Ron, There's a short piece online, "The Sublime and Cultural Difference," by Kathryn Weir, for the *Sublime* exhibition held in Australia in 2015, which included Oskar Fischinger: *Raumlichtkunst.*
http://blog.qagoma.qld.gov.au/the-sublime-and-cultural-difference/ If you're not familiar with this Fischinger 3-projector installation, which is currently being exhibited at the Len Lye Centre, New Zealand, see centerforvisualmusic.org/Raumlichtkunst.html best regards, Cindy Keefer Center for Visual Music www.centerforvisualmusic.org CVM email - cvmaccess (at) gmail dot com <http://jasonhalprin.com> > > >>> >>> >> > ---------- Forwarded message ---------- > From: "Green, Ron Green" <green...@osu.edu> > To: "frameworks@jonasmekasfilms.com" <frameworks@jonasmekasfilms.com> > Cc: > Bcc: > Date: Tue, 27 Jun 2017 15:51:49 +0000 > Subject: Re: [Frameworks] FrameWorks Digest, Vol 85, Issue 18 > I would appreciate references to discussions and uses of "the sublime" in > the literature on a-g, experimental, artists' cinema. Sources I'm aware of > include: > > - MacDonald, *Garden in the Machine* > - Wees, "Representing the Unrepresentable: Bruce Conner's Crossroads > and the Nuclear Sublime," *Incite *Spr 2010 > - Birnbaum, "Sublminal Messages: [on a-g, but not really on > film--Birnbaum on Lyotard's exhibition "The Sublime and the A-G]," > *Artforum > *Sept 2012 > - Knowles, "Tacita Dean Film," *Millennium FJ #56* > > This can hardly be the extent of it, but I haven't been attuned to this > issue until recently and my searches are not producing much, often because > of thin indexing. I would have expected to see something in Sitney, but I > can't remember or find any references, and the indexes aren't indicating. > > > References to film literature outside of a-g and experimental that might > be pertinent to a-g concerns would be welcome, but I probably don't need > guidance to the literature on the horror film or genre films of that > sort--I know to look there. Other than that, I'm aware of: > > - Mecchia, "[...]Shooting for the sublime in *La Grande Bellezza*," *Forum > Italicum* vol 50 > - Coughlin, "Sublime Moments," *Senses of Cinema*, Dec 2000 > - Pence, "Cinema of the Sublime: Theorizing the Ineffable," *Poetics > Today* Spr 2004 > > My instinct is that this issue is pretty much absent in our section of the > field, Scott's contribution in *The Garden...* being a major exception. > What am I missing? (thanks for any guidance) > > > Ron Green > 356 W 7th Ave > Columbus OH 43201 > 614.421.2131 <%28614%29%20421-2131> > > > J. Ronald Green > Professor Emeritus of Film Studies > Department of History of Art > The Ohio State University > > _ > > <https://mailman-mail5.webfaction.com/listinfo/frameworks> > >
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