John Woodman's landscape films on super 8 use long shots, well 3'20'' at 18
fps.
https://lux.org.uk/writing/new-dvd-landscape-films-1977-1982-john-woodman
What about *I Do Not Know What It Is I Am Like* and *Hatsu-Yume* by Bill
Viola?
Béla Tarr usually filmed long takes for works like *Sátántangó
https://archive.org/details/DistantShores_201802
Starts with a 3min long take. The short also uses still images.
Sent from my iPad
> On 9 Mar 2018, at 16:23, Albert Alcoz wrote:
>
> John Woodman's landscape films on super 8 use long shots, well 3'20'' at 18
> fps.
> https://lux.org.uk/writing
Almost every Lav Diaz movie
Message original
Objet : Re: [Frameworks] Long takes and still images/ photography in
experimental films
De : Albert Alcoz
À : Experimental Film Discussion List
Cc :
John Woodman's landscape films on super 8 use long shots, well 3'20'' at 18 fps.
h
Whats long? ASL for industrial cinema ranges from 3 - 6 seconds, so a shot
of even 10 seconds would be double the average. The shot length possible
on a clockwork Bolex of about 20 seconds is common throughout the field you
are researching so are they normal or long? Does experimental cinema
Perhaps you'd like to watch Narcisa Hirsch's "Come Out". It's an early
Argentinean experimental film with "Wavelength" on her mind...
https://vimeo.com/141265024
Best,
r.g.
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Ben Rusell´s "Good Luck". basically each shot last the 400ft magazine of
the 16mm camera.
2018-03-09 10:28 GMT-03:00 Raymond Beluga Studio :
> Perhaps you'd like to watch Narcisa Hirsch's "Come Out". It's an early
> Argentinean experimental film with "Wavelength" on her mind...
> https://vimeo.co
I'd have the same answers of all the the filmmakers listed previously.
And add that my 7-minute film "Catalogue" is constructed of long takes
/*of*/ still photography.
https://vimeo.com/85637218
Password: /Catalogue/
Dana Berman Duff
www.danaduff.com
On 3/9/18 4:00 AM, frameworks-requ...@jonas
Larry Gottheim's work.
De: FrameWorks en nombre de
graemeh...@irational.org
Enviado: viernes, 9 de marzo de 2018 09:58 a. m.
Para: Experimental Film Discussion List
Asunto: Re: [Frameworks] Long takes and still images/ photography in
experimental films
Whats
Factory sealed Kodak 7363 Hi Con 400ft rolls for sale!
I have four rolls available. I bought them from Kodak when they announced
discontinuation, so this was part of the last batch. Once received from Kodak,
I immediately sealed in ziploc bags and put them in the deep freeze. They have
remaine
For my small lab here at ANYEYE in Beverly Mass. I am looking for some CD3
developer for ECN
processing. Is anyone putting together a bulk order? Is there a small
quantity supplier?
Ethan Berry
ANYEYE Film Lab
Montserrat College of Art
Beverly MA
01915
USA
_
You can likely get CD3 from Photographer's Formulary, or from Artcraft Chemical.
Both specialize in small quantity packaging of photographic specialty reagents.
Last I looked, Kodak wanted to sell CD3 only in a big cardboard drum four feet
high.
--scott
Thanks everyone!
-Jesse-
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Have you sold them all yet!
I would be interested in one roll
On Fri, Mar 9, 2018 at 2:56 PM, Jesse Andrewartha
wrote:
>
> Factory sealed Kodak 7363 Hi Con 400ft rolls for sale!
>
> I have four rolls available. I bought them from Kodak when they announced
> discontinuation, so this was part of
Hi All,
So I’m also selling my 16mm Steenbeck. This one is going because I’m
consolidating my interest in 35mm (so always interested in any leads on a 35mm
Steenbeck or KEM). Anyway, selling my 6-plate Steenbeck. Fully operational, all
fuses ok, all operations ok but does need a new bulb. I ca
I suggest these experimental films featuring the body/artist anatomies:
Erogeny by James Broughton
my film Other Reckless Things in collaboration with Ellen Zweig
Erogeny was James' response to Maas' Geography of the Body.
Other Reckless Things is a frank look at childbirth and a response to a new
Hello!
I am looking for recommendations to repair a defective claw on a 16mm Eiki
projector. I am touring on the East coast doing visuals for GY!BE so I am
moving quickly between different cities. We'll be in NYC on the 11-12-13.
So ideally I would drop the projector on the 11 and get it back at t
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