Re: [Frameworks] Re-authored Imagery Culled from Commercial DVDs

2012-01-04 Thread gregg biermann
http://www.nytimes.com/2012/01/01/arts/design/richard-prince-lawsuit-focuses-on-limits-of-appropriation.html?_r=3&ref=design&pagewanted=all On 1/2/2012 7

Re: [Frameworks] Kuchar on the Oscars

2012-03-03 Thread gregg biermann
The other thing here is that George's position on the mainstream commercial cinema was not purely oppositional -- that there is also some sense of homage to it in his work. You could even argue that he was alienated to some degree when it came to the avant-garde film community -- even as it em

Re: [Frameworks] Kuchar on the Oscars

2012-03-04 Thread gregg biermann
known filmmakers to list their top ten favorite movies. On George’s list were titles you would expect, but he also included “Wavelength” and Antonioni’s “Eclipse.” *From:* gregg biermann <mailto:mubba...@optonline.net> *Sent:* Saturday, March 03, 2012 8:32 AM *To:* Experimental Film Discussio

Re: [Frameworks] saint lucy

2012-05-11 Thread gregg biermann
"Watson, come here. I need you." Great interview, Mark. Honest comments about your own restlessness, especially with regard to the reasons motivating the unusually wide range of your work. Gregg On 5/10/2012 6:58 PM, Mark Street wrote: Hey All, I tried to send this the other day but I don't