Re: [Frameworks] Approaching Deadline for FAR OUT FILM FEST

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Re: [Frameworks] women filmmakers

Hi, Pip I’m back to NYC. Will return to Tokyo around mid October or earlier though not certain yet. Do you have any money for me? If so, please send me now in US $. Thanks, Taka > 2015/09/16 午後0:10、Stephan Chodorov のメール： > > Leni Riefenstahl’s autobiography; long and

Re: [Frameworks] Film supplies in Japan

Dear Jean-Louis, Thank you inviting me your > 2017/09/10 20:44、Ignacio Tamarit のメール： > > Tak is not answering, > > besides Im in the need of 16 mm and 35 mm supplies more than 8 mm. > > 2017-09-10 21:36 GMT-03:00 Jean-Louis Seguin

[Frameworks] A Celebration and Screening of TAKAHIKO IIMURA

A Celebration and Screening of TAKAHIKO IIMURA Takahiko Iimura (飯村隆彦 Iimura Takahiko, born February 20, 1937) is a Japanese <https://en.wikipedia.org/wiki/Japanese_people> avant-garde filmmaker and fine artist. He is considered one of the pioneers of experimental <https://en.wiki

Re: [Frameworks] Maurice Lemaitre

Hi, Pip Thank you for your mail which keep informing me important news. Sorry to hear Maurice Lemaire has gone whom I met in Paris in the late 1960s. Lettrerist is certainly first conceptual artist in film who leads me to my film White Calligraphy(1i67) writing Japanese characters directly on

Re: [Frameworks] Films about the clockd count

Takahiko Iimura I made ‘’Time Film’’ rather than ‘’Time related film’’ means actually realizing ‘'film time’’ of 24 frames per second measuring the exact frames made in the 1970s. The titles are 1 To 60 Second(1973), 24 Frames Per Second(1975-78), and One Frame Duration(1975-77) which were

Re: [Frameworks] Expanded cinema and experimental music

hi,Steve, delayed response from Taka. i am here in Tokyo writing of the 1960 to be published later. That is my job these days and I have to go back there. Take care. Taka > 2019/02/20 21:28、Steven Ball のメール: > > Hi Esperanza, > > Feel free to send me a direct email regarding this. > >

Re: [Frameworks] The Film-Makers Coop IndieGoGo Campaign Extended

Takahiko Iimura, TV for TV, 1983 (installation view). 2 identical monitors face to face, dimensions variable. Courtesy the artist and Microscope Gallery. Photo: Kyle Knodell. ‘’one of the simplest works is also the most intriguing, Takahiko Iimura’s TV for TV (1983) is.’’ Ed Halter Exhibited

Re: [Frameworks] Super8 film in Taiwan and expanded cinema in East Asia

Hi, I am Takahiko Iimura, Tokyo. I hope to meet you, but not for sure yet as I don’t get invitation yet. Best, Takahiko iimura 2020/01/30 21:42、Nicole Baker のメール： > Hello! > That sounds like some amazing research. I'm in Central Asia - Kazakhstan. A > bit out of your way.

Re: [Frameworks] How do people encode DVDs for international distribution? NTSC / PAL?

Dear Pip Good to hear on speed from you. I have given many prints of my film to Re-Voir for distribution which were made mostly in the US with 24 fps, I believe. Does it affect for your distribution and screening in Europe? And if so, what has been done to correct the speed? I appreciate your