links
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=158bb07dba&e=4e65756555
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8b83cf16dd&e=4e65756555
** This week [June 10 - 18, 2017] in avant garde cinema
------------------------------------------------------------
Enter your event announcements by going to the Flicker Weekly Listing Form
(http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1770607e10&e=4e65756555)
.
To receive the weekly listing via email: Subscribe
(http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2c7038a1e8&e=4e65756555)
. To unsubscribe see the link at the bottom of this email.
Empathetic Waves (#anchor3) [June 10, San Francisco]
Dan Graham and Glenn Branca / William Raban (#anchor7)
[June 13, Brooklyn]
NEW CALLS FOR ENTRIES:
Coney Island Film Festival (Brooklyn, NY; Deadline: June 30, 2017)
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b9db99ab67&e=4e65756555
Coop Microcinema (Nashville, TN; Deadline: August 18, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=29e7cbf645&e=4e65756555
Light Field (San Francisco, CA ; Deadline: August 15, 2017)
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=666325039b&e=4e65756555
DEADLINES APPROACHING:
Edinburgh Short Film Festival (Musselburgh; Deadline: June 26, 2017)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ea36a1a81b&e=4e65756555
Arts + Literature Laboratory (Madison; Deadline: June 15, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=424837dc51&e=4e65756555
Off the Wall (Madison, Wisconsin, USA; Deadline: June 15, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a9ecefe311&e=4e65756555
Projections at the New York Film Festival (New York, NY, USA; Deadline: June
16, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5431947a8e&e=4e65756555
Sign on / Sign off (Stuttgart, Germany; Deadline: June 15, 2017)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=188ade71b5&e=4e65756555
Coney Island Film Festival (Brooklyn, NY; Deadline: June 30, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=67b5b10db4&e=4e65756555
JOBS:
Chicago Filmmakers (Chicago)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=52dfdd20dd&e=4e65756555
(http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c1d6a23432&e=4e65756555)
Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* Re-Visions: American Experimental Film 1975-90: Jeff Preiss Pgm 2 (#anchor1)
[June 10, New York, NY]
* Re-Visions: American Experimental Film 1975-90: Jeff Preiss Pgm 1 (#anchor2)
[June 10, New York, NY]
* Empathetic Waves: An Evening of Spontaneous Collisions Showcasing
Experimental Film, Animation, and Improvisational Audio/Visual Performances
(#anchor3) [June 10, San Francisco, California]
* Show &Amp; Tell: andrew Busti (#anchor4) [June 11, New York, NY]
* Celebrating Five Years of Shapeshifters Cinema With the Cinepimps (#anchor5)
[June 11, Oakland, CA]
* Show &Amp; Tell: Astral Projections (#anchor6) [June 12, New York, NY]
* Dan Graham and Glenn Branca / William Raban (#anchor7) [June 13, Brooklyn,
New York 11222]
* Newfilmmakers (#anchor8) [June 14, New York, NY]
SATURDAY, JUNE 10, 2017
6/10
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b7afa27976&e=4e65756555
5:00 PM, 32 Second Avenue
RE-VISIONS: AMERICAN EXPERIMENTAL FILM 1975-90: JEFF PREISS PGM 2
1995-2012, 120 min, 16mm-to-digitalShare +Twitter. With the ongoing series
RE-VISIONS: AMERICAN EXPERIMENTAL FILM 1975-90, Anthology spotlights the
generation(s) of experimental film artists who emerged after the final
formation in 1975 of our Essential Cinema repertory screening cycle. As hotly
debated as it was widely celebrated, the EC had a seismic effect (for better or
worse) on both cinema studies scholarship and international film curatorial
practice. Even though the EC was intended as a direct response to the exclusion
of the avant-garde from official Film History, by so concisely outlining a
canon it effectively shifted critical and public interest away from the still
developing experimental film movement and focused attention squarely on certain
artists and works considered to be historically important. Subsequent
generations of cinema artists have never received the same level of
intellectual/institutional recognition or encouragement. We believe that it is
high
time for a re-evaluation. With the support of a significant grant from the Andy
Warhol Foundation for the Visual Arts, Anthology has been engaged in a
multi-year project to preserve significant works by a wide range of cinema
artists who largely became active or reached their prime after 1975. Rather
than attempt to amend the EC, RE-VISIONS uses it as a starting point from which
to explore the continuities, fractures, corollaries, and connections between
cinema artists of the last 40 years and the previous avant-garde film
movements. Much like their predecessors, these artists continued to tirelessly
push at the parameters of cinematic form. RE-VISIONS features single-artist
screenings of our new preservations alongside other exemplary and enticing
titles spanning each artist's career, as well as group shows bringing together
multiple artists. When possible, artists will appear in person to discuss their
work and answer questions. Special thanks to the Andy Warhol Foundation
for the Visual Arts, Audio Mechanics, BB Optics, Cinema Arts, Cineric,
Colorlab, The Film Foundation, FotoKem, the Mike Kelly Foundation for the Arts,
The National Endowment for the Arts, the National Film Preservation Foundation,
Sony Pictures Entertainment, Trackwise, Video and Film Solutions, Women's Film
Preservation Fund of New York Women in Film & Television, and all the artists
who were involved in this project. STOP (1995-2012, 120 min, 16mm-to-digital)
"STOP is a feature-length chronicle distilled from 2,500 100-ft rolls of 16mm
film shot between 1995 and 2011 - organized sequentially by numbered lab rolls
of camera negative into four half-hour parts. It operates around the
conventions of home movies: the images are of my own life and in classic
home-movie tradition the alternating subjects of family, friends, and travel
are set by the filmstrip with absolute chronological certainty. Subjects repeat
in cycles while others form internal episodes. But as home-movie
impulses dictate, the central subject is my child. Among the stops referred to
in the title, one was the act of assigning an end within the accumulating mass
of my personal archive - so that a film could be possibly shaped. Many
converging threads of ends and transformations were candidates, but most
evident was the quintessential end of nearly all home-movie cycles: the awkward
end of my child's prepubescence - in this case hinging on a heroically decisive
transformation of gender expression." -Jeff Preiss Preceded by: WARREN SONBERT
(1988, 3 min, Regular 8mm-to-2K digital, silent. Restored by Anthology Film
Archives with support from the Andy Warhol Foundation for the Visual Arts.)
6/10
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=cb07fc98b0&e=4e65756555
8:00 PM, 32 Second Avenue
RE-VISIONS: AMERICAN EXPERIMENTAL FILM 1975-90: JEFF PREISS PGM 1
See 6/9.
6/10
San Francisco, California: Artists Television Access
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9fe72b0d3e&e=4e65756555
8:00pm, 992 Valencia Street
EMPATHETIC WAVES: AN EVENING OF SPONTANEOUS COLLISIONS SHOWCASING EXPERIMENTAL
FILM, ANIMATION, AND IMPROVISATIONAL AUDIO/VISUAL PERFORMANCES
This program features collaborative sound and 16mm and video performances by
Jeffrey Alexander and Stephanie Sherriff, Faith Arazi and CaptJRab, Paul
Clipson and Gabriel Dunne and Tooth.
SUNDAY, JUNE 11, 2017
6/11
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e8751ee68f&e=4e65756555
7:30 PM, 32 Second Avenue
SHOW & TELL: ANDREW BUSTI
Andrew Busti has been making handmade films in various forms since 1999. His
work revolves around the idea of the subjective and the languages that evolve
through experience and perception. He is the technical director for the Film
Studies Program at University of Colorado in Boulder and teaches classes in
Alternative Process and Alchemical Cinema. He works with artists, museums, and
archives through the name Analogue Industries Ltd., facilitating new works,
helping to preserve any work that may be of value, and always striving to
support analog cinema in all its ongoing forms. He is a founding member of
Process Reversal, a nonprofit artist-run analog film initiative that currently
educates, informs, supports, and outfits artist-run film labs and communities
around the globe. He is an integral part of the new media preservation program
for Film Studies at the University of Colorado in Boulder. When not working
long hours and helping others make films or trying to actually
make his own, he might be found cooking in his very small kitchen, incessantly
smoking cigarettes, drinking scotch, and ruminating on all the lost hours that
slip through his fingers…. He currently obsesses about the reclaiming and
refining of silver from the photographic process .999 percent of his time. For
his Show & Tell program, Busti will present three films from his in-progress
project, 26 PULSE WROUGHT (film for rewinds), which will ultimately comprise
nine parts, as well as selected earlier works, and at least one live
performance! As if that's not enough, he has also curated a group program
devoted primarily to films that have been created with the support of Process
Reversal (as well as by filmmakers associated with the group). 26 PULSE WROUGHT
(film for rewinds) A series of 9 films investigating subjective languages,
languages of subjectivity, and interpretive modes through coded polyphonic
articulate signals. A cinema of illumination and reflection. Screening
tonight: 26 PULSE WROUGHT - (FILM FOR REWINDS) VOL. I: WINDOWS FOR RECURSIVE
TRIANGULATION (2014, 3 min, 16mm) 26 PULSE WROUGHT - (FILM FOR REWINDS) VOL.
III: PARALLEL BEAMS OR THE INEFFABLE INEFFCIENCY OF WORDS (2015, 3 min, 16mm,
b&w) 26 PULSE WROUGHT - (FILM FOR REWINDS) VOL. II: EXCEPTIONAL VIOLENTS (2017,
4 min, 16mm, b&w) Additional films and performances to be announced! Total
running time: ca. 70 min.
6/11
Oakland, CA: Shapeshifters Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7c93787c7f&e=4e65756555
8pm, 511 48th Street
CELEBRATING FIVE YEARS OF SHAPESHIFTERS CINEMA WITH THE CINEPIMPS
ABOUT THE PERFORMANCE: Cinepimps reprise their collaging quartet at
Shapeshifters’ fifth anniversary, reuniting Alfonso Alvarez and Keith Arnold
(on projectors) with Suki O’Kane, and Wayne Grim (on electroacoustics) to
perform the new piece “1000 Vaults Plundered (for One Mighty Show)”. Layering
found footage, processed optical tracks, and the occasional abandoned brass
instrument, they create immersive, environmental fields of light and sound.
MONDAY, JUNE 12, 2017
6/12
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3cedb1ac0a&e=4e65756555
7:30 PM, 32 Second Avenue
SHOW & TELL: ASTRAL PROJECTIONS
Presented by Andrew Busti of Process Reversal. A program of contemporary films
exploring "The Other Side" of the line. Communication with and/or through
mediums, residues, and intelligences that may or may not be located within our
current "Time/Space." These films collectively speak from a concurrent field of
light, while addressing questions of materiality, spirituality, and
ethereality, in regards to the essence of the physical and its perceived
presence. Andrew Kim WILL O' THE WISP (2013, 23 min, 16mm) Alee Peoples THEM
ORACLES (2012, 7.5 min, 16mm) Mike Stoltz HALF HUMAN, HALF VAPOR (2015, 11.5
min, 16mm) Sarah Biagini THE BLACK SPOUT (2017, 9 min, 16mm) David Gatten FILM
FOR INVISIBLE INK, CASE NO. 71: BASE-PLUS-FOG (2006, 10 min, 16mm, b&w) Erin
Espelie ??? (A NET TO CATCH THE LIGHT) (2016, 8.5 min, HD-and-16mm-to-digital)
Kelly Sears A TONE BETWEEN LIGHTNESS AND DARKNESS (2015, 7.5 min, digital)
Heather Trawick CENTRE OF THE CYCLONE (2015, 12 min, 16mm) Eric Stewart
WAKE, (2015, 8 min, 16mm, b&w, silent) Taylor Dunne CORN MOTHER (2012, 6 min,
16mm, silent) Curt Heiner LIMITED SIGHT DISTANCE (2017, 7 min, 16mm, silent)
Eric Coombs ESMERILLION: Y GWYLLT (2017, 10 min, 16mm) Total running time: ca.
125 min.
TUESDAY, JUNE 13, 2017
6/13
Brooklyn, New York 11222: Light Industry
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c112540af6&e=4e65756555
7:30 PM EDT, 155 Freeman St
DAN GRAHAM AND GLENN BRANCA / WILLIAM RABAN
Performance and Stage-Set Utilizing Two-Way Mirror and Video Time Delay, Dan
Graham and Glenn Branca, 1983, video, 46 mins The audience is seated on the
right side; the musicians are on the left side. Both audience and musicians
face a large, wall-sized, two-way mirror. This mirror reflects both the
audience's and the musician's front and eyes. A video screen, whose image is
sufficiently luminescent to be seen through the two-way mirror, shows (by means
of a tape loop) a six-second time-delayed view of the entire room, taken from a
wide-angle lens placed on top of the video screen. Conventionally, the audience
identifies with the performer by gazing directly at his or her frontal area and
eyes. In this set-up, the audience must look to the mirror in order to see the
performer playing his or her instrument. At the same time, a member of the
audience sees other audience members (including him- or herself) gazing. When
the musicians look toward the mirror image to see other
musicians for cues or to the six-second time-delayed image on the video, the
audience member's view is positioned between the intersubjective gazes of the
three musicians. After the performance, a video recording of the work taken by
the camera behind the two-way mirror replays the musical performance.
Spectators can hear and see the playback, gazing into the two-way mirror,
standing either where the musicians or the audience members had been located. -
DG 2'45", William Raban, 1972, 16mm, 10 mins An important aspect of 2'45" is
that it records the history of its making. It is a 'time-lapse' film in the
sense that within its 2 minutes 45 seconds duration, it reveals all its past
presentations as a film of a film of a film etc. Once the film has been
projected, it is discarded, since it exists in the form of a latent image on
the film in the camera, and will be developed prior to its projection for the
next audience viewing and refilming. - WR Tickets - $8, available at door.
Please note: seating is limited. First-come, first-served. Box office opens at
7pm.
WEDNESDAY, JUNE 14, 2017
6/14
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=77d9a3f139&e=4e65756555
6:00 PM, 32 Second Avenue
NEWFILMMAKERS
For full program listings, visit www.newfilmmakers.com.
------------------------------------------------------------
Let us know about your alternative film/video event!
Enter your event announcements by going to the Flicker Weekly Listing Form
(http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6c02481c0d&e=4e65756555)
.
To receive the weekly listing via email, send a message to Subscribe
(http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=57a0f24c30&e=4e65756555)
. To unsubscribe see the link at the bottom of this email.
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7e2a760afc&e=4e65756555
This email was sent to frameworks@jonasmekasfilms.com
(mailto:frameworks@jonasmekasfilms.com)
why did I get this?
(http://hi-beam.us9.list-manage.com/about?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555&c=58f24d0ef2)
unsubscribe from this list
(http://hi-beam.us9.list-manage.com/unsubscribe?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555&c=58f24d0ef2)
update subscription preferences
(http://hi-beam.us9.list-manage1.com/profile?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555)
Flicker . nowhere . San Francisco, CA 94110 . USA
Email Marketing Powered by MailChimp
http://www.mailchimp.com/monkey-rewards/?utm_source=freemium_newsletter&utm_medium=email&utm_campaign=monkey_rewards&aid=e4e99825c1d97f8de6eaffad3&afl=1_______________________________________________
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
