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On Thu, Jul 9, 2015 at 5:30 PM, frameworks-requ...@jonasmekasfilms.com
wrote:
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hello all
i'm a 26 year old film-maker from mumbai, india traveling to rochester, new
york in august-september this year. the purpose of my visit is a
preliminary recce for an audio-visual project i am developing with my
creative partner.
our object is the study of cities vis-a-vis their
Hi Suyash:
It sounds like you are embarking on a video documentary. As I read
over your request, I am reminded of my years in Rochester (until
around 1999). But what I remember is the Visual Studies Workshop and
screenings at the Dryden Theater of the George Eastman House. I think
this raises
I am selling a few 16mm items:
16mm Magnasyn Viewer, excellent condition. It has a pressure plate for
which you can view edge #'s on the large screen. Great for conforming
purposes and viewing sproket damage. $250 plus post.
16mm Bolex Rex-O-Fader with crank. The crank will fit on most models
Doesnt it take the mystery out of it? There are some things in art I would
rather not know how they are done.
2015-07-19 15:00 GMT-04:00 Beebe, Roger W. beebe...@osu.edu:
All,
I assume most of you have, at this point, seen Ben Russell’s River Rites.
I just watched it an additional three
This has been happening to me for a few years, off and on, with the 100 D
stock. I first experienced it only on the Nizo, and more recently on the
Canon 1014 and 814. I have yet to try it on the Beaulieau, but after that
I am out of options.
Taking the cartridge out and tapping it lightly on a
Francisco,
Yes, that was part of the conversation I had with Ben and part of the reason I
thought he might not want this to circulate in the world. I don’t think my
experience of his film (which, again, I’d already seen more than a half-dozen
times) is diminished by what I learned in the
After viewing both, I thought it was interesting that I didn't connect
characters and events in the original (reverse) version, as well as I did
in the forward version. The reverse version felt more like separate events
interconnected by the camera move, whereas the forward version felt like a
Hi Bernard
Thank you for sharing your thoughts on this project.
Also thank you for summing up the guiding principle of our project so far
which is really the uncovering and retelling of stories of the early
innovators of amateur photography; documenting personal quests undertaken
as weekend
