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** This week [January 22 - 30, 2017] in avant garde cinema
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New Year New Works - Screening Two (#anchor3) [January 28, New York, New York
10016]
NEW FILM/VIDEO: NON-FEATURE:
"Commodity Trading: Election Day" by M. Woods
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"EXIT" by David King
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"Bleach" by chris
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NEW CALLS FOR ENTRIES:
Edinburgh Short Film Festival (Musselburgh; Deadline: June 26, 2017)
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The Great Wall of Oakland + Mobile Arts Platform Present "On the Road"
(Location: Oakland, CA, USA; Deadline: March 1, 2017)
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DEADLINES APPROACHING:
MUFF - Montreal Underground Film Festival (Montreal, QC, Canada; Deadline:
February 14, 2017)
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Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* Roll For Peter/Peter Hutton Tribute Program (#anchor1) [January 25, Columbus,
Ohio]
* Image Machines: Celebrating Millennium Film Journal No 64 (#anchor2) [January
25, New York, New York]
* New Year New Works - Screening Two (#anchor3) [January 28, New York, New York
10016]
WEDNESDAY, JANUARY 25, 2017
1/25
Columbus, Ohio: Ohio State University
7:30 PM, University Hall 0014
ROLL FOR PETER/PETER HUTTON TRIBUTE PROGRAM
A program in honor and memory of experimental filmmaker Peter Hutton featuring
A ROLL FOR PETER and three Peter Hutton films. Following Hutton’s death in June
2016, twenty-plus former students, colleagues, and admirers of Peter Hutton
answered an invitation to shoot A ROLL FOR PETER. The parameters were simple:
shoot a single 100 feet roll of black and white 16mm film. Artists Jennifer
Reeves and Mark Street then compiled them with black film separating the rolls,
as Peter often separated the single shots in his films. A ROLL FOR PETER speaks
to his strong contemplative aesthetic ethos. Each filmmaker will have 2 and
half minutes of screen time to commune with Peter’s memory, and the collected
rolls will become more than the sum of their parts. Program also includes three
films by Hutton: NEW YORK NEAR SLEEP FOR SASKIA (1972), FLORENCE (1975), and
STUDY OF A RIVER (1997). Films will be shown on 16mm. Special thanks to Eric
Theise for coordinating the tour.
1/25
New York, New York: Millennium Film Workshop
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7:30, Anthology Film Archives, 32 2nd Ave
IMAGE MACHINES: CELEBRATING MILLENNIUM FILM JOURNAL NO 64
This mid-winter screening celebrates the publication of Millennium Film Journal
No. 64 “Image Machines.” The program consists of works discussed in the issue,
featuring “Serpentine” by Stephanie Wuertz, and five short films by experienced
and lesser known filmmakers from the United States, Germany and Sweden. Some
filmmakers and writers will be present. The Program: • Christoph Girardet
SYNTHESIS (Germany, 2015, 8 min) • Nina Yuen NARCISSUS (U.S., 2016, 10 min) •
Richard Dinter SNOW / SNÖ (Sweden, 2016, 10 min) • Bill Morrison THE
DOCKWORKER’S DREAM (U.S./Portugal, 2016, 18 min) • Clemens von Wedemeyer THE
HORSES OF A CAVALRY CAPTAIN / DIE PFERDE DES RITTMEISTERS (Germany, 2015, 10
min) • Stephanie Wuertz's SERPENTINE (U.S., 2014, 27 min)
SATURDAY, JANUARY 28, 2017
1/28
New York, New York 10016: Filmmakers Coop
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7 PM - 9 PM EST, 475 Park Ave S Fl 6th
NEW YEAR NEW WORKS - SCREENING TWO
Join us for our fourth annual New Year, New Works program, a two-day screening
showcasing the wide-ranging work of both new and long-term Coop members.
Filmmakers will be present for Q&A following screening. Programmed and curated
by Gregg Biermann, G. Anthony Svatek and Courtney Muller. Admission: $10
suggested donation Pizza and wine following screening, donated by Two Boots
Pizza. PROGRAM: Robbie Land, Matters of Bioluminescence (2012), 8 min. Jerry
Tartaglia, Remembrance (1990), 5 min. Katherine Bauer, Popple's Feet (2017), 4
min. Tessa Hughes-Freeland, Baby Doll (1982), 5 min. Will Erokan & Gerry
Fialka, RIAtoo (2016), 2 min. Emily Hubley, Delivery Man (1982), 8 min. Mary
Billyou, The Invalids (2003), 9 min. Rrose Present, Tempesta a "Les Fonts"
d'una memoria (Storm in "the Sources" of a Memory) (2015), 4 min. Barbara
Rosenthal, I Have a New York Accent (1988), 3 min. Amanda Katz, 4 Bed, 4 1/2
Bath (2016), 11 min. Karissa Hahn & Andrew Kim, (I)FRAME (2016), 11 min.
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