[Frameworks] Jazz thread

2017-11-20 Thread Noe Kidder 
I think of Cassavetes
This article may be of interest:
http://www.corpusfluxus.org/Pages/works_events/lectureMingus.html

On Mon, Nov 20, 2017 at 8:25 AM, 
wrote:

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>
>1. Re: Jazz Music and Avant-Garde Film (Jorge Lorenzo Flores Garza)
>2. Farewell Party for Taka & Akiko Iimura TONIGHT 6-9pm,
>   Microscope Gallery in Brooklyn (LBurchill)
>3. Re: Jack Stauffacher (Stephen Anker)
>
>
> -- Forwarded message --
> From: Jorge Lorenzo Flores Garza 
> To: Experimental Film Discussion List 
> Cc:
> Bcc:
> Date: Sun, 19 Nov 2017 15:58:54 +
> Subject: Re: [Frameworks] Jazz Music and Avant-Garde Film
>
> Also, Adam Rosen and John Creson do very interesting live visuals for
> Micheal Snow's and John Oswald's CCMC concerts up in Toronto nowadays.
>
>
> --
> *De:* FrameWorks  en nombre de
> Beebe, Roger W. 
> *Enviado:* jueves, 9 de noviembre de 2017 04:34 p. m.
> *Para:* Experimental Film Discussion List
> *Asunto:* Re: [Frameworks] Jazz Music and Avant-Garde Film
>
> I think I saw Michael Snow’s name invoked somewhere in this thread, but I
> don’t think anyone mentioned that he is himself a jazz musician.  I saw a
> show at Hallwall’s in Buffalo years ago where Snow where they included a
> piece called REVERBERLIN made of footage of a performance of his ensemble
> CCMC:
>
> http://www.hallwalls.org/media-arts/4675.html
> 
> Michael Snow - Beyond/In Western New York: Michael Snow - Film and Video -
> 10/13/07 
> www.hallwalls.org
> Beyond/In Western New York artist Michael Snow presents an evening of
> films and videos featuring: THE LIVING ROOM (2002); TRIAGE (2004, with Carl
> Brown and soundtrack by John Kamevaar); REVERBERLIN (2006, featuring CCMC
> -- an improv ensemble founded by Snow in 1974).
>
>
> FYI,
> Roger
>
> On Nov 9, 2017, at 11:21 AM, Esperanza Collado <
> esperanzacolla...@gmail.com> wrote:
>
> Hey Albert,
>
> What a great thread! Did anyone mention Shirley Clark? Can't remember the
> title.
>
> Also, some of the animated films of Suzan Pitt use jazz music. Asparagus
> for sure.
>
> You may want to check Christopher McLain's works too... i could be wrong.
>
> Will keep thinking...
>
>
>
> El El jue, 9 nov 2017 a las 16:42, tanya g  escribió:
>
> Albert,
>
> Thank you for initiating this thread. I apologize if this was already
> mentioned but in my research I came across two others: Surprise Boogie
> (1956) direted by Albert Pierru and sponsored film *Skyscraper* by Clarke
> and Van Dyke from 1959, if memory serves.
>
> Two non-avant garde that may be nonetheless of interest are:
>
> *Cry of Jazz *(Ed Bland, 1959)
> https://en.wikipedia.org/wiki/Cry_of_Jazz
>
> Jammin' The Blues (1944)
> https://www.youtube.com/watch?v=BIFJ81RIyVk
>
>
>
> 
>
> On Wed, Nov 8, 2017 at 3:13 AM, Albert Alcoz 
> wrote:
>
> Hello,
>
> I was wondering about the connections between jazz music and avant-garde
> film after watching *Bridges-Go-Round* (1958) by Shirley Clarke, with the
> soundtrack version created by Teo Macero.
>
> There should be plenty of avant-garde and experimental films where the
> soundtrack is instrumental jazz music. Maybe the field of Visual Music
> should be the most represented but i'm sure there are other films like the
> one by Michael Snow that uses, in this case, free jazz music or
> improvisation.
>
> Does anyone remember some other avant-garde films with jazz soundtracks?
>
> Right my list is as follows:
>
> *Begone Dull Care* (1949) by Norman McLaren. Music by Oscar Peterson
>
> *Films No. 1* (1948) by Harry Smith. Music by Dizzy Gillespie
>
> *Chasse des Touches* (1959) by Hy Hirsh. Music by Thelonious Monk
>
> *Catalog* (1961) by John Whitney. Music by Ornette Coleman
>
> *New York Eye and Ear Control *(1964) by Michael Snow. Music by
> Albert Ayler, Don Cherry, etc.
>
> Thanks in advance,
>
> Albert Alcoz
>
>
> --
> http://visionaryfilm.net/ 
> http://albertalcoz.com/ 
>
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[Frameworks] Looking to buy 16mm split reel in good condition

2017-11-17 Thread Noe Kidder 
Is it possible to post in your listing? Thank you! Noe Kidder
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Re: [Frameworks] FrameWorks Digest, Vol 74, Issue 12

2016-07-15 Thread Noe Kidder 
I'm curious to hear what you find out! Noe

On Fri, Jul 15, 2016 at 8:00 AM, 
wrote:

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> Today's Topics:
>
>1. Re: working with salt (lindsay mcintyre)
>2. Re: working with salt (amanda)
>3. Re: working with salt (alena williams)
>4. Seeking Transcription for "Poetry and Film: A Symposium"
>   (Ken Paul Rosenthal)
>
>
> -- Forwarded message --
> From: lindsay mcintyre 
> To: Experimental Film Discussion List 
> Cc:
> Date: Thu, 14 Jul 2016 19:59:58 +0200
> Subject: Re: [Frameworks] working with salt
> crystals of salt - table, sea salt and other large crystals make lovely
> bubbly marks on film with a dilute solution of bleach.
>
> lindsay
>
>
> On Tue, Jul 12, 2016 at 6:38 PM, 40 Frames  wrote:
>
>>
>> You might ask Robert Schaller, or those who have attended one of his
>> camps. He does a summer camp in the San Juan Island, and
>> I believe they use salt water in the processing.
>>
>> Alain
>>
>>
>>
>> On Tue, Jul 12, 2016 at 6:08 AM, Amanda Christie <
>> ama...@amandadawnchristie.ca> wrote:
>>
>>> hello all!
>>>
>>> I'm curious about what sort of processes are out there for working with
>>> salt and film.
>>>
>>> I have a residency on Prince Edward Island for the month of August,
>>> where I will be getting back to handmade film after a too-long hiatus...
>>> and since I will be surrounded by ocean... I'd like to work with salt and
>>> salt water from the ocean
>>>
>>> Any tips, tricks, techniques, or experiments that you'd like to share
>>> about working with salt would be much appreciated!
>>>
>>> Thanks so much!
>>>
>>> xoadc
>>>
>>>
>>>
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
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>>>
>>
>>
>>
>> --
>> 40 FRAMES
>> Portland, Oregon USA
>>
>> +1 503 231 6548
>> www.40frames.org
>> www.16mmdirectory.org
>>
>>
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>
>
> -- Forwarded message --
> From: amanda 
> To: Experimental Film Discussion List 
> Cc:
> Date: Thu, 14 Jul 2016 16:28:16 -0300
> Subject: Re: [Frameworks] working with salt
> Thanks Lindsay!
>
> Can you give some more details on that process, or point me toward some
> resources that do?
>
> Thanks!
>
> xoadc
>
> Sent from my iPhone
>
> On Jul 14, 2016, at 2:59 PM, lindsay mcintyre 
> wrote:
>
> crystals of salt - table, sea salt and other large crystals make lovely
> bubbly marks on film with a dilute solution of bleach.
>
> lindsay
>
>
> On Tue, Jul 12, 2016 at 6:38 PM, 40 Frames  wrote:
>
>>
>> You might ask Robert Schaller, or those who have attended one of his
>> camps. He does a summer camp in the San Juan Island, and
>> I believe they use salt water in the processing.
>>
>> Alain
>>
>>
>>
>> On Tue, Jul 12, 2016 at 6:08 AM, Amanda Christie <
>> ama...@amandadawnchristie.ca> wrote:
>>
>>> hello all!
>>>
>>> I'm curious about what sort of processes are out there for working with
>>> salt and film.
>>>
>>> I have a residency on Prince Edward Island for the month of August,
>>> where I will be getting back to handmade film after a too-long hiatus...
>>> and since I will be surrounded by ocean... I'd like to work with salt and
>>> salt water from the ocean
>>>
>>> Any tips, tricks, techniques, or experiments that you'd like to share
>>> about working with salt would be much appreciated!
>>>
>>> Thanks so much!
>>>
>>> xoadc
>>>
>>>
>>>
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>
>>
>>
>> --
>> 40 FRAMES
>> Portland, Oregon USA
>>
>> +1 503 231 6548
>> www.40frames.org
>> www.16mmdirectory.org
>>
>>
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>>
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