Re: [Frameworks] question - 'the body/artist anatomies' in experimental film

I confess I have not been closely following this thread, but in case no one has mentioned: Kubelka’s Pause! might be of interest, as might any number of things involving Herman Nitsch. Shirley Clarke’s two video works with Joseph Chaiken, Tongues and Savage/Love foreground Chaiken’s body.

Re: [Frameworks] question - 'the body/artist anatomies' in experimental film

Hi, It might not be exactly what you're looking for, but it could add something to your research: In Barbara (2012) from Christian Petzold, there's a scene close to the beginning where the doctor makes an analysis of Rembrandt's painting "The Anatomy Lessons of Dr. Nicolaes Tulp". Definitely a

Re: [Frameworks] question - 'the body/artist anatomies' in experimental film

Here are some films and videos that could be labelled as self-portraits. http://laboratoriaudiovisual.blogspot.com/p/autoretrat.html I used them at the university of Fine Arts to suggest different ways to approach the cinematic representation of the body. They specially enjoyed the video *Shape

Re: [Frameworks] question - 'the body/artist anatomies' in experimental film

Stan Brakhage, Act of Seeing with One’s Own Eyes (1971) Anne Severson, Near the Big Chakra (1971) > On Feb 26, 2018, at 9:05 AM, Scott MacDonald wrote: > > Seth, check out: > > Geography of the Body by Willard Maas (1943) > Fly by Yoko Ono > > On Mon, Feb 26, 2018 at

Re: [Frameworks] question - 'the body/artist anatomies' in experimental film

Seth, check out: *Geography of the Body* by Willard Maas (1943) *Fly* by Yoko Ono On Mon, Feb 26, 2018 at 8:07 AM, Seth Pimlott < seth.piml...@network.rca.ac.uk> wrote: > Dear Frameworkers, > > I am working with some young artists on an artists' anatomy - a film > about a body - drawn from the

Re: [Frameworks] question - 'the body/artist anatomies' in experimental film

https://lamentationforanobsoletebody.wordpress.com/ https://archive.org/details/SongForAManInFlames Sent from my iPad > On 27 Feb 2018, at 00:18, julia yezbick wrote: > > My 2015 film, Into the Hinterlands, deals with issues of the body and > subjective experience

Re: [Frameworks] question - 'the body/artist anatomies' in experimental film

Saw this one at the University Film Society in Minneapolis years ago: http://www.imdb.com/title/tt0119754/?ref_=nv_sr_1 It’s good! Chris chris-lange.com > On Feb 26, 2018, at 11:18 AM, julia yezbick

Re: [Frameworks] question - 'the body/artist anatomies' in experimental film

My 2015 film, Into the Hinterlands, deals with issues of the body and subjective experience through a visceral, embodied rendering of a physical theatre ensembles' creative practice. Trailer: https://vimeo.com/96998423 Excerpt: https://vimeo.com/96668562 password: Flaherty2014 website:

[Frameworks] question - 'the body/artist anatomies' in experimental film

Dear Frameworkers, I am working with some young artists on an artists' anatomy - a film about a body - drawn from the experiences of the group. We have looked at the work of Ana Mendieta, and Derek Jarman's *Blue* for inspiration. But I wanted to ask a question. I wondered if there were some

[Frameworks] question

*Does anyone know contact information for Laura Ricciardi or Moira Demos?* *Please contact me off discussion group.* *Scott* ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Question

Hi Simonetta! Sorry to hear about your experience at UMICH. Good luck! Are you trying to beginning another phd program or are you trying to work outside of academia now? On Sun, May 15, 2016 at 5:49 AM, Simonetta Menossi < simonetta.meno...@gmail.com> wrote: > Dear Frameworks members, > > This

Re: [Frameworks] question about a lens...

Hi Dominic. This lens attachment is currently attached to a 50mm lens that is attached to an Eiki EX-2000A projector. Steve Polta On Fri, Apr 22, 2016 at 10:48 AM, Dominic Angerame < dominic.anger...@gmail.com> wrote: > What projector lens does this item screw into. > > > On Fri, Apr 22, 2016

Re: [Frameworks] question about a lens...

What projector lens does this item screw into. On Fri, Apr 22, 2016 at 5:26 AM, Scott Dorsey wrote: > > The question: can anyone tell me what the effective focal length(s) of > this > > combo provides. > > I can't, because I don't know the ratio of that varifocal gadget. > >

Re: [Frameworks] question about a lens...

> The question: can anyone tell me what the effective focal length(s) of this > combo provides. I can't, because I don't know the ratio of that varifocal gadget. But you can figure it out yourself... put the projector ten feet from a screen, focus the image with the lens racked forward and with

Re: [Frameworks] question about a lens...

That zoom is plus .25 to minus .25 inch focal length. If on a 2 inch lens range would be 1.75 to 2.25. Larry Urbanski Film On Thu, Apr 21, 2016 at 7:18 PM, Steve Polta wrote: > Dear Gearheads, > > San Francisco Cinematheque is in possession of a zoom lens >

[Frameworks] question about a lens...

Dear Gearheads, San Francisco Cinematheque is in possession of a zoom lens attachment—specifically a Buhl 16mm "Varazoom," Cat. No. 833-490. You can see one just like it here

Re: [Frameworks] question regarding color preservation of early animation films

That's perhaps already been answered but OPUS 1 was restored by Filmmuseum Munich and they worked for years on it so it should be a serious result. If I remember correctly they based their efforts on both a few feet of coloured film in a forgotten tin and on a colouring chart. Stockholm and

Re: [Frameworks] question regarding color preservation of early animation films

...@re-voir.com To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Cc: Date: Sat, 31 Jan 2015 23:46:10 +0100 Subject: Re: [Frameworks] question regarding color preservation of early animation films I don't know where the hand painted originals are or if any exist at all

Re: [Frameworks] question regarding color preservation of early animation films

Thanks so much, everyone, very helpful! 2015-02-01 3:23 GMT-05:00 Ingo Petzke i...@petzke.biz: That's perhaps already been answered but OPUS 1 was restored by Filmmuseum Munich and they worked for years on it so it should be a serious result. If I remember correctly they based their efforts

[Frameworks] question regarding color preservation of early animation films

Hello Frameworkers, I have a question regarding color preservation of Walter Ruttmann's Opus films, and was hoping you might be able to point me in the right direction or share your insights with me. I am currently researching the use of color (or lack thereof) in the early absolute animations by

Re: [Frameworks] question regarding color preservation of early animation films

Some original hand-painted prints of Opus 1 were preserved, and 16mm prints from these are still in circulation today. When you see the 16mm prints projected you can see the hand-painted color bleed beyond the edges of the white shapes (unlike in those youtube videos). Later Moritz himself

Re: [Frameworks] question regarding color preservation of early animation films

Le Giornate del Cinema Muto festival showed restored 35mm prints of the Ruttmann shorts in 2000, most of which were from the Munich Stadtmuseum and/or Netherlands Filmmuseum (now Eye). Some were tinted/toned, others were directly colored, and the 35mm preservations were done on color stock to

Re: [Frameworks] question regarding color preservation of early animation films

Thank you, Pip, for the quick response! No, I haven't seen or heard of the existence of Ruttmann's hand-painted prints... Do you know where they are archived or where/how I might have a chance to see them? Also, aside from the bleed, can you tell me how similar these digital versions are to the

Re: [Frameworks] question regarding color preservation of early animation films

I don't know where the hand painted originals are or if any exist at all. There must be an internegative at the Eye Institute (Amsterdam) because I think the 16mm print originally in circulation in Paris came from the Dutch Filmmuseum in the 1980s. New prints come from CVM and were supervised

Re: [Frameworks] question regarding color preservation of early animation films

They're all on this DVD set, in color and very legible transfers; region 0 disk: http://www.edition-filmmuseum.com/product_info.php/info/p70_Berlin--die-Sinfonie-der-Gro-stadt---Melodie-der-Welt.html Michael Betancourt Savannah, GA USA michaelbetancourt.com twitter.com/cinegraphic |

Re: [Frameworks] question about fees for permission to use material: an update

Hello everyone, After some consideration about whether to pay for permission to use as narration an essay from the NY Times, I decided to dig deeper, do more research, and write my own narration. In doing more research, I discovered aspects of the situation I had not known about before. that

Re: [Frameworks] question about fees for permission to use material: an update

Always the way. 'Necessity' etcŠ From: Caryn Cline carynycl...@gmail.com Reply-To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Date: Thu, 6 Mar 2014 11:23:46 -0800 To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Subject: Re: [Frameworks] question

Re: [Frameworks] question about fees for permission to use material

Dear Francisco, Jim, Gene, David, Ted and Dan. Thank you all for your insights and advice. I really appreciate your taking the time to respond to my query. Frameworks is such a great resource! Best wishes, CC On Thu, Feb 20, 2014 at 1:04 PM, Francisco Torres fjtorre...@gmail.comwrote: If

Re: [Frameworks] question about fees for permission to use material

Just for grins and to amplify David's point, it's time to remember Paper Tiger TV's delicious Herb Schiller Reads the New York Times from 1981. https://vimeo.com/82558179 David Tetzlaff wrote: The soundtrack to James Benning's film Deseret consists entirely of some one reading NY Times

[Frameworks] question about fees for permission to use material (Caryn Cline)

--although only grant it if they pay you! best Chris Message: 2 Date: Thu, 20 Feb 2014 12:48:22 -0800 From: Caryn Cline carynycl...@gmail.com To: Experimental Film Discussion List FrameWorks@jonasmekasfilms.com Subject: [Frameworks] question about fees for permission to use material Message

Re: [Frameworks] question about fees for permission to use material (Caryn Cline)

their writing--although only grant it if they pay you! best Chris Message: 2 Date: Thu, 20 Feb 2014 12:48:22 -0800 From: Caryn Cline carynycl...@gmail.com To: Experimental Film Discussion List FrameWorks@jonasmekasfilms.com Subject: [Frameworks] question about fees for permission

Re: [Frameworks] question about fees for permission to use material (Caryn Cline)

The soundtrack to James Benning's film Deseret consists entirely of some one reading NY Times articles aloud. I'm willing to bet he did not pay for the rights nor has been bothered by the NY Times about it. I repeat my point that it is not the rights holder the experimental filmmaker needs

Re: [Frameworks] question about fees for permission to use material

If you modify it ''substantially'' it becomes a different text. Think William Burroughs... On Thu, Feb 20, 2014 at 4:48 PM, Caryn Cline carynycl...@gmail.com wrote: Dear Frameworkers, I'm writing to ask your advice. I'm working on a short handmade, experimental film that takes as its

Re: [Frameworks] question about fees for permission to use material

Sent: Thu, Feb 20, 2014 1:05 pm Subject: Re: [Frameworks] question about fees for permission to use material If you modify it ''substantially'' it becomes a different text. Think William Burroughs... On Thu, Feb 20, 2014 at 4:48 PM, Caryn Cline carynycl...@gmail.com wrote: Dear Frameworkers

Re: [Frameworks] question about fees for permission to use material

, not having a legal right to grant permission to copy apparently does confer the right to withhold the things from the world forever. From: carli...@aol.com Sent: Thursday, February 20, 2014 3:10 PM To: frameworks@jonasmekasfilms.com Subject: Re: [Frameworks] question about fees for permission

Re: [Frameworks] question about fees for permission to use material

reasonable, considering, but of course, it's not really possible. -Original Message- From: Francisco Torres fjtorre...@gmail.com To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Thu, Feb 20, 2014 1:05 pm Subject: Re: [Frameworks] question about fees

Re: [Frameworks] question about fees for permission to use material

To add to David Tetzlaff's comments, first...I wholeheartedly agree. In addition to Fair Use though, look up and read specifically about the concept of derivative work. Classic example: Andy Warhol takes the Campbell's Soup or Brillo branding AS IS...but by recontextualizing it, he creates a

[Frameworks] Question for frameworks community

Dear Fellow Frameworkers, I am looking to purchase 16mm guillotine splicers on behalf of Virginia Commonwealth University Dept. of Photography Film. PLEASE contact me if you have any for sale or have any leads. Thanks! Sasha swfre...@vcu.edu

Re: [Frameworks] Question for frameworks community

Dwight Cody at Boston Connection, aka. cutfilmhttp://www.cutfilm.com/ sells them. On Aug 8, 2013, at 9:38 AM, Sasha Waters Freyer wrote: Dear Fellow Frameworkers, I am looking to purchase 16mm guillotine splicers on behalf of Virginia Commonwealth University Dept. of Photography

[Frameworks] Question for Frameworks Community...

Does anyone know if it is possible to reversal process print film (b/w 7302) using D-97 developers? I have successfully reversal hand-processed the 7302 print stock using D-19, but the result is too contrasty to my liking. Does anyone have any experience with these types of experiments? --

Re: [Frameworks] Question for Frameworks Community...

Expose for the shadows, develop for the highlights. If it's too contrasty, increase the exposure and reduce the development time. That said, getting pictorial contrast out of a print stock is going to be a bit of an adventure and I think you'd be much better off with a very low contrast

Re: [Frameworks] Question for Frameworks Community...

: [Frameworks] Question for Frameworks Community... Does anyone know if it is possible to reversal process print film (b/w 7302) using D-97 developers? I have successfully reversal hand-processed the 7302 print stock using D-19, but the result is too contrasty to my liking. Does anyone have any

Re: [Frameworks] Question For Gene Youngblood

, the blog is the future. Its subtitle is “Leave the Culture Without Leaving the Country.” Thanks for your interest... ** *From:* Doug Chaffin(Douglas Graves) dgtols...@yahoo.com *Sent:* Sunday, April 21, 2013 4:21 PM *To:* FrameWorks frameworks@jonasmekasfilms.com *Subject:* [Frameworks] Question

[Frameworks] Question For Gene Youngblood

I'm a big fan of your Expanded Cinema book. thank you very much for writing it. but i'm curious as to why you did not include anything about Ed Emshwiller?   And i was wondering if you could please put up online your review of Relativity ?   Best,  Doug Graves

Re: [Frameworks] Question For Gene Youngblood

media theory. The website is the past, the blog is the future. Its subtitle is “Leave the Culture Without Leaving the Country.” Thanks for your interest... From: Doug Chaffin(Douglas Graves) Sent: Sunday, April 21, 2013 4:21 PM To: FrameWorks Subject: [Frameworks] Question For Gene Youngblood

Re: [Frameworks] question about Panasonic camera not playing a tape back with image

Sometimes there are issues about heads aligment. Also dirty heads/tape may cause such problems. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] question about Panasonic camera not playing a tape back with image

I have a Panasonic NV-GS500 and it won't playback a TDK tape with the images  ... any reason why this would be ?  The tape was originally used in another camera and was fine.  I think it is more to do with the tape itself.  It comes up saying reset on the NV- GS500.  Any ideas ?