Hi Frameworks,
I'm going down to London to do a Black and White reversal processing workshop
on Saturday and have to take an exposed roll of Tri-x 200 along with me. I've
never used this film stock before and was wondering if I should have the
camera's filter set to the bulb or sun position
Kevin,
The daylight filter is used to balance the color of sunlight towards
orange to correspond with the tungsten film stock. In the case of
Tri-X, you do not need to worry about the colors so you do not need
to use the filter - leave it on tungsten. On the other hand you can
get some very
Thanks Pip!
Date: Wed, 11 Jan 2012 12:04:57 +0100
To: frameworks@jonasmekasfilms.com
From: framewo...@re-voir.com
Subject: Re: [Frameworks] Shooting with Tri-X
Kevin,
The daylight filter is used to balance the color of sunlight towards
orange to correspond with the tungsten film
On 2012-01-10, at 1:29 PM, David Tetzlaff wrote:
I've updated my little 16mm resources webpage -- http://djt16.110mb.com/ --
with the addition of some camera manuals. These are (mostly) .pdfs made from
my own scans of stuff not already freely available on the web AFAIK.
Specifically, I
Robert Nelson's work is an abiding source of inspiration
that never quits!
I was sixteen; OH DEM WATERMELONS was the first
underground/experimental/avant-garde
film I ever saw. Many years later WATERMELONS still stands as a
benchmark
of achievement I may never equal but will always strive
typo gremlin in transmission:
please substitute
the plural, artists (not artist),
the artists who worked for Mad Magazine.
gracias
On Jan 11, 2012, at 12:11 PM, David Baker wrote:
Robert Nelson's work is an abiding source of inspiration
that never quits!
I was sixteen; OH DEM WATERMELONS was
For those out there looking for optical printers, I've just had an interesting
email exchange with Jaakko (of JK) who says he IS making a few more optical
printers (despite previous word to the contrary), so perhaps now is the time to
get in line for one.
Heads up,
Roger
