Re: [Frameworks] 360 degrees

Rainer Werner Fassbinder’s fondness for this technique was on display at the Martin Gropius Bau in Berlin last year. Here’s a list of films that were displayed: “Another room in Fassbinder – JETZT is dedicated to one of Fassbinder’s favoured formal techniques: the 360 degree tracking shot. Sce

Re: [Frameworks] Documentaries-diaries-essays or video/film installations that play with truth or cinema theory

‘Public Hearing’ by James Kienitz Wilkins re-performs a court transcript with actors only in close-ups, shot in black and white. It may trouble the waters nicely. Ted Hardin Sent from my iPhone On Jun 8, 2019, at 9:07 AM, Jonathan Kiefer mailto:jonathan.kie...@gmail.com>> wrote: I'm sure a r

Re: [Frameworks] suggestions for experimental road movies and/or experimental films about automobility

James Herbert’s Automan (1988, 20 min.) might be an interesting addition stressing ‘automobility.’ Intriguing program. Ted Hardin Associate Professor Cinema Art and Science Columbia College Chicago Co-President Long Distance Productions http://longdistanceproductions.com/ thar...@colum.edu

Re: [Frameworks] Davidson Gigliotti

Hello Gene. I’m just writing him to be on a panel about video collectives at CAA in February, 2017 in NYC as part of the Media Lounge. I’ll send it to you off list. Ted Hardin > On Nov 28, 2016, at 8:46 AM, Gene Youngblood wrote: > > Does anyone have Davidson’s current email? Or know someon

Re: [Frameworks] mental problems

Page of Madness by Kinugasa Teinosuke in 1926, Secrets of a Soul by Papst also in 1926. Fun question. Ted Hardin, Chicago Sent from my iPhone On Mar 22, 2017, at 11:10 PM, todd eacrett mailto:hell...@agit-prop.com>> wrote: Fear and Loathing in Las Vegas. On Wed, 22 Mar 2017 10:41:58 -06