwAR3n1UBp9sU9_z8EqIW-bBGHrQv3rdln197YwnmiJkAtEKuLITE4aoZBP9g> Designed as a high-yield Dektol substitute. I've tried both and get solid results with small test strips. Still haven't run a full 100', but I feel like they're good options. Has anyone had any experience with either one?? Many thanks, Ben -- Ben Balcom he/him/his benbalcom.com microlightscinema.com benbal...@gmail.com 414-902-0236 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] tips for shooting on print stock?
> >>> frameworks@jonasmekasfilms.com >> >>> >> >>> To subscribe or unsubscribe via the World Wide Web, visit >> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >>> or, via email, send a message with subject or body 'help' to >> >>> frameworks-requ...@jonasmekasfilms.com >> >>> >> >>> You can reach the person managing the list at >> >>> frameworks-ow...@jonasmekasfilms.com >> >>> >> >>> When replying, please edit your Subject line so it is more specific >> >>> than "Re: Contents of FrameWorks digest..." >> >>> Today's Topics: >> >>> >> >>>1. Re: Barbara Hammer, RIP (Dominic Angerame) >> >>>2. tips for shooting on print stock? (trevor adams) >> >>>3. Re: tips for shooting on print stock? (Scott Dorsey) >> >>>4. Re: tips for shooting on print stock? (Nicole Baker) >> >>> >> >>> >> >>> >> >>> -- Forwarded message -- >> >>> From: Dominic Angerame >> >>> To: Experimental Film Discussion List > > >> >>> Cc: >> >>> Bcc: >> >>> Date: Mon, 18 Mar 2019 09:23:19 -0400 >> >>> Subject: Re: [Frameworks] Barbara Hammer, RIP >> >>> I am so sorry to hear this. I worked with Barbara for many years while >> >>> at >> >>> Canyon Cinema and always admired her courage, strength and commitment >> to >> >>> avant- cinema and women filmmakers around the world. >> >>> >> >>> Her dynamic energy is certainly a loss to the community. >> >>> >> >>> Dominic Angerame >> >>> >> >>> Sent from my iPhone >> >>> >> >>> On Mar 17, 2019, at 10:54 PM, Ruth Hayes >> wrote: >> >>> >> >>> Hi all, >> >>> >> >>> I just want to acknowledge Barbara Hammer’s passing, her influence on >> so >> >>> many experimental filmmakers, including myself, and her courage, >> >>> playfulness and indomitable spirit. >> >>> >> >>> Peace, >> >>> >> >>> Ruth Hayes >> >>> >> >>> http://www.randommotion.com >> >>> >> >>> blogs.evergreen.edu/hayesr >> >>> >> >>> ___ >> >>> FrameWorks mailing list >> >>> FrameWorks@jonasmekasfilms.com >> >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >>> >> >>> >> >>> >> >>> >> >>> -- Forwarded message -- >> >>> From: trevor adams >> >>> To: Experimental Film Discussion List > > >> >>> Cc: >> >>> Bcc: >> >>> Date: Mon, 18 Mar 2019 16:20:12 + >> >>> Subject: [Frameworks] tips for shooting on print stock? >> >>> Hiya one'n all, >> >>> >> >>> I'm seeking any advice/ tips for shooting on 3383 color vision print >> >>> stock, with a bolex. Everybody I've spoken to says use an ASA of 5, >> I'm >> >>> not sure if i should even take light readings? Anything would be >> >>> helpful... >> >>> Thanks, >> >>> Trevor Adams >> >>> >> >>> Sent from Outlook <http://aka.ms/weboutlook> >> >>> >> >>> >> >>> >> >>> -- Forwarded message -- >> >>> From: Scott Dorsey >> >>> To: frameworks@jonasmekasfilms.com >> >>> Cc: >> >>> Bcc: >> >>> Date: Mon, 18 Mar 2019 14:25:49 -0400 >> >>> Subject: Re: [Frameworks] tips for shooting on print stock? >> >>> 5 seems optimistic. Shoot a test. >> >>> --scott >> >>> >> >>> >> >>> >> >>> >> >>> -- Forwarded message -- >> >>> From: Nicole Baker >> >>> To: Experimental Film Discussion List > > >> >>> Cc: >> >>> Bcc: >> >>> Date: Mon, 18 Mar 2019 15:12:57 -0700 >> >>> Subject: Re: [Frameworks] tips for shooting on print s
Re: [Frameworks] Digital Projector Recommendation
Thanks Jeff! On Thu, Aug 24, 2017 at 5:12 PM Jeff Kreines <j...@kinetta.com> wrote: > projectorcentral.com always has trustworthy reviews of projectors in all > price ranges. Worth checking. > > Jeff Kreines > Kinetta > j...@kinetta.com > kinetta.com > > Sent from iPhone. > > On Aug 24, 2017, at 9:28 AM, Ben Balcom <benbal...@gmail.com> wrote: > > Hello Frame-brain, > > I'm wondering if anyone has a strong recommendation for small digital > projectors. I've been using a Mitsubishi HC3000 for years. Couldn't be > happier, but we've been borrowing form a University and it's time to stop > exhausting their resources. > > We screen in relatively small spaces, typically for crowds of 20 - 50. > Ideally it won't break the bank, but I'm under the impression that the $600 > range of projectors is likely to disappoint. > > Any recommendations would be greatly appreciated. Thanks! > > -- > Ben Balcom > benbalcom.com > microlightscinema.com > benbal...@gmail.com > 414-902-0236 > > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > -- Ben Balcom benbalcom.com microlightscinema.com benbal...@gmail.com 414-902-0236 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Digital Projector Recommendation
Hello Frame-brain, I'm wondering if anyone has a strong recommendation for small digital projectors. I've been using a Mitsubishi HC3000 for years. Couldn't be happier, but we've been borrowing form a University and it's time to stop exhausting their resources. We screen in relatively small spaces, typically for crowds of 20 - 50. Ideally it won't break the bank, but I'm under the impression that the $600 range of projectors is likely to disappoint. Any recommendations would be greatly appreciated. Thanks! -- Ben Balcom benbalcom.com microlightscinema.com benbal...@gmail.com 414-902-0236 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Milwaukee Underground 2017 - CFE
Hi, I'm not sure if this last email went through. Could you please confirm receipt? On Sat, Jan 7, 2017 at 12:35 PM, Ben Balcom <benbal...@gmail.com> wrote: > Hello all, > > We are delighted to announce that submissions are open for the 2017 > edition for the Milwaukee Underground Film Festival. The deadline for > submissions is *February 15th*, so please don't hesitate! It's $15 for > one entry and $20 for multiple entries. Our entry fee is waived if you have > exhibited at MUFF in the past. Here's a link to our submission page: > http://film-milwaukee.org/submissions/ > > The Milwaukee Underground Film Festival is a student-run, international > film festival dedicated to showcasing contemporary works of film and video > that innovate in form, technique, and content. This annual event exhibits > independent films from around the world. We are interested in publicly > presenting the best in artistic, experimental, original, humorous, > political and visionary film and video work. > > Questions can be directed to m...@film-milwaukee.org > > Cheers! > > > -- > Ben Balcom > benbalcom.com > microlightscinema.com > benbal...@gmail.com > 414-902-0236 <(414)%20902-0236> > > -- Ben Balcom benbalcom.com microlightscinema.com benbal...@gmail.com 414-902-0236 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Milwaukee Underground 2017 - CFE
Hello all, We are delighted to announce that submissions are open for the 2017 edition for the Milwaukee Underground Film Festival. The deadline for submissions is *February 15th*, so please don't hesitate! It's $15 for one entry and $20 for multiple entries. Our entry fee is waived if you have exhibited at MUFF in the past. Here's a link to our submission page: http://film-milwaukee.org/submissions/ The Milwaukee Underground Film Festival is a student-run, international film festival dedicated to showcasing contemporary works of film and video that innovate in form, technique, and content. This annual event exhibits independent films from around the world. We are interested in publicly presenting the best in artistic, experimental, original, humorous, political and visionary film and video work. Questions can be directed to m...@film-milwaukee.org Cheers! -- Ben Balcom benbalcom.com microlightscinema.com benbal...@gmail.com 414-902-0236 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] looking for a video...
Hello hive mind, This might be a serious long shot, but sometime in the past year I saw an excerpt posted somewhere of a film/video (?) that was shot in the streets in which there were numerous television monitors that would be zoomed into/out of from various anglges...how's that for specificity? I am trying to recollect what that was and where I even saw it...does this ring *ANY *bells for anyone??? Many thanks, Ben -- Ben Balcom microlightscinema.com benbal...@gmail.com 847.691.6636 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] looking for a video...
AHA! Thank you, David! It was TV Interruptions: TV Shoot-out piece, which is up here: https://vimeo.com/80365655 Thank you thank you thank you -bb On Sat, Jul 4, 2015 at 2:20 PM, David Kidman david.kid...@gmail.com wrote: Is it David Hall's TV Interruption ? I think you can find quotes online on Vimeo. David Kidman On 4 Jul 2015 21:04, Ben Balcom benbal...@gmail.com wrote: Hello hive mind, This might be a serious long shot, but sometime in the past year I saw an excerpt posted somewhere of a film/video (?) that was shot in the streets in which there were numerous television monitors that would be zoomed into/out of from various anglges...how's that for specificity? I am trying to recollect what that was and where I even saw it...does this ring *ANY *bells for anyone??? Many thanks, Ben -- Ben Balcom microlightscinema.com benbal...@gmail.com 847.691.6636 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- Ben Balcom microlightscinema.com benbal...@gmail.com 847.691.6636 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] super-8 repair in boston area
in boston for a few days wondering who does super-8 repairs in the area? many thanks! -- Ben Balcom benbal...@gmail.com 847.691.6636 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Fwd: MIGC 2014 CALL FOR PAPERS CREATIVE WORK
I'm not sure if this got through to the list the first time around... Hello Frameworkers, The 2014 Midwest Interdisciplinary Graduate Conference, hosted by UW-Milwaukee, has an call for papers and creative submissions. The call is only open to current graduate students. Please submit your work and/or your writing! The topic of this year's conference is ANIMACY. The deadline for submissions is November 20th. Call for papers: http://themigc.com/cfp Call for creative submissions: http://themigc.com/creative-cfp Derived from linguistics, “animacy” is the condition of being alive or animate, and serves in grammar as a way to classify or rank words on this basis (*OED*). Yet the rich and overlapping senses of “animacy”, *e.g*. animate, animation, animus, and animal, reveal the term to more broadly encompass notions of agency, expressivity, sentience, cognizance, and mobility. These notions are often categorized hierarchically, and are saturated with social, cultural, and political implications. Animacy is being increasingly invoked in contemporary discourses of posthumanist and nonhumanist theory, critical ethnic studies, affect theory, object-oriented ontology, queer theory, disability studies, animal studies, eco-criticism, etc. Animacy is a way of troubling the binary of animate vs. inanimate, and instead suggests a more complex system of inter-relatedness between things. As theorist and keynote Mel Y. Chen’s book asks, how does matter that is considered immobile, insensate, or deathly, animate our cultural lives? Best wishes, Ben -- Ben Balcom benbal...@gmail.com 847.691.6636 -- Ben Balcom benbal...@gmail.com 847.691.6636 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] MIGC 2014 CALL FOR PAPERS CREATIVE WORK
Hello Frameworkers, The 2014 Midwest Interdisciplinary Graduate Conference, hosted by UW-Milwaukee, has an call for papers and creative submissions. The call is only open to current graduate students. Please submit your work and/or your writing! The topic of this year's conference is ANIMACY. The deadline for submissions is November 20th. Call for papers: http://themigc.com/cfp Call for creative submissions: http://themigc.com/creative-cfp Derived from linguistics, “animacy” is the condition of being alive or animate, and serves in grammar as a way to classify or rank words on this basis (*OED*). Yet the rich and overlapping senses of “animacy”, *e.g*. animate, animation, animus, and animal, reveal the term to more broadly encompass notions of agency, expressivity, sentience, cognizance, and mobility. These notions are often categorized hierarchically, and are saturated with social, cultural, and political implications. Animacy is being increasingly invoked in contemporary discourses of posthumanist and nonhumanist theory, critical ethnic studies, affect theory, object-oriented ontology, queer theory, disability studies, animal studies, eco-criticism, etc. Animacy is a way of troubling the binary of animate vs. inanimate, and instead suggests a more complex system of inter-relatedness between things. As theorist and keynote Mel Y. Chen’s book asks, how does matter that is considered immobile, insensate, or deathly, animate our cultural lives? Best wishes, Ben -- Ben Balcom benbal...@gmail.com 847.691.6636 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Contact for Robert Fenz
Hello, Does any have contact information for Robert Fenz that they can share? If so, please contact me off list: benbal...@gmail.com Many thanks, _Ben -- Ben Balcom benbal...@gmail.com 847.691.6636 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
