[Frameworks] Experimental 'Doc-Opera' & Cello-Vocal Event in SF

I'm presenting a short excerpt from my in-progress lyrical doc-opera, Whisper Rapture: A Bonfire Madigan Suite, about the life and music of visionary avant-cellist-vocalist and radical mental health activist, Madigan Shive. The event will primarily feature two musical sets by Shive. Location:

Re: [Frameworks] Articles/essays on the history of flatbed editors (Moviola, Steenbeck, etc)?

Always wondered what kind of machine is that S.E. is using in this photo 2015-09-05 20:21 GMT-04:00 Jeff Kreines : > Of course a lot of us used Steenbecks to edit films… and still do. > > They were quite expensive so would not be commonly used by researchers not >

Re: [Frameworks] Articles/essays on the history of flatbed editors (Moviola, Steenbeck, etc)?

You might try to find articles about the Kodak Analyst 16 mm projector. It was a mainstay in academic film studies. The projector allowed for frame by frame viewing both forward and reverse. The downside was that the projector destroyed film prints when over used. Sherman > On Sep 5, 2015, at

Re: [Frameworks] Articles/essays on the history of flatbed editors (Moviola, Steenbeck, etc)?

The Pageant Analyst was by no means the first analysis projector. The use of 16mm for motion analysis came about during WWII with the introduction of gunsight cameras and there were a number of projectors like the hand-cranked Devry and the Speco which were intended for screening gunsight films

Re: [Frameworks] Articles/essays on the history of flatbed editors (Moviola, Steenbeck, etc)?

Back in the 50s-80s there were some magazines geared to the audiovisual educational field (like the one called Audio Visual instruction) that had articles about equipment and its use, trends, resources, etc. They covered things like flash cards ,slide projectors, tape recorders, 16mm projectors

Re: [Frameworks] Articles/essays on the history of flatbed editors (Moviola, Steenbeck, etc)?

You might also inquire of the Film Study Center at The Museum of Modern Art. They use two KEM flatbeds for study purposes. This is the machinery we at the Warhol Film Project use to view the Warhol film collection. They may keep statistics on scholarly use, or may have such histories as you are