that a
Hollywood studio spends on lipstick, I say: I can make a film for the
price that a videaste has to spend on a new hard drive!
-Pip Chodorov
At 23:21 -0400 8/10/11, Mark Longolucco wrote:
It doesn't matter if digital looks like film or not.
I would beg to differ that it is kind
Here is a partial transcription in French.
It is a reworking of phrases from Léautremont.
-Pip
Une surface grise brouillée parsemée de pleins de
tâches noires s'étend indéfiniment en tous sens
et c'est précisément à cinq centimètres au-dessus
d'elle qu'aura lieu cette récréation.
Surgit
Here is a full version corrected by Noel Burch.
-Pip
Une surface grise brouillée parsemée de pleins de
losanges noirs s'étend indéfiniment en tous sens
et c'est précisément à cinq centimètres au-dessus
d'elle qu'aura lieu cette récréation.
Surgit brusquement d'un point de lumière
verdâtre,
Kevin, you need 1.5 liters to develop two spools.
-Pip
At 15:31 + 4/11/11, Kevin Timmins wrote:
Secondly, I poured one litre of water (I'll be using a 1ltr kit)
into my developing tank just to make sure the water would cover both
spirals. NO WHERE NEAR! In the bottom of my tank there was a
Sleepless Nights Stories (Jonas Mekas, 2011)
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Hi Shumona,
I was able to do this for a film that had some black and white and some color.
The lab just has to do answer prints, filtering out the dominant
color until they get it right.
But it is possible to get it just right, if they are willing to work at it.
-Pip
At 15:53 +0530 28/11/11,
nice effects on the contrast shooting Tri-X through
yellow or red filters. Try i!
-Pip Chodorov
At 9:38 + 11/01/12, Kevin Timmins wrote:
I'm going down to London to do a Black and White reversal processing
workshop on Saturday and have to take an exposed roll of Tri-x 200
along with me. I've
Happy Stan Brakhage's birthday, one and all.
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At L'Abominable in Paris we linked a flat screen to our Bolex
animation stand using a mac running Max, so that each video frame is
presented for a specific time (maybe one second) and the Bolex
exposes internegative stock for that time, frame by frame. So it runs
like an automated optical
Did MPE in New York stop making these? I use to get all colors of
reels and cans there on west 44th street.
At 15:01 -0500 23/01/12, Stephen Broomer wrote:
Dear Frameworkers,
I'm colour-coding my negs and exhibition prints, and am looking for
yellow 16mm plastic cans,
Dear FrameWorkers,
I have been asked to pass along this request from
a programmer in Philadelphia, looking for films
on perception of time. She is not on FrameWorks
so anyone interested will have to contact her
directly.
-Pip
Subject: Shorter moments
My associate Annabelle Rodriguez and
://www.tictalik.com/
He was a great friend and a galvanizing figure in
the Paris avant-garde film scene for over 40
years.
He will be missed by all of us.
-Pip Chodorov
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Can anybody answer this call for help?
Reply to ben.weinst...@mindspring.com
Date: Tue, 14 Feb 2012 13:32:52 -0800 (GMT-08:00)
From: ben.weinst...@mindspring.com
To: frameworks-ow...@jonasmekasfilms.com
Subject: Super 16 Optical Printer
Im a filmmaker in San Francisco and I need to use an
Here is an hommage to Marcel Mazé by the French film critic Raphael Bassan.
-Pip Chodorov
Marcel Maze (1940-2012)
I met Marcel in May 1970.
He was close with the brother of a friend of mine.
I met him when he was a deputy chief of staff (a
position he held at the Agence France Presse).
I
Hi Edwin,
L'Etna is near place de la république.
Here is their contact info:
L'ETNA
Atelier de cinéma et vidéo expérimental
16 rue de la Corderie
75003 Paris, France
http://www.etna-cinema.netwww.etna-cinema.net
mailto:cont...@etna-cinema.netcont...@etna-cinema.net
-Pip
At 8:46 +
Robert Nelson's Bleu Shut which references the clock in the corner
of the screen, so the viewer will know how much time is left in case
he or she is bored.
Christopher Maclaine's The End also addresses the viewer in the
present tense.
But these two examples may be more 2nd person than 1st
). The shot that bugs me is the only one in which you
see both of them: he stretches out his hands to pull her out of the
chair. Maybe it's not his hands, or maybe someone else is filming;
the camera is not on a tripod. Any ideas?
- Pip Chodorov
At 15:26 -0500 25/02/12, David Tetzlaff wrote
When I met Hammid in the late 1990s, he told me Meshes of the
Afternoon was Maya's film. Of course he had more than a lot to do
with it, but he attributed the whole creative concept to her. I'm
sure he felt she was free to add music, and he did not claim any
ownership or royalties in any way.
I understood that Chuck Workman always cuts together the Oscar
montage - and as he just made the feature-length Visionaries on the
experimental filmmakers around Anthology, he does know them all.
(Though I prefered his Condensed Cream of Beatles!)
-Pip
At 20:50 -0800 27/02/12, Mark Toscano
be above the tank level in order to then
come back down where it is secured.
-Pip Chodorov
At 14:14 -0500 5/03/12, Christine Lucy Latimer wrote:
Kevin,
Perhaps I have been using my lomo tank outside of its intended
purpose all of this time...but I have always poured my chemistry
directly
For a very low-cost solution, my friend Misa in Belgrade has
developed a home-spun frame-by-frame kinescope system on 16mm or 35mm
that he provides for commercial releases. You can write him about it:
Miodrag Milosevic mis...@yubc.net
-Pip Chodorov
of European microcinemas here: http://www.kino-climates.org/
There is a list of production cooperatives here:
http://www.filmlabs.org/index.php/site/home/
- Pip Chodorov
At 13:36 -0400 22/03/12, Margaret Rorison wrote:
Hello All,
I'm looking for any info that can lead me to an
experimental film
Kim's Video carries some of our DVDs, and there
may soon be a new venue in Williamsburg.
But the best way is still to order them on our blog, or on amazon.fr
Pip Chodorov, Re:Voir
At 9:45 +0100 9/04/12, ÁÔÝÈ·¯ wrote:
Does anybody know where can I buy re-voir DVDs
or any other avant-garde
Shumona,
Kodak still makes it so any Kodak reseller can order it.
I sell it too and you can buy it online:
https://secure984.hostgator.com/~pip//html/formulaire.html#super8film
But these are the French prices. In the US it's cheaper!
Pip
At 13:11 +0530 13/04/12, Shumona Goel wrote:
Dear Friends,
LIttle known fact - Anthology sells the books they have published and
rare issues of Film Culture.
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The mysterious piece is a Rex-O-Fader.
At 17:12 -0700 5/06/12, Daina Krumins wrote:
I'm cleaning the basement and found two Bolex parts; a handle and
another mysterious piece.
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Sure, contact Rebecca and Thoranna at Kinosmidja i...@kinosmidja.com.
They show 16mm regularly... http://www.kinosmidja.is/agenda
At 11:56 -0400 22/06/12, Stefan Grabowski wrote:
Hello Frameworkers,
My girlfriend and I will be hosting a film screening in Reykjavik at
the end of July and are
Date: Fri, 22 Jun 2012 11:26:07 -0400
From: Mike Hoolboom fri...@interlog.com
To: i...@re-voir.com
Subject: hi pip
hi pip
latest publishing venture, a free to download monograph about
canadian filmmaker and writer ellie epp
it's here
http://www.ellieepp.com/monograph/ellieepp29MB.pdf.
if
Robert Breer
Jeff Scher
At 14:47 -0700 28/06/12, Jaimie Baron wrote:
Hi Frameworks,
I'm putting together a list of experimental animators who use
cutout/collage techniques, particularly those who use found
materials (which is kind of all of them, I know, but I'm
particularly interesting in
Sad to relate this news.
http://www.fandor.com/blog/daily-stephen-dwoskin-1939-2012/
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.
-Pip Chodorov
At 12:28 -0400 5/07/12, Mariya Nikiforova wrote:
Hello all,
I am looking to borrow a 16mm projector for a screening on July 28th
at the Erarta Museum of Contemporary Art in St Petersburg. Any leads
would be very appreciated.
Best,
Mariya
Adolfas Mekas always told me he could edit twice as fast on a Moviola
as on a flatbed.
He spoke like a cowboy comparing guns...
At 11:46 -0400 6/07/12, David Tetzlaff wrote:
The upper midwest. There was an upright Moviola in my school's film
lab when I started the masters program in 1978, snd
David Kidman has experimented with onion fixer. He says to liquidize
the onions and use 1 kg for 1 liter and have patience. You can see
his onion film here: http://www.davidkidman.com/films/DogsDinner.html
Many still photographers have experimented with non-toxic chemistry:
mint:
Hi Adam,
No, she's looking for images of it in New York's harbor, from
different points of view and filmed in different styles. It seems the
statue will be the protagonist of this film...
-Pip
At 9:36 -0700 11/07/12, Adam Hyman wrote:
There are great photos of it under construction in the
Lisa or a Kubrick film because they've seen them online, but
a painting has weight and texture, a film has grain and material, and
that is what we are seeing - not just the image of it.
-Pip Chodorov
At 16:42 -0400 13/07/12, Jonathan Walley wrote:
SO NOW, THE QUESTION: what would you say
Hi Jodie,
I had problems too - on my feature documentary, the sync drifted in
FCP for no apparent reason, and we had a lot of tweaking to do in
Cinema Tools. I was told that this is the fault of FCP which does not
handle 2K very well, but I was assured by experts that if I had done
it in Avid
We sell Super-8 film at Re:Voir/The Film Gallery, 43 rue du Faubourg
Saint Martin, open M-F 11a-6p.
At 19:10 +0200 2/08/12, Mason Shefa wrote:
Where can I buy Super8 film in Paris?
Thanks
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We also rent loopers at The Film Gallery
http://www.film-gallery.org/loopersandsplice.html
-Pip
At 10:36 -0700 14/08/12, mariah garnett wrote:
Hi Els -
here is a good resource for renting loopers:
Museum of Modern Art circulating film department.
The print is not in great shape.
Contact: kitty_cle...@moma.org
At 19:18 + 14/08/12, Ara Osterweil wrote:
Hi,
Does anyone know where/ how to rent Yoko Ono's film Fly on film?
Thanks.
Ara
___
Sounds like a job for Metropolis (115W30) that can scan the 16mm with
sound, produce a 35mm optical sound neg, shoot out to 35mm picture
neg, and they can shoot out from PDFs for the titles that you can
provide. They can then make the composite prints. They also have
optical blow-up printers
Kodak Is Selling Off Its Legendary Film Business [Photography]
GIZMODO | AUGUST 24, 2012
http://pulse.me/s/czzYe
Kodak is really closing out its era as a photographic monolith,
opting to sell off its film business entirely. As the Wall Street
Journal reports, Kod...
Kodak announces 'asset protection' cinema film, thumbs nose at your
digital movie collection
ENGADGET | AUGUST 27, 2012
http://pulse.me/s/cGnKt
Kodak may not be beloved by digital filmmakers, but it's not fallen
out of love with the talkies. It's new asset protection cinema film
is designed
Hi folks,
would anybody have Moviegoer magazine #3 from Summer 1966?
I am looking for an article about Peter Emmanuel Goldman by James Stoller.
I can't find any copies online or for sale. I haven't tried libraries yet.
Any leads appreciated!
Thanks, Pip Chodorov
http://motion.kodak.com/motion/About/The_Storyboard/4294970036/index.htm#ixzz25ifSRv4u
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You could ask Jeff Scher - he posts mostly single-frame films on the
NYTimes website.
http://opinionator.blogs.nytimes.com/author/jeff-scher/
At 18:08 -0700 16/09/12, ev petrol wrote:
hey folks
has anyone found a good way to compress a film with a lot of single
frames for the web?
had a go
Fuji has an office at 63 Avenue de Villiers 75017 Paris, tel 01 47 63 97 68.
But they do not make reversal stock.
Kodak's office moved outside Paris to Alfortville but you can get
there on the RER.
They do not carry Hi-Con in Paris, best to bring it with you.
I sell Super-8 at my shop Re:Voir - I
Dear friends,
sad to announce that the French filmmaker Marcel Hanoun has died.
We are organizing a retrospective of his films in Paris in November.
Pip Chodorov
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This just in:
Museum of the Moving Image in Astoria, Queens, will present an
evening with filmmaker Phil Solomon whose epic three-projector HD
installation American Falls is on view through November 25. On
Wednesday, October 3, at 7:00 p.m., Solomon will present and discuss
a selection of
The Anca Fest in Olomuc is very good.
http://www.festanca.sk
At 9:41 -0700 30/09/12, Jake B. wrote:
I'm just getting settled in to the Czech Republic and was wondering
if anyone could tell me if there are any decent festivals or
screening spaces for experimental film. I've asked around but
Of course they are not the same!
I have been to both festivals, in Olomuc and in Zilina.
Both festivals were good, but I prefered the town of Olomuc, and the
programming.
What is the name of the festival in Olomuc?
Pip
At 21:04 +0200 30/09/12, Marcin Gizycki wrote:
I hope that one day people in
Rémi,
There are two associative film workshops in Paris run by artists:
L'Etna: http://www.etna-cinema.net/
L'Abominable: http://l-abominable.org/
You can see the complete list of artist-run film
workshops at http://www.filmlabs.org/
Pip Chodorov
Hi,
I'm new to super 8 film-making and looking
Abdoul Setoun - 917-204-6755
At 13:13 -0500 2/12/12, r e wrote:
hi frameworks,
i was searching for a post that was passed around earlier this year
about a super 8 camera repair person in the nyc area. someone had a
great recommendation, but i've lost track of it. if anyone knows of
the post
Try Film Emporium, 247 Madison at 39th street. Tel 212-683-2433.
At 11:33 -0500 23/12/12, Eric Stewart wrote:
I am in a new York for a bit and find myself in need if 100ft of
7219. Any leads on where I might get 16mm in the city? I'm not picky
will consider buy/trade old stock/new stock. No
The distribution center moved to the Panavision building on Hudson.
They have a lot of film on stock and it is possible to walk in and buy some.
At 12:51 -0500 23/12/12, Scott Dorsey wrote:
There used to be a procedure where you could order direct from Kodak and
have them hold it at the will
Hi Shumona,
Yes it's the same - it's just single perf (so a super-16 camera can
shoot a wider picture to the edge)
Pip
At 15:54 +0530 25/12/12, Shumona Goel wrote:
Dear Friends,
I have a Bolex H16. I have always used normal 16mm stock to shoot
with this camera. However, Kodak (India) says
You don't have to lose any. The 16mm stock will capture a full 16mm
frame. When you blow up you can choose how you frame it - whether the
image remains 1.33 with black on the sides, or if you zoom in to make
a 1.66 or 1.85 picture with the top and bottom cut off, or if you
choose an academy
I'm sure many people on this list can recommend labs they have worked with.
I work with Jack Rizzo metroj...@hotmail.com in New York.
He is a good technician who can find solutions to problems and he is
experimental-filmmaker-friendly!
At 16:17 +0530 25/12/12, Shumona Goel wrote:
Ok, I just
Sure, I have plenty.
Pip
Hi Frameworks
I was wondering if anyone in Paris had any daylight spools 100 ft
(30m) and boxes that they can lend me for a few a bit or could sell
me.
Thanks
Kitty
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One of my films fits the bill.
You can read about it here.
http://www.re-voir.com/pip/piltzertextebilingue.htm
Pip
At 16:32 -0500 9/01/13, Herb Shellenberger wrote:
A colleague and I were discussing experimental films that were
composed to music. In general we think of film scores being
Hi Shumona,
yes of course it's possible!
With an optical printer you refilm frame by frame from the 16mm
reversal onto 35mm neg.
Pip
At 5:00 +0530 21/01/13, Shumona Goel wrote:
Does anyone know whether it's possible to blow up 16mm tri x
reversal to 35mm negative?
SPAM WARNING! Do not open that link!
Pip Chodorov
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Hi Jeff,
Philippe Garrel does not use e-mail.
You have to send him a letter or call him.
Contact me off list for details.
Pip
At 21:18 -0500 30/01/13, Jeff Silva wrote:
Dear Frameworks,
I'm looking for Philippe Garrel's email address to contact him about
a screening. Would be grateful if
Double-8mm film: http://www.kahlfilm.de/content.php?nav=15
At 9:48 -0800 20/02/13, ev petrol wrote:
Hey folks
emailing for a friend of mine who recently acquired a bell howell
double 8mm camera
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Every header of every post to FrameWorks carries subscription instructions.
List-Unsubscribe: https://mailman-mail5.webfaction.com/options/frameworks,
mailto:frameworks-requ...@jonasmekasfilms.com?subject=unsubscribe
At 21:12 +0100 15/03/13, ari rs wrote:
how can I unsubscribe from
How many rolls do you want?
We still have some at Re:Voir in Paris.
http://www.re-voir.com/boutique/product.php?id_product=216
-Pip Chodorov
At 14:01 +0100 4/04/13, Imogen Pring wrote:
Would anybody be able to help me out and tell me where I can buy
online some colour reversal film for Super8
David Pfluger makes super-8 loopers.
Here is his site: http://looper8.ch/
-Pip
At 14:46 -0700 23/04/13, Imogen Pring wrote:
I was wondering if anyone could help me or advise me on how to show
Super 8 film. I want to show my films with a Super 8 projector so it
is in the correct format, but I
The Pompidou Center is guarding a large Chris Marker installation
that runs on 386 computers and they are worried that these may break
down and will not be fixable or replaceable.
At 10:24 +0200 15/05/13, Lundgren wrote:
Or those anyone have examples of other famous artist with video
works
of these by July 15 when we have decided to discard
whatever is left.
Hoping this will interest some of you,
Pip Chodorov, Re:Voir
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How long do you need them for?
We have some at the Film Gallery that we rent out for $15/week.
Pip
http://www.film-gallery.org/filmservices.html
At 19:18 -0700 2/07/13, Josh Guilford wrote:
I'm looking for one or two 25mm lenses for EIKI model 16mm
projectors -- specifically, SSL-0 units.
be found on our blog http://re-voir.com
Thanks, and sorry for the commercial message.
- Pip Chodorov
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Spectra has them.
http://www.spectrafilmandvideo.com/Products.html
At 10:22 -0700 20/07/13, Katherine Bauer wrote:
OK so FotoKem in Burbank only will give me daylight spools and boxes
if I am processing with them. I live in NYC and work with Color Lab.
So I was wondering if its worth it to
Abdul Setoun is a great projector technician in New York.
917-204-6755
At 20:00 -0400 20/07/13, Margaret Rorison wrote:
I have an EIKI and a Lafayette Analyzer projector which both need to
be serviced.
A NYC contact would be helpful.
___
A somewhat tragic turn of events as Jud and I had plans to release a
DVD package of his films and documentation next year.
I met him several times, most recently in Paris a few months ago. He
once sent a beautiful Maurer optical sound camera to us at
L'Abominable - just this week we made some
The link is in the header of every FrameWorks message - at the top :
List-Archive: https://mailman-mail5.webfaction.com/pipermail/frameworks/
At 9:34 -0400 2/08/13, Bill Seery wrote:
Where is the Frameworks archive residing these days? The old Hi-Beam
archive ends in 2011
Kahl Film
http://www.kahlfilm.de/content.php?nav=14
At 11:20 -0500 3/08/13, Jarrett Hayman wrote:
Does anyone know where, besides International Film Brokers and
Spectra Film and Video, one might find color regular 8mm film stock?
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Hmm I thought they were always visible.
I have been using Eudora for 18 years and every post has always had
the headers.
At 14:09 -0400 3/08/13, Bill Seery wrote:
Thanks for the info. FWIW I'm using Mac Mail and subscribe in
digest mode. The link doesn't appear in default headers, but it is
Metropolis in New York can still do them.
212-563-9388 - ask for Jack
At 10:29 -0500 3/09/13, ch...@signaltoground.com wrote:
Hi all,
Any advice on any labs in North America that have a reasonable turn around
on answer prints from A + B rolls? I'm having a bit of a fly by the seat
of the
In the headers of every FrameWorks post you can find two links to unsubscribe :
List-Unsubscribe: https://mailman-mail5.webfaction.com/options/frameworks,
mailto:frameworks-requ...@jonasmekasfilms.com?subject=unsubscribe
-Pip Chodorov
At 17:05 -0400 27/09/13, Haley Markbreiter wrote
These e-mails are a personal exchage that can interest others on the list.
The information is not private.
-Pip
At 8:54 -0700 9/10/13, Adam Hyman wrote:
Are those emails really intended for the whole list?
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Happy birthday to us
Happy birthday to us
Happy birthday dear FrameWorks
Happy birthday to us
1st post - November 4th, 1995
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And there is a Kinetta in Paris if you want to scan
8mm-9.5mm-16mm-17.5mm-28mm etc in 3.3K resolution.
As'Image
116 bd Richard Lenoir
75011 Paris
Tel: 0183625125
http://www.dvdclic.fr/
-Pip Chodorov
At 13:24 -0400 13/11/13, Francisco Torres wrote:
a list of artist run film labs around
sometimes.
- Pip Chodorov
At 0:16 -0500 2/12/13, Dan Anderson wrote:
I'll be on a trip to Beijing and Changchun this December.. Does
anyone know if there is a culture or any venues for experimental
film/video art/moving images?
I'm also interested in VJ clubs or wherever there may be innovative
Takashi Ito DVD:
http://www.re-voir.com/boutique/product.php?id_product=77
At 13:15 -0800 4/12/13, i...@oddballfilm.com wrote:
Hello:
Might anyone know where I could locate a dvd compilation of Takashi
Ito's works
playable in the US?
The Ito Film Anthony at BFI is currently not available.
I agree. HDCam-SR is a preferable tape master (but expensive to read
from because only big labs have the players). A ProRes file is
definitely more useful to work with, though a physical tape master is
reassuring to have.
24PFS is the most compatible framerate for film original and HD
Very sorry to hear that a great friend and a great filmmaker has passed away.
Ladislav Galeta 1947-2014
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Light Cone definitely rents this print. They had
an older silent print when Moritz sent this one
and we debated about the colors and editing.
At 23:43 -0500 7/01/14, Michael Zryd wrote:
Does anyone on Frameworks know where to source a
16mm film print of William Moritz's
'reconstruction' of
I just bought a ton of Tri-X at Kodak NYC on Dec 31 before their
prices went up.
They are now located in the Panavision building, 150 Varick Street,
second floor.
At 17:52 +0500 9/01/14, Shumona Goel wrote:
Dear Frameworks,
Do you know where in the US I can purchase Tri x Reversal Super 8
Why not catch a train to Berlin and develop them at Andec?
Cheaper, faster, safer...
-Pip
At 13:25 +0100 14/02/14, Jennifer Saparzadeh wrote:
Hello Dear Frame-workers,
I hope you are all well.
I have just finished shooting 20 rolls of super 8 for a fiction film
which I must now send across
Hey Huckleberry,
There is a website devoted to the federation of European microcinemas here:
http://www.kino-climates.org/
Pip
At 15:29 -0700 11/03/14, Huckleberry Lain wrote:
Hello friends
I'm putting together a lecture for USC at the end of March and I'm
organizing a list of
...@jonasmekasfilms.com
You only have to click on the appropriate link to change your
subscription options.
- Pip Chodorov, FrameWorks
At 14:21 + 26/03/14, Herb Shellenberger wrote:
We likely wouldn't get daily/weekly unsubscribe messages if the
footer would be updated to say:
FrameWorks
BO made the optical effects, such as the white frames within the
frame that appear in some scenes.
Jonas later used them again, probably for Award Presentation to Andy
Warhol, to have each frame reprinted twice.
At 11:09 -0400 4/04/14, Michael Betancourt wrote:
In doing some unrelated
for the semester, and they
can buy extra rolls of film for $12 a roll.
I think this is a cheaper solution that really teaches the basics of
filmmaking in a very sensible and direct way that will inform them
handily for the rest of their careers.
-Pip Chodorov
At 4/17/2014, Irene Lusztig wrote:
Dear
Successfully Removed:
cookro...@mac.com
At 16:26 +0100 20/04/14, Roger Cook wrote:
Please remove me from this list.
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Films when scanned may look like film but for
some films it is more important what they are
than what they look like.
I just thought I would forward this recent
message from Jonas Mekas to a film festival who
asked to show his film works digitally rather
than on film:
At 14:49 -0400
Dear friends,
I'm sorry FrameWorks has been down for five days.
It took some time to figure out that the jonasmekasfilms.com domain
had expired.
I renewed it and all should be back to normal now...
Pip
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Hi Leandro,
we sell some S8 and 16mm stock as well as super-8 cameras at
Re:Voir/The FIlm Gallery in Paris 10 (see re-voir.com for details).
You're welcome to visit M-F 11-6.
In London you can get some from No.W.Here lab in Bethnal Green.
Pip
At 22:02 -0300 6/07/14, leandro listorti wrote:
In this case it's not used equipment.
It is being sold by Robert Miniaci who creates and manufactures his
own brand of film looper.
At 10:59 -0400 16/07/14, Nicholas Kovats wrote:
You don't often see these babies on Da Bay, i.e.
to experimental film in Bushwick thrive!
Pip Chodorov
Hi Frameworks,
We hope you'll take a moment to review our current crowdfunding
campaign
at http://www.igg.me/at/microscopewww.igg.me/at/microscope,
International contributions are welcome and if you live in the US
they are tax-deductible (we
Have you seen Ken Jacobs' nervous system performance? He uses a large
propellor as an external shutter to create different flicker
frequency effects. Of course the projector also has its original
shutter at the same time.
At 22:40 + 2/08/14, FCO. JAVIER HURTADO MOMPEO wrote:
I try to ask
everywhere in my head now.
All the best,
Pip Chodorov
At 16:46 -0700 11/08/14, Mark Toscano wrote:
Hi all -
If you're interested, I've written something about my experience
picking up Standish Lawder's films in 2007, prompted by the arrival
of the rest of his film elements today from his
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