Re: [Frameworks] CalArts Screening in New York City

2014-10-11 Thread Bernard Roddy
Dude, the sales pitch sucks. It's like Steve Anker's play with the opportunity to write for Incite! Everyone's an opportunist. - - - - - - - - - - - - - - - - - Hello Frameworkers! I am getting the word out about Home Movie Day in Boulder, CO. This year HMD will take place on Saturday,

[Frameworks] This week [October 11 - 19, 2014] in avant garde cinema

2014-10-11 Thread Weekly Listing
This week [October 11 - 19, 2014] in avant garde cinema To subscribe/unsubscribe to the weekly listing, go to http://www.hi-beam.net/cgi-bin/mailto.pl?mailto=subscribe or send an email to weeklylist...@hi-beam.net. Enter your announcements (calls for entries, new work, screenings, jobs, items

[Frameworks] CalArts School of Film/Video seeks Equipment Supervisor

2014-10-11 Thread Abigail Severance
PLEASE POST. CALARTS SCHOOL OF FILM/VIDEO EQUIPMENT SUPERVISOR Position Category: Non-Academic Position Title: Equipment Supervisor School/Department: Film/Video Reports To: Associate Dean, Finance Operations Time: Full Time Term of Employment: INFORMATION RESPONSIBILITIES The

[Frameworks] CARAVAN: DOUBLE FEATURE live expanded cinema w/ van as film projector TONIGHT 7:30pm at Microscope Gallery Brooklyn

2014-10-11 Thread LBurchill
by Evan Dawson Paign Phillips, admission is FREE If you're in town, please join us for the New York incarnation of “Caravan: Double Feature” expanded cinema and performance event by Evan Dawson and Paige Phillips TONIGHT in our entrance garage (therefore rain is no problem). Held shortly after

[Frameworks] Zoom lens and camera used for Wavelength

2014-10-11 Thread Jared Ashburn
Hello FrameWorkers, I have read that Snow used a camera and zoom lens on loan from Ken Jacobs and that the lens was an Angenieux. Can anyone verify this? I am particularly interested in the focal length of the lens he used. I found a history of the zoom lenses they made and think I can narrow it

Re: [Frameworks] Zoom lens and camera used for Wavelength

2014-10-11 Thread Scott Dorsey
In the early seventies, the 12-120 was the lens to have, and all of the TV guys were desperate for the things because they had such a huge range of focal lengths. They were ubiquitous for a good while, but they really weren't very sharp. Angenieux made hundreds of different lenses back then...