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** This week [June 25 - July 3, 2016] in avant garde cinema
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Early Monthly Segments #85 = Corinne & Arthur Cantrill + Amanda Dawn Christie
(#anchor6) [June 28, Toronto, Ontario, Canada]
JOB AVAILABLE:
Associate Director of Programming (Ann Arbor Film Festival)
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NEW CALLS FOR ENTRIES:
P.O.V. International Shortfilm Festival (Berlin, Germany; Deadline: August 31,
2016)
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P.O.V. International Shortfilm Festival (Berlin, Germany; Deadline: August 31,
2016)
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the8fest (Toronto, Canada; Deadline: September 30, 2016)
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The 23rd National Juried Exhibition (Salisbury, MD 21801; Deadline: July 01,
2016)
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Consumer Grade Film Fest (Carbondale, IL, USA; Deadline: August 01, 2016)
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MONO NO AWARE X (Brooklyn, NY, USA; Deadline: September 16, 2016)
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DEADLINES APPROACHING:
Shriekfest Film Festival (Los Angeles, CA USA; Deadline: July 10, 2016)
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Edinburgh Short Film Festival (Edinburgh; Deadline: June 27, 2016)
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Antimatter [Media Art] (Victoria, BC, Canada; Deadline: July 22, 2016)
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L'Alternativa, 23rd Barcelona Independent Film Festival (Barcelona, Spain;
Deadline: July 01, 2016)
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Festival of (In)appropriation #9 (Los Angeles, CA, USA; Deadline: July 01, 2016)
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The 23rd National Juried Exhibition (Salisbury, MD 21801; Deadline: July 01,
2016)
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Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* I See Festival Program 1 (#anchor1) [June 25, New York, New York]
* I See Festival Program 2 (#anchor2) [June 25, New York, New York]
* I Am Eye Independent Film Forum (1982-19910: A Moment From the Temporary
Autonomous Zone (#anchor3) [June 26, Brooklyn, New York]
* I See Festival Program 3 (#anchor4) [June 26, New York, New York]
* Movements Phill Niblock (#anchor5) [June 28, Barcelona, Spain]
* Early Monthly Segments #85 = Corinne & Arthur Cantrill + Amanda Dawn Christie
(#anchor6) [June 28, Toronto, Ontario, Canada]
* Edge of Frame Programme One: With Special Guest Jordan Baseman (#anchor7)
[June 30, London, England]
* Star-Spangled To Death, Parts 1 & 2 (#anchor8) [July 2, New York, New York]
* Risco Cinema - Trans(A)Bordagens/Films By Joel Pizzini (#anchor9) [July 2,
Rio de Janeiro - Brazil]
* Star-Spangled To Death, Parts 3 & 4 (#anchor10) [July 3, New York, New York]
SATURDAY, JUNE 25, 2016
6/25
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4f01a63fce&e=4e65756555
6:00 pm, 32 2nd Ave.
I SEE FESTIVAL PROGRAM 1
The more that I see the less that I know for sure.” –John Lennon The I SEE
International Video Art Festival was founded in 2013 by the artists Constantin
Hartenstein and Clemens Wilhelm. In 2015, the second edition of the I SEE
International Video Art Festival once again revealed the latest developments in
contemporary video art. The festival began in Berlin (Germany), traveled to
Beijing, Guangzhou, Chongqing, and Shenzhen (China) to connect these five
vibrant video art scenes, and will now arrive in New York City. The festival
sets out to present groundbreaking video art works by emerging and well-known
international artists who examine the impact of technological and aesthetic
inventions. Three screening programs – THE END OF THE IMAGE AS WE KNOW IT, POST
EVERYTHING, and THE ANIMAL WITHIN – present unique artistic approaches to
animalistic instincts, the omnipresent influence of technology on society, and
concepts of post-futures. PROGRAM 1: THE END OF THE IMAGE AS WE KNOW
IT This program examines constructed digital entities and reevaluates social
norms. It bends the boundaries of original content and newly created context in
a consumer-driven reality. In treating the frame as a space to break apart
filmic forms and narratives, the works in the program look at ways to juxtapose
diverse narratives and stylistic elements. How are the images of the past
reassembled in the present? Would you like to become an alpha-male overnight?
Is the image of an old white male ruling class still adequate? How does the
experience of war change the image of home? What if there was a superhero with
the special powers of a uterus? How can your family appear more happy in
photos? Li Ran FROM TRUCK DRIVER TO THE POLITICAL COMMISSAR OF THE MOUNTED
TROOPS (2012, 9 min, digital, b&w) Constantin Hartenstein ALPHA (2014, 11 min,
digital) Julia Charlotte Richter THE SMELL OF RAIN (2015, 15 min, digital)
Bjørn Melhus I’M NOT THE ENEMY (2011, 14 min, digital) Lu Yang UTERUS
MAN (2013, 11 min, digital) OQ Rizki Resa Utama THE HAPPY FAMILY (2013, 7 min,
digital) Total running time: ca. 70 min.
6/25
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=fda0773fc1&e=4e65756555
8:00 pm, 32 2nd Ave.
I SEE FESTIVAL PROGRAM 2
PROGRAM 2: THE ANIMAL WITHIN THE ANIMAL WITHIN combines videos that deal with a
new kind of wild behavior and creative expression – either within ourselves or
as a reaction to a vanishing fauna. Inspired by 17th century painting, hunting
videos on YouTube, or Hitchcockian scenarios, this program presents works that
elaborate upon spiritualism, the emotional tension between mankind and the
wilderness, and the capacity for death to act as a reminder of the animalistic
nature of our being. What do we feel after we shoot an animal? Why do birds
look at us with disinterest? What happens to the soul in the forest? What is
the difference between humans and dogs? Neozoon BUCK FEVER (2012, 6 min,
digital) Ulu Braun BIRDS (2014, 15 min, digital) Trond Ansten 17 TONES OF WHITE
(2015, 27 min, digital) Wojtek Doroszuk FESTIN (2013, 20 min, digital) Total
running time: ca. 70 min.
SUNDAY, JUNE 26, 2016
6/26
Brooklyn, New York: Microscope Gallery
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7:30pm, 1329 Willoughby Ave, 2B
I AM EYE INDEPENDENT FILM FORUM (1982-19910: A MOMENT FROM THE TEMPORARY
AUTONOMOUS ZONE
Super 8 and 16mm films from the co-founders and main participants of former
Washington DC underground screening series founded in 1982 by Pam Kray, Paul
Bishow and Pierre Devaux. “I AM EYE” held its first screening in March of that
same year at dc space, a bar and performance venue in downtown DC, where Kray
worked at the time and which she had approached about presenting “screenings
that would be noncommercial nor hierarchical in nature”. With a founding
principle that no one bringing a movie to screen would be turned away, I AM
EYE’s low-key and inclusive atmosphere allowed for a maverick programming that
quickly expanded from locals to under-the-radar filmmakers from New York such
as Nick Zedd and Richard Kern’s “Cinema of Transgression” movement, as well as
from Baltimore, Boston, San Francisco, and even France and Germany. It was also
there that Jeff Krulick and Joyn Heyn's "Heavy Metal Parking Lot" made its
debut in 1986. Over the course of 9 years, two Mondays per
month, I AM EYE provided a quintessential outlet for DC based and visiting
filmmakers to show their freshly completed films to friends and a wider
audience at a time when the city was an extremely prolific laboratory of music,
film, and theater. I AM EYE came to an halt in 1991 upon the closing of dc
space, despite an attempt at keeping the series alive at other DC venues. Full
Program: www.microscopegallery.com. Admission $8, Students $6 w/ valid ID.
tel:347.925.144, i...@microscopegallery.com. Jefferson St L (exit Starr St)
6/26
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=dd51411b14&e=4e65756555
7:30 pm, 32 2nd Ave.
I SEE FESTIVAL PROGRAM 3
PROGRAM 3: POST EVERYTHING The POST EVERYTHING program points out the
relationship between innovative aesthetics that transform cultural output and
the past as a resource for the construction of the present and the future. It
reveals a world that fetishizes the new as a surplus value. A small step
forward can shake up all definitions. Can you turn a desert into a utopian
city? How do we relate to world-changing media events? Are we happy with
simulacra instead of the real things? And how can one be an artist in a
hyperreal world? Niklas Goldbach LAND OF THE SUN (2015, 12 min, digital) Franz
Reimer JUSTICE HAS BEEN DONE (2014, 8 min, digital) Clemens Wilhelm SIMULACRA
(2015, 33 min, digital) Erkka Nissinen MATERIAL CONDITIONS OF INNER SPACES
(2014, 15 min, digital) Total running time: ca. 70 min.
TUESDAY, JUNE 28, 2016
6/28
Barcelona, Spain: Crater Lab
7 PM, Carrer de Sant Guillem, 17
MOVEMENTS PHILL NIBLOCK
Crater Lab presenta un programa especial dedicado al trabajo de PHILL NIBLOCK,
veterano compositor minimalista norteamericano. Sus potentes e intensos drones
musicales y sus películas de la serie "The movement of people working" han dado
la vuelta al mundo. Para esta ocasión imperdible, contaremos con su presencia
compartiendo la noche con una habitual colaboradora suya, la videoartista
polaca Katherine Liberovskaya, que centra su trabajo en la búsqueda de una
"música" improvisada para los ojos. Contaremos también con tres destacados
músicos y compositores, experimentados interpretes de este tipo de repertorio:
la flautista norteamericana Barbara Held, el guitarrista francés Didier Aschour
y el percusionista francés Stéphane Garin. Una velada en dos partes que promete
ser intensa y única. Están avisados! --------------------- PROGRAMA 1ª parte
Video: Katherine Liberovskaya Música en directo: Barbara Held, Didier Aschour,
Stéphane Garin 2a parte Música en directo y video :
Phill Niblock Held Tones (1982, 22:40) Barbara Held: flautaOctavio Perc (2014,
20:45) Julien Ottavi, recorded samples;Stephane Garin: percusiónFirst Out
(2015, 22:14) David First, recorded samples;Didier Aschour: live Video de la
serie "The Movement of People Working": China 88, Japón89, Brasil84
6/28
Toronto, Ontario, Canada: Early Monthly Segments
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5c41b8709c&e=4e65756555
8:00 PM, Gladstone Hotel, 1214 Queen Street West
EARLY MONTHLY SEGMENTS #85 = CORINNE & ARTHUR CANTRILL + AMANDA DAWN CHRISTIE
Tonight we offer a rare screening of imported prints of two 16mm films from the
prolific Australian duo Arthur and Corinne Cantrill. For over 50 years, the
couple have contributed to a local and national Australian experimental film
scene by making films, organizing events and publishing the long-running
Cantrills Filmnotes (1971-2000), which connected their local and regional
activities to global experimental film culture. One of the re-occurring tropes
of the more than one hundred films by the Cantrills is colour separation, using
a three-pass process of shooting black and white film through red, green and
blue filters to make a final colour print, that shows both the colour process
and allows the movement of colour in and out of alignment to speak to the
passing of time. Experiments in Three-Colour Separation is one such film, made
in 1980. Corinne Cantrill’s film At Eltham from 1974 explores her fascination
with Australian landscapes and introduces her interest in playing
the 16mm camera functions as a musical instrument. In an essay, Corinne notes
she subtitled the film ‘A Metaphor on Death’ referring to their despair, at the
time, about their future as filmmakers in Australia and their decision to leave
the country temporarily. We open with Moncton’s Amanda Dawn Christie with her
2006 experimental dance film Three Part Harmony: Composition in RGB #1 whose
images were recombined into full colour through optical printing one frame at a
time. The gestures in this dance work explore the psychological fracturing and
reunification in representations of the female body. Programme: Experiments in
Three-Colour Separation, Arthur + Corinne Cantrill, Australia, 1980, 16mm, 20
minutes At Eltham – A Metaphor on Death, Corinne Cantrill, Australia, 1974,
16mm, 24 minutes Three Part Harmony: Composition in RGB #1, Amanda Christie,
Canada, 2006, 16mm, 6 minutes
THURSDAY, JUNE 30, 2016
6/30
London, England: Edge of Frame
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20:00, DIY Space for London, 96-108 Ormside Street SE15 1TF
EDGE OF FRAME PROGRAMME ONE: WITH SPECIAL GUEST JORDAN BASEMAN
Edge of Frame presents an evening of films exploring ideas of experimental
documentary, moving image portraiture and abstraction, including works by
special guest Jordan Baseman. Jordan will show a selection of his work followed
by a Q&A. Preceding this will be a programme of films connecting to the themes
and processes of Jordan's practice, which combines creative non-fiction and
interview-based works with hand-processed film and stop motion techniques.
Jordan Baseman is a visual artist, filmmaker and Head of Sculpture at the Royal
College of Art. Edge of Frame seeks to provide a space for artists working at
the intersection of experimental animation, artists’ moving image and
experimental film. Visit www.edgeofframe.co.uk/events for more details. Entry
£3.00 on the door DIY Space for London, 96-108 Ormside Street SE15 1TF Please
note: DIY Space for London is a member's club, open to members and their guests
only. Membership only costs £2 and takes 48 hours to take effect.
Join and pay at diyspaceforlondon.org
SATURDAY, JULY 2, 2016
7/2
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c15bce705d&e=4e65756555
32 2nd Ave., New York, NY.
STAR-SPANGLED TO DEATH, PARTS 1 & 2
by Ken Jacobs 1956-60/2003-04, 209 min + 30 min intermission, digital, b&w/color
7/2
Rio de Janeiro - Brazil: Risco Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4d7b353bd2&e=4e65756555
17h, Cinematheque of MAM
RISCO CINEMA - TRANS(A)BORDAGENS/FILMS BY JOEL PIZZINI
Program with four short films made by one of the most important contemporary
filmmakers in Brazil, Joel Pizzini. The session will be followed by a
discussion with Joel Pizzini and the film researcher Fernanda Rocha Miranda.
Trans(a)bordagens/Films by Joel Pizzini: Glauces - Estudo de um rosto (2001);
Elogio da Graça (2006); Mar de Fogo (2014); Último Trem (2014). Organization:
Risco Cinema, Poló Filmes and Cinemateca do Museu de Arte de Moderna do Rio de
Janeiro.
SUNDAY, JULY 3, 2016
7/3
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2442b4a48c&e=4e65756555
6:00 pm, New York, NY.
STAR-SPANGLED TO DEATH, PARTS 3 & 4
by Ken Jacobs 1956-60/2003-04, 222 min + 30 min intermission, digital,
b&w/color This screening is part of: HIS FAVORITE FILMS IMPROVED: THE FOUND
FOOTAGE FILMS OF KEN JACOBS “An epic film shot for hundreds of dollars!
Combining found-films with my own more-or-less staged filming, it pictures a
stolen and dangerously sold-out America, allowing examples of popular culture
to self-indict. Racial and religious insanity, monopolization of wealth and the
purposeful dumbing down of citizens and addiction to war oppose a Beat
playfulness. A handful of artists costumed and performing unconvincingly appeal
to audience imagination and understanding to complete the picture. Jack Smith’s
pre-FLAMING CREATURES performance as The Spirit Not Of Life But Of Living (the
movie has raggedly cosmic pretensions), celebrating Suffering (rattled
impoverished artist Jerry Sims) at the crux of sentient existence, is a
visitation of the divine.” –K.J. “Ken Jacobs’s monumental, monstrous STAR
SPANGLED
TO DEATH…is a [seven-plus-hour] assemblage of found audio-visual material
ranging from political campaign films to animated cartoons to children’s
phonograph records, interwoven with gloriously eccentric original footage shot
mainly on the streets (and in the dumps) of late-50s New York. […] The movie is
a vast, ironic pageant of 20th-century American history and consciousness.
Fantastic street theater alternates with classroom hygiene films or dated
studies of behavioral modification; Jacobs’s performers, notably the young Jack
Smith, hobnob with Mickey Mouse, Al Jolson, and American presidents from
Franklin Roosevelt to George W. Bush. Obsession overflows as Jacobs’s private
mythology and outspoken cultural criticism merge with relentless documentation
of America’s ongoing military mobilization and institutionalized racism. […] As
a work of art, STAR SPANGLED TO DEATH has as much in common with the Watts
Towers or the Barnes Foundation as with cinema as we know it….” –J.
Hoberman
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