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** This week [March 25 - April 2, 2017] in avant garde cinema
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When I Stop Looking:
Short Films and Small Prints By Todd Edward Herman
(#anchor1) [March 25, Boulder, Colorado]
NEW CALLS FOR ENTRIES:
Fracto (Berlin; Deadline: April 20, 2017)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5ffc0eb1a7&e=4e65756555
Finger Lakes Environmental Film Festival (FLEFF) (Ithaca, NY, USA; Deadline:
April 15, 2017)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5ca106e56d&e=4e65756555
4th Annual Flamingo Film Festival (Fort Lauderdale, FL USA; Deadline: April 01,
2017)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=998a453341&e=4e65756555
#PostReality (Greece; Deadline: April 05, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8544d0c4d1&e=4e65756555
Moviate Underground Film Festival (Harrisburg, PA 17019; Deadline: April 02,
2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9911ba3611&e=4e65756555
Peripheral ARTeries, Biennial Edition 2017 (London, United Kingdom; Deadline:
May 25, 2017)
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DEADLINES APPROACHING:
Winnipeg Underground Film Festival (Winnipeg, MB, Canada; Deadline: March 31,
2017)
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9bb6792abf&e=4e65756555
Fracto (Berlin; Deadline: April 20, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=aeae44a6b4&e=4e65756555
Finger Lakes Environmental Film Festival (FLEFF) (Ithaca, NY, USA; Deadline:
April 15, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5da70067cc&e=4e65756555
4th Annual Flamingo Film Festival (Fort Lauderdale, FL USA; Deadline: April 01,
2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b1e9ab4ba4&e=4e65756555
#PostReality (Greece; Deadline: April 05, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=acc11ff3a7&e=4e65756555
Moviate Underground Film Festival (Harrisburg, PA 17019; Deadline: April 02,
2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3a2f3fa1a6&e=4e65756555
Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* When I Stop Looking:
Short Films and Small Prints By Todd Edward Herman
(#anchor1) [March 25, Boulder, Colorado]
* Paul Clipson, Shinya Sugimoto & Jeremy Young: Total Fiction / + Nathaniel
Mann (#anchor2) [March 25, Bradford]
* Flicker & Wow: Kids! (#anchor3) [March 25, Knoxville, TN]
* Kevin Jerome Everson: the Surface Below (#anchor4) [March 25, Knoxville, TN]
* Janie Geiser: Double vision (#anchor5) [March 25, Knoxville, TN]
* Jem Cohen: World Without End (No Reported Incidents) (#anchor6) [March 25,
Knoxville, TN]
* New Works Salon Xxxviii (#anchor7) [March 25, Los Angeles, California]
* Mar25: Gendreau + Waxy Tomb + Harper + Pad's 3-D (#anchor8) [March 25, San
Francisco, California]
* Paul Clipson With Shinya Sugimoto & Jeremy Young Present Total Fiction +
Nathaniel Mann (#anchor9) [March 26, Colchester]
* Flicker and Wow 1 (#anchor10) [March 26, Knoxville, TN]
* Meredith Monk: Book of Days (#anchor11) [March 26, Knoxville, TN]
* Jem Cohen: Lost Book Found (#anchor12) [March 26, Knoxville, TN]
* Flicker & Wow 2 (#anchor13) [March 26, Knoxville, TN]
* In the Street, Jemima + Johnny, the Little Girl Who Sold the Sun (#anchor14)
[March 28, Brooklyn, New York 11222]
* Flaherty Nyc Program 6 (#anchor15) [March 28, New York, New York]
* Drunktown's Finest (2014) W/ Director Sydney Freeland In Person!! (#anchor16)
[March 29, Tucson, AZ]
* Directors Lounge Screening - Ana Bilankov - Night Riders (#anchor17) [March
30, Berlin, Germany]
* Visions | 30.03.17 + 31.03.17 | Fern Silva : Recent 16mm Films + Dialogues
(#anchor18) [March 30, Montreal]
* Tony Conrad: Completely In the Present (#anchor19) [March 31, New York, New
York]
* Fracto Meets Occulto (#anchor20) [April 1, 10119 Berlin, Germany]
* Apparitions (#anchor21) [April 1, Edmonton, AB]
* April1: Reeves/Street/Theise+: A Roll For Peter (#anchor22) [April 1, San
Francisco, California]
SATURDAY, MARCH 25, 2017
3/25
Boulder, Colorado: Month of Photography / Seidel City Gallery
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=396feb2922&e=4e65756555
7pm - 10pm, 3205 Longhorn Road, Boulder, CO 80302
WHEN I STOP LOOKING:
SHORT FILMS AND SMALL PRINTS BY TODD EDWARD HERMAN
Todd Edward Herman's haunting imagery suggests mysteriously entwined
narratives, drawing no clear lines between fiction and fact. Herman utilizes
photography, videography and painting as departure points for thirty
exquisitely printed limited edition prints. Dealing with themes of the body and
transience, representational taboos, spectatorship and complicity, his work
looks to a rare beauty, making no claims to journalistic inquiry. Among the
selected films screening at Seidel City will be Herman's award winning short
film Cabinet, a visceral and poetic documentary on death, mourning and life
beginning anew. Also screening will be Herman's When I Stop Looking, a film
that looks beyond the imprint of appearances, invoking the intensely private
worlds of those portrayed, each of whom lives with significant facial and
cranial conditions; a vivid affirmation of existence comes forward, before
anything else. Todd Edward Herman has been the recipient of many awards for
his work
including the San Francisco International Film Festival's New Vision Award, the
Art Council of Northern Ireland's Artist in Residence Award, Grants from the
San Francisco Film Arts Foundation, a Western States Regional Media Arts
Fellowship, Taipei Artist Village Residency, and the San Francisco Art
Commission's Emerging Curator Award. He has presented his work at such venues
as the International Film Festival Rotterdam, San Francisco International Film
Festival, Southbank Centre, Anthology Film Archives, San Francisco
Cinematheque, and Pacific Film Archives.
3/25
Bradford: Fuse Art Space
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=dc86682254&e=4e65756555
20:00, 5-7 Rawson Place, Bradford BD1 3QQ
PAUL CLIPSON, SHINYA SUGIMOTO & JEREMY YOUNG: TOTAL FICTION / + NATHANIEL MANN
A 16mm film projection event with live improvised sound/music performance.
3/25
Knoxville, TN: The Public Cinema / Big Ears Festival
www.publiccinema.org/bigears
10:30am, Knoxville Museum of Art
FLICKER & WOW: KIDS!
A selection of short works of experimental animation curated for kids.
Screening as part of Big Ears. Works to be screened: Mothlight (Stan Brakhage,
1963, 16mm), Duck Amuck (Chuck Jones, 1953, digital), Blue Movement (Haruka
Mitani and Michael Lyons, 2016, digital), Begone Dull Care (Evelyn Lambart and
Norman McLaren, 1949, 16mm), Glistening Thrills (Jodie Mack, 2013, digital).
3/25
Knoxville, TN: The Public Cinema / Big Ears Festival
www.publiccinema.org/bigears
12:15pm, Knoxville Museum of Art
KEVIN JEROME EVERSON: THE SURFACE BELOW
This program, curated for Big Ears from Everson’s large body of work (more than
100 shorts and features), reveals Kevin Jerome Everson’s interest in digging
beneath the surface, in every sense of the word. Works to be screened: Ring
(2008, 1:30), Tygers (2014, 2:00), Auditioning for Nathaniel (2016, 13:30),
R-15 (2017, 5:10), Smooth Surface (2015, 2:50), Production Material Handler
(2015, 2:31), Fe26 (2014, 7:21), Ears, Nose and Throat (2016, 10:30). ARTIST IN
ATTENDANCE
3/25
Knoxville, TN: The Public Cinema / Big Ears Festival
www.publiccinema.org/bigears
2pm, Knoxville Museum of Art
JANIE GEISER: DOUBLE VISION
Named one of the world’s top avant-garde filmmakers on Film Comment’s “Best of
the Decade” list, Janie Geiser will join Big Ears for a program of recent short
films, Double Vision. Works to be screened: Kriminalistik (2014, 4:00), Ghost
Algebra (2009, 7:30), Kindless Villain (2010, 5:00), The Floor of the World
(2010, 9:10), Arbor (2012, 7:05), The Hummingbird Wars (2015, 11:15), Cathode
Garden (2015, 7:45), Flowers of the Sky (2016, 9:15)
3/25
Knoxville, TN: The Public Cinema / Big Ears Festival
www.publiccinema.org/bigears
6:15pm, Regal Riviera 8
JEM COHEN: WORLD WITHOUT END (NO REPORTED INCIDENTS)
Quite close to London, but for many, a million miles away, Southend-on-Sea is a
town along the Thames estuary. World Without End (No Reported Incidents), the
new documentary from Jem Cohen, is a portrait of this place–everyday streets,
everyday birds, unflagging tides, mud, and sky. But it is also about humanity
and history, about prize-winning Indian curries, an encyclopedic universe of
hats, and a nearly lost world of proto-punk music. ARTIST IN ATTENDANCE.
3/25
Los Angeles, California: Echo Park Film Center
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c1a50d8559&e=4e65756555
8 pm , 1200 N Alvarado St
NEW WORKS SALON XXXVIII
The New Works Salons series is a casual forum for the presentation and
discussion of new works in film, video, sound, and performance, with local and
visiting artists often in-person to introduce their work. This program will
include works by Christina Battle, Gelare Koshkgozaran, Azadeh Navai, Julie
Sadowski, Penelope Uribe-Abee, and Walter Vargas. Christina Battle’s Notes to
Self is an ongoing series of videos documenting a simple, repetitive act as a
way to mimic our fleeting engagement with social media status updates.
Fragments of text, in the form of notes to myself, are set on fire with varying
degrees of success. Unlike social media updates, the fate of these updates are
controlled and finite, existing only for a few seconds before being completely
destroyed. The notes, which range from humourous reminders and revelations to
recollections about larger societal events, are simple in both form and
execution, allowing for a critical and considered viewing response.
Gelare Khoshgozaran will show her work An Analog Poem for Super 8 and voice,
which was commissioned by Echo Park Film Center. Azadeh Navai will show her
16mm film Remembering the Pentagons, a slow, rhythmic, and contemplative
journey into her earliest childhood memories. With an old 16mm Bolex and a
hand-made pinhole camera, Navai returns to Tehran and Esfahan, Iran, where the
perceptions and recollections of places, emotions, and scents serve as vehicles
through which she exposes a deeply personal landscape. She asks — what is the
texture of memory? In what ways does time — the light, wind, and air of history
— wear upon the monuments and the images of the past? Born in Tehran during the
Iran-Iraq war, Navai seeks to access a time of personal turmoil both for her
family and for her birth country in this poetic capturing of place, history and
memory. Penelope Uribe-Abee will show her new work Practice: a video, video
sketch, and/or exercise mainly crafted out of personal
heartbreak and coping. This video was made as an effort to make more personal,
insular work while still preserving the idea of emotional accessibility in an
audience. This is one part in a series of depicted analogies that explore how
basic actions and gestures like playing the drums can serve as representations
for actions with larger emotional implications: like falling in love. Walter
Vargas will show Kru steez all no , a Super 8 double projection with
coordinated memes high on the current meme economy @ time of showing #bulb
#democracy #doesitreallywork #inheat. Julie Sadowski is a Polish-American
artist living in Los Angeles. She is simultaneously excited and severely
overwhelmed with the excess of images in the world, including those she created
herself. She attempts to create order out of the chaos of the visible world by
employing her own subjective systems of logic.
3/25
San Francisco, California: Other Cinema
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=73fad96c05&e=4e65756555
8:30 PM, 992 Valencia St.
MAR25: GENDREAU + WAXY TOMB + HARPER + PAD'S 3-D
Michael Gendreau premieres his triple-turntable piece LOUPS, pairing his wicked
vinyl locked-grooves with the parataxical triple projections of Craig
Baldwin’s16mm loops! ALSO: Afterbirth:The Shape of Light--Julz LC’s live-molded
clay plays with optical parameters to render a phantasmagoria of projected
light, in a tribute to Joey Casio’s immersive dream. In BUG.TV@OC:Live from the
Achives, Joshua Harper conducts a live inter-dimensional interview with an
alien observer in an underground operating theater of the mind. AND anchoring
this second OPTRONICA show is stereoscopic superstar Pad McGlaughlin, whose
4eyes and Strata use polarized light to conjure up an extra dimension. Whoa!
AND additional works by Jordan Belson, Winston Hacking, and Mary Ellen Bute; of
course the Dream Machine is in full effect!*$8.88
SUNDAY, MARCH 26, 2017
3/26
Colchester: Colchester Arts Centre
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=83b2d991b7&e=4e65756555
Doors at 7pm, Colchester Arts Centre Church Street Colchester Essex CO1 1NF
PAUL CLIPSON WITH SHINYA SUGIMOTO & JEREMY YOUNG PRESENT TOTAL FICTION +
NATHANIEL MANN
A 16mm film projection event with live improvised sound/music performance.
Nathaniel Mann is a composer, sound artist and performer. He was the Embedded
Composer in Residence at Oxford University’s Pitt Rivers Museum and Oxford
Contemporary Music for 20 months. During this time he garnered a reputation for
creating diverse and engaging responses to the museum and its collections.
Described as “a fluid unfolding of the museum experience” (ATTN: Magazine) his
wide reaching works incorporate site specific performances, interventions and
installations. He is best known for his work with avant-folk ensemble Dead Rat
Orchestra, who specialize in site specific performances and concept driven
tours of unorthodox locations, challenging traditional concert settings. He has
written for Tate, BBC Scotland & London Contemporary Orchestra. His Donkey
Symphony (with Lara Baladi) won the Gran Nile Award at the Cairo Biennale 2008
and was performed by Ukraine’s State Camera Orchestra
“Kievskaya Kamerata”.
3/26
Knoxville, TN: The Public Cinema / Big Ears Festival
www.publiccinema.org/bigears
1:30 pm, Tennessee Theatre
FLICKER AND WOW 1
One of two programs of recent avant-garde short films curated for Big Ears.
Empyrean by Kalpana Subramanian (6:20, Digital) An abstract, meditative piece,
Empyrean was “filmed” at the altar of celluloid cinema. Using a mobile phone
camera, Subramanian intercepted mediated light from the projector during
screenings of various 16mm prints of films by Stan Brakhage (1933-2003). The
film is part of her larger, art-based research project, Light Mediated: Eyes on
Brakhage, which explores the poetics of the moving image. Them Apples by Adam
R. Levine (2:40, 16mm) Using the parallel temporal forms of the three-minute
pop song and the 16mm camera roll, Them Apples runs The Beatles’ “Back In The
U.S.S.R.” through iTunes Visualizer to create an optical sound experiment in
which synaesthesia and pop cultural memory are turned back on themselves. 1_
_ _ _1 by Karissa Hahn (3:00, Digital) One roll of super 8. A ‘collaboration’
or rather, a collusion of sorts. As for my volition . . . I
fall, you falter. Thinking about “A Young Girl Defending Herself against Eros”
by William Adolphe Bouguereau, 1880. Thinking about . . . suspense/tension,
taking us down with me. Deux Champs (Two Fields) by Kevin Obsatz (7:50,
Digital) In 1953, a young photographer named Victor Obsatz created a
double-exposed portrait of Marcel Duchamp by mistake. 55 years later that photo
appeared in the pages of Smithsonian Magazine and was featured at a Duchamp
retrospective. Deux Champs (Two Fields) is a hand-processed reflection on the
distant memory of that day and everything that has happened since. As Without
So Within by Manuela De Laborde (24:20, 16mm) De Laborde has usefully described
the making of As Without So Within as “returning to Montessori.” Built from
closeup images of handmade “props” (her preferred term), the film reveals,
reworks, and illuminates several fundamental components of experimental
filmmaking: abstraction, sculpture, and the material of celluloid itself.
Koropokkuru by Akiko Maruyama and Philippe Roy (4:10, Digital) A moving
portrayal of an ineffable force that can be humanlike or embody itself within
displayed objects. Inspired by concepts from the Koropokkuru folktale within
Japanese Ainu culture, as well as The Invisible Man.
3/26
Knoxville, TN: The Public Cinema / Big Ears Festival
www.publiccinema.org/bigears
10am, Tennessee Theatre
MEREDITH MONK: BOOK OF DAYS
A rare 35mm public screening of Meredith Monk's 1989 feature film BOOK OF DAYS.
“Meredith Monk has been an anomaly for much of her 27-year career as a composer
and choreographer, creating dances that were operas, operas that were dances
and mythic theater pieces that were operas and dances. To complicate matters,
Ms. Monk is also a filmmaker. In Book of Days, she has created a film that is
essentially a moving picture." -- Jennifer Dunning, The New York Times
3/26
Knoxville, TN: The Public Cinema / Big Ears Festival
www.publiccinema.org/bigears
3pm, Regal Riviera 8
JEM COHEN: LOST BOOK FOUND
The result of over five years of Super-8 and 16mm filming on New York City
streets, Lost Book Found melds documentary and narrative into a complex
meditation on city life. The piece revolves around a mysterious notebook filled
with obsessive listings of places, objects, and incidents. These listings serve
as the key to a hidden city: a city of unconsidered geographies and layered
artifacts—the relics of low-level capitalism and the debris of countless
forgotten narratives.
3/26
Knoxville, TN: The Public Cinema / Big Ears Festival
www.publiccinema.org/bigears
4pm, Knoxville Museum of Art
FLICKER & WOW 2
The second of two programs of recent avant-garde short films curated for Big
Ears. Parallel Inquiries by Christina C Nguyen (9:25, 16mm) sound from image /
image from color // inquiries into the analog film system Nova Remnants by
Stefan Grabowski (10:30, Digital) A nova remnant consists of matter left behind
by a cataclysmic nuclear explosion, causing the intense and sudden brightening
of a star. Due to the relatively short time-span over which they occur, nova
remnants generally no longer exist by the time their light reaches us on Earth.
Ghost Comb. by Ryland Walker Knight (7:15, Digital) A meditation on life as
text, and how we may outlive our finite selves in the realm of the imaginary.
Spotlight on a Brick Wall by Alee Peoples and Mike Stoltz (8:00, 16mm) A
performance film that navigates expectations of both the audience and the
makers. A series of false starts. Dub treatment on the laugh track. Little
Orphant Annie by Bill Morrison (7:00, Digital) Little Orphant Annie
is a re-edit of a silent film of the same title from 1918, directed by Colin
Campbell. Two reels from an original nitrate print were scanned and re-edited
to make the new film, which follows the structure of the poem written by James
Whitcomb Riley in 1885. Riley is heard reciting his poem in a recording made in
1912. The poem is also heard read by Kelli Shay Hix in 2016, who additionally
wrote and performs the song, “The Swimmer.” One Roll in the Blackness by Chris
Kennedy (3:10, 16mm) Keiji Haino, live in Toronto, June 22, 2011. A single roll
of film, shot one frame at a time. Special thanks to Keiji Haino and Adam Rosen.
TUESDAY, MARCH 28, 2017
3/28
Brooklyn, New York 11222: Light Industry
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b3bc9a3136&e=4e65756555
7:30 PM, 155 Freeman St
IN THE STREET, JEMIMA + JOHNNY, THE LITTLE GIRL WHO SOLD THE SUN
Presented by Ashley Clark In the Street, Helen Levitt, 1948, 16mm, 16 mins.
Jemima + Johnny, Lionel Ngakane, 1965, 16mm, 30 mins. The Little Girl Who Sold
the Sun, Djibril Diop Mambety, 1999, digital projection, 45 mins.
3/28
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8255c6b386&e=4e65756555
7:00 pm, 32 2nd Ave.
FLAHERTY NYC PROGRAM 6
Jonathan Schwartz, Clint Enns, and Ruth Patir in person. Alternate experiences
of temporality, unsettling dreams, psychic baptism, identity projections,
demons, hypnosis, longing, and loss. Physical and psychological spaces enclose
and enfold in this collection of films presenting an exhilarating journey into
the unconscious mind. Peter Tscherkassky OUTER SPACE (1990, 10 min, 35mm) Ruth
Patir SHLOMO X (2013, 9 min, digital) Jay Rosenblatt SHORT OF BREATH (1990, 10
min, 16mm) Clint Enns WINNIPEG STORIES: SACRIFICIAL MEMORIES (2008, 5 min,
Super-8mm-to-digital) Jonathan Schwartz A MYSTERY INSIDE OF A FACT (2016, 10
min, 16mm) Clint Enns SELF IMPROVEMENT (2010, 3 min, digital) Roddy Bogawa I DO
NOT EXIST (2015, 7 min, digital) Chu-Li Shewring & Adam Gutch WORKING TO BEAT
THE DEVIL (2014, 30 min, digital) Jay Rosenblatt WHEN YOU AWAKE (2016, 11 min,
16mm-to-digital) Total running time: ca. 100 min.
WEDNESDAY, MARCH 29, 2017
3/29
Tucson, AZ: Exploded View Microcinema
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ceef650107&e=4e65756555
7:30, 197 E Toole Ave
DRUNKTOWN’S FINEST (2014) W/ DIRECTOR SYDNEY FREELAND IN PERSON!!
(GIRL CRUSH SERIES) Top off the month with this hard-hitting independent film
about three young Navajos striving to escape hardship on the reservation: a
young man whose life is entwined in gang violence, a young woman who was
adopted by a white family as a child, and a two-spirit sex worker struggling to
survive in a transphobic world. Director Sydney Freeland, herself a Navajo
trans woman on the rise in Hollywood (see her beautiful 2016 web series Her
Story), will be there in person for a Q&A.
THURSDAY, MARCH 30, 2017
3/30
Berlin, Germany: Directors Lounge
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1d72d15d28&e=4e65756555
21:00, Z-Bar, Bergstraße 2, 10115 Berlin-Mitte, Germany
DIRECTORS LOUNGE SCREENING - ANA BILANKOV - NIGHT RIDERS
Ana Bilankov, Berlin based artist with Croatian background, creates videos
connected with peculiar places in different European cities, Moscow and New
York, connected with the geographies and stories of those places, mostly
interwoven with her own biography or experience. Her short films often combine
a brittle visual poetry with rarified narratives on the soundtrack. Her
training in art history and German studies in Zagreb together with her Master
in Art in Context in Berlin seem to give her the intuition to pick out places
and situations that become metaphors for things unspoken or stories untold. It
may also have been her biography, which sensitized her for the hidden traces in
human geographies, namely her escape from war while it spread over former
Yugoslavia. The artist on the other hand calls it her “search for Roland
Barthes' punctum” in the geography of the city. -*°*- Her video pictures are
conceived like extended snapshots that unfold, and become meaningful over
time. Sound and text work complementary and associative to the pictures and are
often from more divers sources than the image. When she points to the former
Transatlantic slave trade connected with the sugar manufacturing in Bristol in
her film “Sweet Home”, to the poisonous wreckage of Newtown Creek of East River
NY in “New Town Future Film”, or to the story of an old broken Jewish House in
Vienna (“I want to get out”), the artist never uses a traditional documentary
style or storytelling. Instead, the films often comprise a poetic multi-layered
audio-visual composition that leaves it open to the viewer to follow all the
laid-out traces or to create their own associative connections. -*°*- Her film
“U Ratu i Revoluciji / In War and Revolution” goes back to Croatia to visit her
grandmother and to look for the traces of a book about education during the
resistance against the Nazi occupation written by her grandfather, which
disappeared as "communist and inappropriate" during
political changes an the war of the early 1990s in Croatia. Her grandmother’s
fading memories become a metaphor for those lost historical memories of the
past, when books are eliminated from the libraries. -*°*- The artist will
introduce the screening and will be available for Q&A. Curated by Klaus W.
Eisenlohr -*°*- -*°*- Artist Link:
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b8d1ba822c&e=4e65756555
-*°*- Links: Directors Lounge:
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6f63fe79e0&e=4e65756555
-*°*- Richfilm:
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-*°*- Z-Bar:
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3/30
Montreal: VISIONS
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20:00, la lumière collective [7080, rue Alexandra, #506, Montréal]
VISIONS | 30.03.17 + 31.03.17 | FERN SILVA : RECENT 16MM FILMS + DIALOGUES
VISIONS, in collaboration with la lumière collective, presents: 30.03.17 - FERN
SILVA : RECENT 16MM FILMS ////// + 31.03.17 - DIALOGUES : INSPIRATIONS AND
INTERESTS CURATED BY FERN SILVA [with works by Peggy Ahwesh, MM Serra, Jennifer
Reeves, George Kuchar, Betzy Bromberg and more!] ////// [Both programmes on
16mm | Filmmaker Present] ////// 20h00 | 7$
FRIDAY, MARCH 31, 2017
3/31
New York, New York: Anthology Film Archives
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7:00 pm, 32 2nd Ave.
TONY CONRAD: COMPLETELY IN THE PRESENT
by Tyler Hubby 2016, 96 min, digital
SATURDAY, APRIL 1, 2017
4/1
10119 Berlin, Germany: ACUD MACHT NEU
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8pm, Veteranenstraße 21
FRACTO MEETS OCCULTO
Join us for a night of films, live performances and music introducing FRACTO,
the new format for experimental film screenings at ACUD, whose first edition
will take place on May 20th/21st. 20H: doors
4/1
Edmonton, AB: Film and Video Arts Society of Alberta (FAVA)
7 pm, 9722 102 street, 2nd floor
APPARITIONS
55 min | 2 x 16mm hand processed colour + B&W), 2016. 16mm expanded cinema
performance by Alex MacKenzie Presented by FAVA & Theatre of the New Heart.
Where: FAVA Exhibition Suite (9722 102 St, 2nd Floor). Admission by donation.
Inspired by early stereo imaging and the clash and collusion of socioeconomic
forces, this work seeks to dismantle cinematic codes while foregrounding
projector and light as sculpture: a conscious corruption of and interference
with the apparatus to evoke the unexpected, reshaping representation into the
realm of material and space. Using colour gels, masking, lens interference and
projector movement in tandem with an exploration of binocular disparity,
perspective, patterning and the film surface itself, APPARITIONS explores the
transitional space between image and abstraction, nature and culture.
4/1
San Francisco, California: Other Cinema
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8:30 PM, 992 Valencia St.
APRIL1: REEVES/STREET/THEISE+: A ROLL FOR PETER
Last year the film world was saddened by the loss of Peter Hutton, a beloved
Bard prof with a singular shooting style: 100’ rolls of b/w silent raw stock,
loaded into the Bolex and looking to the land- (and sea-)scape. This project
was initiated in which filmmakers were invited to shoot a single roll in
remembrance and homage. The touring program—here introduced by Eric
Theise--consists of of 45 mins. of single projection and 15 mins. of double-,
with contributions from David Gatten, Peter Rose, Lynne Sachs, Robbie Land, Eve
Heller, Jacob Burckhardt, Cassandra Bull, Timoleon Wilkins, Dominic Angerame,
and very many more. The show’s second section is a half-hour of 16mm *sound*
shorts from the project’s principals: Theise (with sax accompanist John Ingle),
Jenn Reeves, Mark Street, and Hutton himself (In Marin County).
------------------------------------------------------------
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