Interesting idea, to apply Letraset directly to 16mm film. Do they make any
font small enough to put a sentence in one frame? Seems like you'd need the
skills of a forger of currency to work so precisely on something so small.
Chuck Kleinhans
On Oct 23, 2011, at 9:07 PM, Shumona Goel wrote:
It works very well. In Japan you can still but all kinds of sheets of graphic
marks, symbols and half-tone textures, the kind of thing Letraset used to make
but no longer do. Font size is up to you, and depends on how many letters you
ant to fit on one frame, obviously. Sheets of the smallest fo
i think i might be one of 'those young kids... with their drugs, cameraphones,
crazy lingo' being referred to (i'm probably a little older than your students,
though).
i'd put forward the idea that the automatic bias against 4:3 is for one reason,
and one reason only: DV.
as a filmmaker i'
i really like using letraset directly onto film, though i've never been skilled
enough to hold an entire word with enough registration for it to be visible
over a few frames!
one problem i've encountered: the letraset will rub off (partially at least) if
you put the film onto a spool. i've t
Directors Lounge Screening
Steven Ball
Travelling Practice
video works
Thursday, 27 Oct. 2011
21:00
Z-Bar
Bergstraße 2
10115 Berlin-Mitte
Travelling Practice
Digital video works by Steven Ball 2003 - 2010.
These works travel near and far, across physical
and virtual space using material collec
You can still get Chartpak and Headline rub on letters in the US. The 1/16"
or 8pt. Helvetica is a resonable size to work if you only need 4 letter
words, and they usually come with about 50 complete alphabets plus a couple
sets of numbers and symbols. The 6pt is better for longer words, but they
The Eyeworks Festival of Experimental Animation showcases abstract animation and
unconventional character animation that is innovative, challenging and
inspiring. Festival programs feature outstanding experimental animation of all
sorts: classic films, new works, and rare masterpieces.
The four pr
Dear Frameworkers,
The second issue of Sequenceis now available.
Sequence is an artist-run publication devoted to contemporary film and video
art, published by no.w.here, edited by Simon Payne.
Sequence no.2 includes: A.L. Rees on the films of Nick Collins; artists’ pages
by Lis Rhodes, Cathy R
does anyone have a transcription of "so is this"? the one in 'the collected
writings of michael snow' is handwritten and a bit difficult to read.
cheers,
e.
--
Esperanza Collado
- - - - - - - - - - - - - -
www.esperanzacollado.org
___
FrameWorks maili
Dear Frameworkers,
Does anyone know of an English translation available of the French
commentary by Noël Burch on Robert Breer's film *REcreation*, (1956, 2 min)
? Or does any one fancy a stab at it - its apparently nonsensical verse, but
I would love to know what it is.
All the very best,
Iris
_
Dear friends,
Do anyone know the whereabouts of Yolande DuLuart who directed ANGELA DAVIS:
PORTRAIT OF A REVOLUTIONARY?
--
Best regards,
Dennis Doros
Milestone Film & Video/Milliarium Zero
PO Box 128
Harrington Park, NJ 07640
Phone: 201-767-3117
Fax: 201-767-3035
email: milefi...@gmail.com
www.m
Esperanza, The entire text of the film is in my book, Screen Writings (University of California Press, 1995).Scott MacDonald
Original Message
Subject: [Frameworks] so is this - transcription
From: Esperanza Collado
Date: Mon, October 24, 2011 1:2
Hi folks,
Visual Music LIVE continues at Outpost 186 on Friday Oct. 28, at 8
PM. -- I'll be doing video improvisations with
Forbes Graham - trumpet
Glynis Lomon -- cello and voice
Andrea Pensado -- electronics
I'll do a duet with each musician, and all four of us will play a full set.
Dr.
13 matches
Mail list logo