On Mon, 12 Feb 2018 at 11:09 pm <frameworks-requ...@jonasmekasfilms.com> wrote:
> Send FrameWorks mailing list submissions to > frameworks@jonasmekasfilms.com > > To subscribe or unsubscribe via the World Wide Web, visit > https://mailman-mail5.webfaction.com/listinfo/frameworks > or, via email, send a message with subject or body 'help' to > frameworks-requ...@jonasmekasfilms.com > > You can reach the person managing the list at > frameworks-ow...@jonasmekasfilms.com > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of FrameWorks digest..." > Today's Topics: > > 1. Re: film scanner (Jean-Louis Seguin) > 2. Re: FILMS for ONE to EIGHT PROJECTORS tour dates (Jonathan Walley) > 3. Re: FILMS for ONE to EIGHT PROJECTORS tour dates (Jonathan Walley) > 4. Re: Showchron editor (Scott Dorsey) > 5. Re: FILMS for ONE to EIGHT PROJECTORS tour dates (VERY > off-topic reply) (Fred Camper) > 6. crystal sync super-8 (Pip Chodorov) > 7. Re: crystal sync super-8 (Jeff Kreines) > 8. Re: crystal sync super-8 (Jean-Louis Seguin) > 9. Re: FILMS for ONE to EIGHT PROJECTORS tour dates (VERY > off-topic reply) (Els van Riel) > 10. Re: Experimental Screening Venues London (Kamila Kuc) > 11. CCCB (Helga Fanderl) > > > > ---------- Forwarded message ---------- > From: Jean-Louis Seguin <bolext...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Cc: > Bcc: > Date: Sun, 11 Feb 2018 08:03:04 -0500 > Subject: Re: [Frameworks] film scanner > Could you please tell me more about your technician and the crystal sync > circuit that he has devised. > > Thanks, > Jean-Louis > > Sent from my iPhone > > > On Feb 11, 2018, at 5:45 AM, Pip Chodorov <framewo...@re-voir.com> > wrote: > > > > . Our technician in Paris has made a tiny crystal sync circuit that will > fit in the camera behind the speed dial that will keep the speed accurate > to three decimal points. The > > > > > ---------- Forwarded message ---------- > From: Jonathan Walley <wall...@denison.edu> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Cc: > Bcc: > Date: Sun, 11 Feb 2018 10:25:29 -0500 > Subject: Re: [Frameworks] FILMS for ONE to EIGHT PROJECTORS tour dates > Hello Roger, > > I’ve been thinking about sending this email for over a week now, ever > since your show. I had to run out early, so I missed the Q+A, but saw > everything else. I hadn’t seen the dance piece, which I thought was really > great, and of course the new piece on e-commerce, which was depressing. The > human race just isn’t going to make it, are we? Actually the one that’s > really stuck with me was the Comic Sans video - I take your point, but I’l > still thinking about it. Papyrus also seems to be a popular and > popularly-hated font. > > I’ve been antisocial (not in the clinical sense, but still…), in a kind of > self-imposed exile from most things academic and film-related. It’s a long > story, and not a good one, so I’ll spare you. Suffice to say I’ve needed a > break. Anyway, as the saying goes - it’s not you, it’s me. > > I know I missed the window for you and I to sit down and catch up prior to > your tour, which I hope is going well. By the time you’re likely to be able > to meet again it will be spring, which is usually better for me and my > moods, and it really really would be good to get together. > > All best and sorry as always for being crappy at getting together. > Jonathan > > > > On Feb 3, 2018, at 12:58 PM, Beebe, Roger W. <beebe...@osu.edu> wrote: > > > > All, > > > > I’m about to head out (again) on tour with a program of my (mostly) > multi-projector films, and I thought I’d share the tour dates for the first > leg, which covers much of the Southeastern US. (Northeast leg begins in > mid-March.) If you find yourself in one of these cities, do come out & say > hello. > > > > Feb 6: Knoxville: The Knoxville Museum of Art > > Feb 7: Atlanta: Atlanta Contemporary, 7 pm > > Feb 9: Tallahassee: 621 Gallery, 7:30 pm > > Feb 11: Gainesville: The Wooly, 8 pm > > Feb 12: Orlando: University of Central Florida, 7 pm > > Feb 13: Tampa: The Black Box (University of Tampa), 8 pm > > Feb 15: Jacksonville: Sun-Ray Cinema, 7 pm > > Feb 17: Columbia: The Nickelodeon, 9:30 pm > > Feb 18-19: Wilmington: UNC-W, TBD > > Feb 21: Durham: Griffith Theater (Duke University), 7 pm > > Feb 22: Richmond: Anderson Gallery (VCU), 5 pm > > Feb 23: Baltimore: Gallery CA, 8 pm > > > > More info below, for those who want. > > > > Best, > > Roger > > > > > > For the first time since 2011, filmmaker/curator/professor Roger Beebe > brings his touring film program to the East Coast in January 2018 for a > 3-month, 3000-mile roadshow of a program of his multiple-projector > performances. The program will vary city to city, but will include > several premieres of new works alongside some of his best-known projector > performances (including the six-projector show-stopping “Last Light of a > Dying Star”). These works take on a range of strategies from formalist > investigations of the materials of film to essayistic explorations of > popular culture and a range of topics from the forbidden pleasures of men > crying (“Historia Calamitatum (The Story of My Misfortunes)”) and the > politics of font choices (“The Comic Sans Video”) to Las Vegas suicides > (“Money Changes Everything”) and the real spaces of the virtual economy > (“Amazonia”). > > > > "[Beebe’s films] implicitly and explicitly evoke the work of Robert > Frank, Garry Winogrand and Lee Friedlander, all photographers of the atomic > age whose Western photographs captured the banalities, cruelties and > beauties of imperial America." > > --David Fellerath, The Independent Weekly > > > > “Beebe’s films are both erudite and punk, lo-fi yet high-brow shorts > that wrestle with a disfigured, contemporary American landscape.” > > --Wyatt Williams, Creative Loafing (Atlanta) > > > > Roger Beebe’s work since 2006 consists primarily of multiple projector > performances that explore the world of found images and the "found" > landscapes of late capitalism. He has screened his films around the globe > at such unlikely venues as the CBS Jumbotron in Times Square and McMurdo > Station in Antarctica as well as more likely ones including Sundance and > the Museum of Modern Art with solo shows at Anthology Film Archives, The > Laboratorio Arte Alameda in Mexico City, and Los Angeles Filmforum among > many other venues. Beebe is also a film programmer: he ran Flicker, a > festival of small-gauge film in Chapel Hill, NC, from 1997-2000 and was the > founder and Artistic Director of FLEX, the Florida Experimental Film/Video > Festival from 2004-2014. He is currently a Professor in the Department of > Art at the Ohio State University. > > > > <soundfilm still 2.jpg> > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > > ---------- Forwarded message ---------- > From: Jonathan Walley <wall...@denison.edu> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Cc: > Bcc: > Date: Sun, 11 Feb 2018 10:33:12 -0500 > Subject: Re: [Frameworks] FILMS for ONE to EIGHT PROJECTORS tour dates > Ha Ha! I used to heap scorn and mockery upon people who accidentally sent > personal emails to listservs by incorrectly replying. But now I have made > the same embarrassing gaffe! Oh, woe is me. > > Well, now everyone knows about my very high opinion of Roger Beebe’s work, > which you absolutely should see if Roger comes to your town, as well as my > personal anguish and agony - and I welcome any commiserating responses, as > well as scorn and mockery. I could have pretended it was an intentionally > post-modern “review” of Roger’s show, in the tradition of published letters > to and from filmmakers and critics (Dear Stan Brakhage…), but I decided to > be honest instead. But Roger, since it’s now public, you’re welcome to use > my email in any and all publicity for your forthcoming programs. > > Sorry everyone for unwittingly - wittlessly - opening the grimy window > onto my stupid problems. > All best, > Jonathan > > > Dr. Jonathan Walley > Associate Professor and Chair > Department of Cinema > Denison University > wall...@denison.edu > > > > > > > ---------- Forwarded message ---------- > From: Scott Dorsey <klu...@panix.com> > To: frameworks@jonasmekasfilms.com > Cc: > Bcc: > Date: Sun, 11 Feb 2018 15:24:12 -0500 > Subject: Re: [Frameworks] Showchron editor > The answer is no. Using ANY rotating-prism arrangement for video transfer > is really not a good plan. > --scott > > > > > ---------- Forwarded message ---------- > From: Fred Camper <f...@fredcamper.com> > To: frameworks@jonasmekasfilms.com > Cc: > Bcc: > Date: Sun, 11 Feb 2018 14:31:37 -0600 > Subject: Re: [Frameworks] FILMS for ONE to EIGHT PROJECTORS tour dates > (VERY off-topic reply) > > I have been staying away from "meta" comments on this list in recent > years, but now I cannot resist. What follows is all seriously off-topic, so > feel free to ignore. > > The only negative comment I can make to Jonathan is that none of the > mistakenly sent personal emails over the years have even remotely measured > up to the gentle, almost poetic love letter someone posted by mistake -- > someone who then vanished from the list. We never did learn how far along > the affair, or hoped-for affair, progressed, but I for one hope it > blossomed into bliss. > > I will try to see a Beebe show when I can. > > But the other comment, to Jonathan and all, is that I have more than one > friend who has reported strange depressions and other disconnections in the > last year. And I have had to admit to myself that I am part of this too -- > how else to explain staying in bed most of some days, alternating between > doing nothing and reading the news on my phone, when things i would enjoy > much more, and actually believe in, beckon? And I have a diagnosis for us: > we are depressed because the world is going to hell. Or as Jonathan put it, > our civilization might not make it. The planet might not too. > > It is not just that "short-fingered vulgarian" at 1600 Pennsylvania > Avenue; look at what is going on in Poland, Hungary, Turkey, the > Philippines, and many other countries: just as bad, though mostly without > the threat of nuclear holocaust. > > I have a theory. There was a drought in Syria a decade ago, causing huge > migration to the cities, providing people with nothing much to do. Many > fought in the coming civil war. There are many causes for droughts; climate > change could be on contributor. Is much of the entire migrant crisis due to > climate change? Given that Trump's election win was so narrow, it probably > was; even though the decline of coal was not caused by climate-sensitive > environmentalists, many voters thought it was. The unpredictable and > surprising effects of climate change seem likely to me to cause populations > to the rational thinking that is essential to democracy and seek out "Great > Leaders," however hideous they might be. If these effects are happening > now, with a sea level rise of less than a foot since 1900, I shudder to > think of the result of the sea level rising only one foot from here, > something that seems inevitable. There are many more effects besides > flooding, including increasingly harsh weather extremes, such as massive > storms, of which we have already seen a few. > > I sure hope I am wrong, that we will institute fixes for the climate > (which will however require massive carbon-removal projects as well as an > end to emissions) before it is too late, and that in a few years we will be > seeing democracies progress again. But meanwhile the US is ruled by a > would-be despot who thinks that the Democrats' failure to applaud his > speech constitutes treason, also showing that they do not love their > country very much (which, by the way, is not the same thing as treason). > Applauding the leader's speech = loving one's country. I can think of other > countries whose governments would claim that, but all are bad dictatorships. > > I cannot believe that even the rational do-gooder "good people" are mostly > not acting on the massive threat climate change presents. Curing disease in > Africa, as the Gates Foundation is doing, will make no difference in the > face of this potential apocalypse. > > I have a short, somewhat related essay, titled *Trump, Bach, and Me*, at > http://fredcamper.com/W/Bach.html in both print and audio form. > Fred Camper > Chicago > > On 2/11/2018 9:33 AM, Jonathan Walley wrote: > > Ha Ha! I used to heap scorn and mockery upon people who accidentally sent > personal emails to listservs by incorrectly replying. But now I have made the > same embarrassing gaffe! Oh, woe is me. > > Well, now everyone knows about my very high opinion of Roger Beebe’s work, > which you absolutely should see if Roger comes to your town, as well as my > personal anguish and agony - and I welcome any commiserating responses, as > well as scorn and mockery. I could have pretended it was an intentionally > post-modern “review” of Roger’s show, in the tradition of published letters > to and from filmmakers and critics (Dear Stan Brakhage…), but I decided to be > honest instead. But Roger, since it’s now public, you’re welcome to use my > email in any and all publicity for your forthcoming programs. > > Sorry everyone for unwittingly - wittlessly - opening the grimy window onto > my stupid problems. > All best, > Jonathan > > > Dr. Jonathan Walley > Associate Professor and Chair > Department of Cinema > Denison universitywall...@denison.edu > > > _______________________________________________ > FrameWorks mailing > listFrameWorks@jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > > ---------- Forwarded message ---------- > From: Pip Chodorov <framewo...@re-voir.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Cc: > Bcc: > Date: Mon, 12 Feb 2018 01:03:57 +0100 > Subject: [Frameworks] crystal sync super-8 > Hi Jean-Louis, > > In December I saw offered on eBay a Nizo that had been modified for > crystal sync a few years ago by TFG in Easthampton, CT, and I asked > our resident technical expert in Paris, Christophe Goulard, if I > should buy it. That modification requires a large box to be plugged > into the side of the canera when you want it to run exactly at 24. > Christophe has been fixing and modifying Nizos for years, such as > adding a button to adjust the ASA for the new film stocks, or > bypassing the need for the small round batteries for the light meter > by wiring them to the AA pack. He is also modifying Bolex cameras, > adding through the lens light meters, or motors; he is planning a way > to replace the xenon bulbs in Eiki projectors with cool bright > LEDs... He thought about the crystal sync problem and said, "don't > buy it - it would be very easy to make that circuit myself." > > The actual crystal component is tiny and he has designed a circuit > that can be printed on a small board less than an inch long that can > sit inside the camera. The circuit will only work when the camera is > set to 24FPS. He just has to cut the wire leading out of the speed > dial at the 24fps position and solder in his circuit. It will be > powered from the 9V battery pack with a transformer because it only > needs 3V. It will check the speed two dozen times per frame, rather > than once a frame as in the TFG modification. It will run at 24 point > zero zero zero frames per second. > > He will offer this modification to your Nizo for 160 euros (unless > your camera also needs some other revisions). > > We hope to offer some crystal sync cameras on our webshop soon. > Christophe has been busy so we're down now to one S800 for sale but > he has a series of Nizos that will be ready soon, and then he will > start on the sync project, using an 801 macro. > > Keep in touch if you are interested, > Pip > > > > > > > > At 8:03 -0500 11/02/18, Jean-Louis Seguin wrote: > >Could you please tell me more about your technician and the crystal > >sync circuit that he has devised. > > > > > ---------- Forwarded message ---------- > From: Jeff Kreines <j...@kinetta.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Cc: > Bcc: > Date: Sun, 11 Feb 2018 18:27:01 -0600 > Subject: Re: [Frameworks] crystal sync super-8 > We had this Nizo mod in 1973 at the MIT film section, but of course > circuitry has gotten a lot smaller since then. Christophe does nice work. > > Jeff Kreines > Kinetta > j...@kinetta.com > kinetta.com > > Sent from iPhone. > > > On Feb 11, 2018, at 6:03 PM, Pip Chodorov <framewo...@re-voir.com> > wrote: > > > > Hi Jean-Louis, > > > > In December I saw offered on eBay a Nizo that had been modified for > crystal sync a few years ago by TFG in Easthampton, CT, and I asked our > resident technical expert in Paris, Christophe Goulard, if I should buy it. > That modification requires a large box to be plugged into the side of the > canera when you want it to run exactly at 24. Christophe has been fixing > and modifying Nizos for years, such as adding a button to adjust the ASA > for the new film stocks, or bypassing the need for the small round > batteries for the light meter by wiring them to the AA pack. He is also > modifying Bolex cameras, adding through the lens light meters, or motors; > he is planning a way to replace the xenon bulbs in Eiki projectors with > cool bright LEDs... He thought about the crystal sync problem and said, > "don't buy it - it would be very easy to make that circuit myself." > > > > The actual crystal component is tiny and he has designed a circuit that > can be printed on a small board less than an inch long that can sit inside > the camera. The circuit will only work when the camera is set to 24FPS. He > just has to cut the wire leading out of the speed dial at the 24fps > position and solder in his circuit. It will be powered from the 9V battery > pack with a transformer because it only needs 3V. It will check the speed > two dozen times per frame, rather than once a frame as in the TFG > modification. It will run at 24 point zero zero zero frames per second. > > > > He will offer this modification to your Nizo for 160 euros (unless your > camera also needs some other revisions). > > > > We hope to offer some crystal sync cameras on our webshop soon. > Christophe has been busy so we're down now to one S800 for sale but he has > a series of Nizos that will be ready soon, and then he will start on the > sync project, using an 801 macro. > > > > Keep in touch if you are interested, > > Pip > > > > > > > > > > > > > > > > At 8:03 -0500 11/02/18, Jean-Louis Seguin wrote: > >> Could you please tell me more about your technician and the crystal > sync circuit that he has devised. > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > > ---------- Forwarded message ---------- > From: Jean-Louis Seguin <bolext...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Cc: > Bcc: > Date: Sun, 11 Feb 2018 19:59:10 -0500 > Subject: Re: [Frameworks] crystal sync super-8 > Pip, thank you for your detailed answer. It's great to see these efforts > being made to improve these classic cameras with modern solutions. > > Jean-Louis > > Sent from my iPhone > > > On Feb 11, 2018, at 7:27 PM, Jeff Kreines <j...@kinetta.com> wrote: > > > > We had this Nizo mod in 1973 at the MIT film section, but of course > circuitry has gotten a lot smaller since then. Christophe does nice work. > > > > Jeff Kreines > > Kinetta > > j...@kinetta.com > > kinetta.com > > > > Sent from iPhone. > > > >> On Feb 11, 2018, at 6:03 PM, Pip Chodorov <framewo...@re-voir.com> > wrote: > >> > >> Hi Jean-Louis, > >> > >> In December I saw offered on eBay a Nizo that had been modified for > crystal sync a few years ago by TFG in Easthampton, CT, and I asked our > resident technical expert in Paris, Christophe Goulard, if I should buy it. > That modification requires a large box to be plugged into the side of the > canera when you want it to run exactly at 24. Christophe has been fixing > and modifying Nizos for years, such as adding a button to adjust the ASA > for the new film stocks, or bypassing the need for the small round > batteries for the light meter by wiring them to the AA pack. He is also > modifying Bolex cameras, adding through the lens light meters, or motors; > he is planning a way to replace the xenon bulbs in Eiki projectors with > cool bright LEDs... He thought about the crystal sync problem and said, > "don't buy it - it would be very easy to make that circuit myself." > >> > >> The actual crystal component is tiny and he has designed a circuit that > can be printed on a small board less than an inch long that can sit inside > the camera. The circuit will only work when the camera is set to 24FPS. He > just has to cut the wire leading out of the speed dial at the 24fps > position and solder in his circuit. It will be powered from the 9V battery > pack with a transformer because it only needs 3V. It will check the speed > two dozen times per frame, rather than once a frame as in the TFG > modification. It will run at 24 point zero zero zero frames per second. > >> > >> He will offer this modification to your Nizo for 160 euros (unless your > camera also needs some other revisions). > >> > >> We hope to offer some crystal sync cameras on our webshop soon. > Christophe has been busy so we're down now to one S800 for sale but he has > a series of Nizos that will be ready soon, and then he will start on the > sync project, using an 801 macro. > >> > >> Keep in touch if you are interested, > >> Pip > >> > >> > >> > >> > >> > >> > >> > >> At 8:03 -0500 11/02/18, Jean-Louis Seguin wrote: > >>> Could you please tell me more about your technician and the crystal > sync circuit that he has devised. > >> _______________________________________________ > >> FrameWorks mailing list > >> FrameWorks@jonasmekasfilms.com > >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > ---------- Forwarded message ---------- > From: Els van Riel <m...@elsvanriel.be> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Cc: > Bcc: > Date: Mon, 12 Feb 2018 10:05:57 +0100 > Subject: Re: [Frameworks] FILMS for ONE to EIGHT PROJECTORS tour dates > (VERY off-topic reply) > Thank you Fred for your essay! > > (winter here too, but our sky is blue today) > > > Els van Riel > Brussels > > > On 11 Feb 2018, at 21:31, Fred Camper <f...@fredcamper.com> wrote: > > I have been staying away from "meta" comments on this list in recent > years, but now I cannot resist. What follows is all seriously off-topic, so > feel free to ignore. > > The only negative comment I can make to Jonathan is that none of the > mistakenly sent personal emails over the years have even remotely measured > up to the gentle, almost poetic love letter someone posted by mistake -- > someone who then vanished from the list. We never did learn how far along > the affair, or hoped-for affair, progressed, but I for one hope it > blossomed into bliss. > > I will try to see a Beebe show when I can. > > But the other comment, to Jonathan and all, is that I have more than one > friend who has reported strange depressions and other disconnections in the > last year. And I have had to admit to myself that I am part of this too -- > how else to explain staying in bed most of some days, alternating between > doing nothing and reading the news on my phone, when things i would enjoy > much more, and actually believe in, beckon? And I have a diagnosis for us: > we are depressed because the world is going to hell. Or as Jonathan put it, > our civilization might not make it. The planet might not too. > > It is not just that "short-fingered vulgarian" at 1600 Pennsylvania > Avenue; look at what is going on in Poland, Hungary, Turkey, the > Philippines, and many other countries: just as bad, though mostly without > the threat of nuclear holocaust. > > I have a theory. There was a drought in Syria a decade ago, causing huge > migration to the cities, providing people with nothing much to do. Many > fought in the coming civil war. There are many causes for droughts; climate > change could be on contributor. Is much of the entire migrant crisis due to > climate change? Given that Trump's election win was so narrow, it probably > was; even though the decline of coal was not caused by climate-sensitive > environmentalists, many voters thought it was. The unpredictable and > surprising effects of climate change seem likely to me to cause populations > to the rational thinking that is essential to democracy and seek out "Great > Leaders," however hideous they might be. If these effects are happening > now, with a sea level rise of less than a foot since 1900, I shudder to > think of the result of the sea level rising only one foot from here, > something that seems inevitable. There are many more effects besides > flooding, including increasingly harsh weather extremes, such as massive > storms, of which we have already seen a few. > > I sure hope I am wrong, that we will institute fixes for the climate > (which will however require massive carbon-removal projects as well as an > end to emissions) before it is too late, and that in a few years we will be > seeing democracies progress again. But meanwhile the US is ruled by a > would-be despot who thinks that the Democrats' failure to applaud his > speech constitutes treason, also showing that they do not love their > country very much (which, by the way, is not the same thing as treason). > Applauding the leader's speech = loving one's country. I can think of other > countries whose governments would claim that, but all are bad dictatorships. > > I cannot believe that even the rational do-gooder "good people" are mostly > not acting on the massive threat climate change presents. Curing disease in > Africa, as the Gates Foundation is doing, will make no difference in the > face of this potential apocalypse. > > I have a short, somewhat related essay, titled *Trump, Bach, and Me*, at > http://fredcamper.com/W/Bach.html in both print and audio form. > Fred Camper > Chicago > > On 2/11/2018 9:33 AM, Jonathan Walley wrote: > > Ha Ha! I used to heap scorn and mockery upon people who accidentally sent > personal emails to listservs by incorrectly replying. But now I have made the > same embarrassing gaffe! Oh, woe is me. > > Well, now everyone knows about my very high opinion of Roger Beebe’s work, > which you absolutely should see if Roger comes to your town, as well as my > personal anguish and agony - and I welcome any commiserating responses, as > well as scorn and mockery. I could have pretended it was an intentionally > post-modern “review” of Roger’s show, in the tradition of published letters > to and from filmmakers and critics (Dear Stan Brakhage…), but I decided to be > honest instead. But Roger, since it’s now public, you’re welcome to use my > email in any and all publicity for your forthcoming programs. > > Sorry everyone for unwittingly - wittlessly - opening the grimy window onto > my stupid problems. > All best, > Jonathan > > > Dr. Jonathan Walley > Associate Professor and Chair > Department of Cinema > Denison universitywall...@denison.edu > > > _______________________________________________ > FrameWorks mailing > listFrameWorks@jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > ---------- Forwarded message ---------- > From: Kamila Kuc <kamila....@googlemail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Cc: > Bcc: > Date: Thu, 8 Feb 2018 09:16:44 +0000 > Subject: Re: [Frameworks] Experimental Screening Venues London > Hi Ann, > > We will be doing some screenings at the Horse Hospital end of May, we will > have, hopefully Scott Stark and Reed O'Beirne's work. Keep in touch so we > can send an invite when ready. > Best, > Kamila > > On Thu, Feb 8, 2018 at 2:02 AM, Ann Deborah Levy < > adl...@resonantimages.com> wrote: > >> I’m going to be spending some time in London late May/early June and >> would like to find out about cinemas and alternative venues that screen >> experimental work. >> >> Ann >> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > > -- > > *Kamila Kuc, PhD, MFA, MA, BA(Hons)* > > Feature interview, *Peripheral ARTeries Contemporary Art Review > <https://issuu.com/peripheralarteriesmagazine/docs/biennialedition>* > > *www.kamilakuc.com* <http://kamilakuc.com/> > > *www.disastersofpeace.com <http://www.disastersofpeace.com/>* > > New book: *Visions of Avant-Garde Film* > <http://www.combinedacademic.co.uk/film-studies/visions-of-avant-garde-film> > (Indiana > University Press) > > New film: *I Think You Should Come to America* > <https://vimeo.com/210989888> > > > > > > > > ---------- Forwarded message ---------- > From: Helga Fanderl <helga.fand...@gmail.com> > To: Vroni Schwegler <vroni.schweg...@gmx.de> > Cc: > Bcc: > Date: Mon, 12 Feb 2018 10:30:47 +0100 > Subject: [Frameworks] CCCB > Liebe Filmfreundinnen und Filmfreunde / chères et chers ami(e)s / dear > film friends, > > ich freue mich, zwei Filmpräsentationen anzukündigen / cela me fait > plaisir d’annoncer deux présentation de films / I am pleased to announce > two film presentations > > Herzliche Grüße / best wishes / bien à vous, > > Helga > > THE CCCB’S cinema: > > Masterclass with Helga Fanderl and Helga Fanderl. Films 2000-2016 > > > http://xcentric.cccb.org/en/programas/fitxa/masterclass-with-helga-fanderl/228049 > > > http://xcentric.cccb.org/en/programas/fitxa/helga-fanderl-films-2000-2016/228043 > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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