Re: [Frameworks] Musical Noir?

Henry Hathaway's Niagara - the use of the Rainbow Tower's carillon as a recurring element on the soundtrack (it's one of the first things we hear in the film after the title music), as well as a central plot device and location, is quite haunting, anticipatory of similar effects in Vertigo. edo

Re: [Frameworks] Titles of scratch films

Tess, I think Pat O'Neill's COREOPSIS also employed scratching. On 8/25/15 4:11 PM, William Wees, Dr. wrote: Hi, Tess— Norman McLaren, “Blinkity Blank.” Maybe some other McLaren films? --Bill *From:*FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] *On

Re: [Frameworks] FREE 16mm Steenbeck, recently tuned-up

I would love to take that off your hands! edo On 11/21/15 8:51 PM, mary billyou wrote: > Dear Frameworkers, > > I am finishing my project now, and must move to another apartment! Does > anyone in the NYC area want a WORKING AWESOME and most LOVELY Steenbeck > of their very own

Re: [Frameworks] Parallel Editing

For me, one of the most interesting and exhilarating uses of parallel editing in narrative cinema recently is from David Fincher, particularly in THE GIRL WITH THE DRAGON TATTOO and much of the second half of GONE GIRL. edo On 11/21/17 9:36 AM, Cecilia Dougherty wrote: > Stanley Kubric

Re: [Frameworks] FrameWorks Digest, Vol 94, Issue 20

Markopoulos's "Galaxie" is a series of portraits, as is Joe Gibbons's "Presences". Incandescent works both! On 3/26/18 7:59 PM, jimmyschaus1 . wrote: > Jem Cohen "Ann Truitt, Working" > > On Mon, Mar 26, 2018 at 5:33 PM, MARILYN BRAKHAGE > wrote: > >