Hi everyone,
Thanks again to those who contacted me both on and off list - I'll do my
best to put your ideas to good use!
All the best to all of you,
Kornelia
W dniu 22.10.2019 o 16:39, Sabine Gruffat pisze:
My essay film is a travelogue:
I have Always Been A Dreamer
also Mitch
Within your search range might be several of my french film series: AU SUD (To
the South); A LA CAMPAGNE (To the Country); SAISONNIERE (Of a Season)(sound and
intertitles are bi-lingual)Sandra Davis
-Original Message-
From: Sabine Gruffat
To: frameworks@jonasmekasfilms.com
Sent:
My essay film is a travelogue:
I have Always Been A Dreamer
also Mitch McCabe's
CIVIL WAR SURVEILLANCE POEMS
-Sabine Gruffat
From: mary billyou
Sent: Monday, October 21, 2019 5:32 PM
To: William Basquin
Cc: Experimental Film Discussion List
Subject: Re:
>From Hetty to Nancy by Deborah Stratman
On Sun, Oct 20, 2019 at 12:29 PM William Basquin
wrote:
> I don't know if previous commenters have already mentioned Sarah
> Christman's Dear Bill Gates.
> I think there was driving/road-rtipping involved in the making of it, so
> maybe you'll feel that
Hello,
For your research, you might consider my 1978 film, Visible Inventory 6: Motel
Dissolve. It is available in 16mm and will soon be available as a digital file
courtesy of a grant I recently received to digitize several 16mm films.
http://canyoncinema.com/catalog/film/?i=1578
Visible
Hello Kornelia,
I love Rebecca Baird's super 8 travelogue YEA YEA (1981), which I caught in
a program curated by Milada Kovacova at the 8 fest in 2018.
Best,
Derek
On Sat, Oct 19, 2019 at 4:51 PM Christian Bruno
wrote:
> Hello Kornelia,
>
> While it is not about travelogues *per se*, I think
Hello Kornelia,
While it is not about travelogues per se, I think an excellent resource for
your work is Scott MacDonald's book The Garden in the Machine, about how
filmmakers (as wildly varied as Babette Mangolte and Spike Lee) express place
and landscape in their work. It is a lively, bright
Ross McElwee's "travelogue" SHERMAN'S MARCH, certainly must be included.
Elizabeth McMahon
On Saturday, October 19, 2019, Scott MacDonald
wrote:
> Hey Kornelia,
>
> Nina Davenport's *Parallel Lines *(2004)
> Véréna Paravel *7 Queens *(2008)
> Ellen Spiro *Greetings from Out Here* (1993) and
Alaska (1968) and Kaldalon (1974) both by Dore O.
Am 19. Oktober 2019 14:54:23 MESZ schrieb Tara :
>Niagara Falls by Anne Charlotte Robertson
>
>> On Oct 19, 2019, at 8:42 AM, Georg Koszulinski
> wrote:
>>
>> Hi, Kornelia,
>>
>> Here's a recent film that fits the bill:
>>
>> Driving Dinosaurs
Nancy Holt, Pine Barrens, 1974
Nancy Holt (in collaboration with Smithson/Heizer), Mono Lake,
Amy Reid, Long Haulers, 2018
http://amyreidart.com/index.php?/2016/long-haulers/
> On 19. Oct 2019, at 08:54, Tara wrote:
>
> Niagara Falls by Anne Charlotte Robertson
>
>> On Oct 19, 2019, at
Niagara Falls by Anne Charlotte Robertson
> On Oct 19, 2019, at 8:42 AM, Georg Koszulinski wrote:
>
> Hi, Kornelia,
>
> Here's a recent film that fits the bill:
>
> Driving Dinosaurs (Emma Piper-Burket, 2019)
> An 89 year old marketing gimmick subliminally resurfaces on a lonely road in
>
Hi, Kornelia,
Here's a recent film that fits the bill:
*Driving Dinosaurs (Emma Piper-Burket, 2019)*
An 89 year old marketing gimmick subliminally resurfaces on a lonely road
in the American west.
On Sat, Oct 19, 2019 at 4:03 AM Aman Wadhan wrote:
> *Double-Blind*
> by Sophie Calle and
*Double-Blind*
by Sophie Calle and Gregory Shephard
1992, 75 min.
An autobiographical meta-fiction about the meaning of love with two
unreliable narrators on the road in their Cadillac.
On Sat, 19 Oct 2019, 04:35 Fred Camper, wrote:
> Even though I usually gripe about questions like this, I
Even though I usually gripe about questions like this, I have to answer
this one, because a film that i deeply love is missing, Joyce Wieland's
/La Raison Avant la Passion/.
https://www.chicagoreader.com/chicago/reason-over-passion/Film?oid=1055619
Fred Camper
Chicago
On 10/18/2019 9:58 PM,
Hi all,
I'm looking for travelogue and/or road films made by women filmmakers in
connection with my postdoctoral project on avant-garde and experimental
film (no UMO-2018/31/D/HS2/01553).
So far I've been able to track down several works, incl. those mentioned
in response to Bryan
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