Hi frameworks
I'm looking into purchasing a nice little standard 8 camera. I'm not really
familiar with the medium so would appreciate and suggestions in regards of
makes and models.
ThanksKevin ___
FrameWorks
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I don't know about non-toxic. I have used both FilmRenew and VitaFilm with good
results, wearing rubber gloves and using the liquid on clean cotton cloth
between rewinds. I don't think they are super toxic, but you need decent
ventilation and you do want to avoid contact with skin. Depending on
Hey,
So I want to get some footage from my Criterion DVD of L'Atalante onto some
already grainy expired film. Quality isn't a big issue but I want to avoid that
weird scan line effect.
Any cheap suggestions?
Ta,
Allie
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ThanksKevin
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Just shoot it with any film camera pointed to an LCD screen such as you
computer's.
Best luck!
Phil
On Tue, Jan 17, 2012 at 6:29 PM, Alex alex.mccar...@gmail.com wrote:
Hey,
So I want to get some footage from my Criterion DVD of L'Atalante onto
some already grainy expired film. Quality
On saturday I attended a course at nowhere in London on Black and White
reversal processing which was excellent.
I'm certain I could develop tri-x (and other stocks) straight out the gate now
but I want to understand the process thoroughly. That is to say the chemical
process from first
Hi Kevin,
The Bolexs are a great value these days and many of the manuals are
available online:
http://www.myoldcamera.com/Manuals.html
Apecity has the manual for the D8LA
http://www.apecity.com/manuals/
Bolex Collector is great for choosing a model:
http://www.bolexcollector.com/cameras.html
I
On 1/17/12 6:36 PM, Philippe Leonard wrote:
Just shoot it with any film camera pointed to an LCD screen such as you
computer's.
This does work, but is not perfect.
The reason you don't get the dreaded roll bar on an LCD screen is
because the pixels are always on. Granted there is a florescent
Tuesday, January 24th, 2012
Breathing a Fatal Stillness
Screening of seven works by Daïchi Saïto, followed by a discussion with the
filmmaker!
Brattle Theatre (Harvard Square)
Doors open at 7pm -- come hang out with us to the sounds of DJ Wayne
Marshall (of Beat Research)!
Films
Hello Kevin,
I really know what you mean about wrapping your head around the process. It is
not too complicated though.
First of all : keep in mind that when light hits your film the bright parts get
exposed, the dark do not. When you process your reversal film you (1)
develop, (2)
Oddly enough, I'm shooting off my MacBook pro with a bolex as I write this. I
find it most effective, if tedious, to expose one frame at a time to avoid the
rolling effect. Now, I've created content in Final cut in a 24p timeline, so I
don't have the issue of having to retime a 29.97 frame rate
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