Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-19 Thread Amanda Christie
I'm glad to see that my tax dollars at least preserve this equipment at the 
National Archives... even if it's mostly archiving commercial stuff at the 
moment, I am still optimistic that with some advocacy and lobbying, we can put 
infrastructures in place to encourage the acquisition and preservation of 
independent, experimental and art films.  The Independent Media Arts Alliance 
is currently looking into this.

Just the fact that this equipment is preserved and running and maintained 
somewhere is so important.
I posted a few photos of their equipment on my twitter feed if any of you want 
to see some photos, my handle is: @magnet_mountain
A few years ago, as commercial labs were sending much of this stuff away for 
scrap metal... I really felt that it was important for artist run centres and 
film-co-ops to maintain this gear (especially the larger stuff), even if it 
didn't get a high volume of use by members... because individual artists aren't 
likely to be able to house a 35mm optical printer or animation stand in their 
studio... so for artists who use this equipment, they need to be able to find 
it and access it somewhere... even if this equipment doesn't get high volume 
use... once it disappears, it will be zero-volume use. Sadly now though, there 
seems to be a trend of centres getting rid of stuff that doesn't get a lot of 
use, in favour of newer equipment that gets rented more often.  I totally 
understand the logic from an administration side... but it does mean that 
artists working in these processes have to look harder and travel farther to 
find specialized equipment... and because much of this stuff is not 
manufactured any more... and because after being sold several times... much of 
it is eventually sold for scrap metal because it takes up precious space... 
some of these things are becoming like endangered species, and as they become 
more rare, we find ourselves dealing with endangered art practices.

So, I'm glad that there is a solid set of equipment at the National archives 
being preserved and maintained in working order... (even if it's mostly 
archiving commercial work now, at least it's in working order and being 
maintained).

I just wish it was easier for artist run centres and film co-ops to also have 
the resources (money, space, etc) to maintain this equipment as well for 
artists who wish to access and use them to make new work.  It's not easy for 
the centres and co-ops.  They have a lot of challenges.

So, I'm raising my cup of coffee in a toast to all you diligent workers and 
advocates at centres, labs, and co-ops around the world, keeping equipment like 
this alive and running and accessible to artists.  Thank you!
Your job is not always easy, but it is important and appreciated.  This morning 
cup of coffee toast is for you!  Cheers.

xoadc



On 2015-03-18, at 11:36 AM, Nicholas Kovats wrote:

> Excellent report, Amanda! I have no objection to this type of taxation. :)
> 
> I suspect Klaus Linnenbruegger  built the
> National Archive wet gates as per his work at the National Film
> Archives of Canada in Ottawa and the Library of Congress in Dayton,
> Ohio. He has a web site (KL Archival Film Equipment, i.e.
> http://www.klarchivalfilmequipment.ca/, I believe he also resides in
> the Ottawa area.
> 
> 35mm = http://www.klarchivalfilmequipment.ca/Wetgates-Full.01.html
> 28mm = http://www.klarchivalfilmequipment.ca/Wetgates-Full.02.html
> 16mm =  http://www.klarchivalfilmequipment.ca/Wetgates-Full.03.html
> 16mm absent registration pins. For severe shrinkage =
> http://www.klarchivalfilmequipment.ca/Wetgates-Full.04.html
> 9.5mm = http://www.klarchivalfilmequipment.ca/Wetgates-Full.06.html
> R8/S8 = http://www.klarchivalfilmequipment.ca/Wetgates-Full.05.html
> 
> Lots of precious equipment and specialized adaptations. He was still
> operational as of my 2009 email correspondence.
> 
> Nicholas
> 
> 
> On Wed, Mar 18, 2015 at 9:45 AM, Jean-Louis Seguin  
> wrote:
>> Our glorious tax dollars at work!
>> 
>> Jean-Louis
>> 
>> Sent from my iPhone
>> 
>>> On Mar 18, 2015, at 8:25 AM, Amanda Christie  
>>> wrote:
>>> 
>>> I was just at the National Archives of Canada Preservation Centre this 
>>> week, and they have AMAZING optical blow up facilities.
>>> they have all the gates (not just regular 8, super8, 16mm, super 16mm, and 
>>> 35mm, but also 9mm, 9.5 mm, and 28 mm). As well as a contact printer and 
>>> their own lab.
>>> 
>>> Sadly, their facilities can't be accessed by the public, it's only for 
>>> working with their own archives and the collection... and double-plus sadly 
>>> there is not a lot of support for acquiring art or experimental films 
>>> hopefully that will change soon currently most of the films they 
>>> acquire are anything produced through Telefilm Canada or the Canadian Media 
>>> Fund, because there are infrastructures in place for all works made through 
>>> those programs to be automatically acquired by the National Archives..

Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-18 Thread Nicholas Kovats
Excellent report, Amanda! I have no objection to this type of taxation. :)

I suspect Klaus Linnenbruegger  built the
National Archive wet gates as per his work at the National Film
Archives of Canada in Ottawa and the Library of Congress in Dayton,
Ohio. He has a web site (KL Archival Film Equipment, i.e.
http://www.klarchivalfilmequipment.ca/, I believe he also resides in
the Ottawa area.

35mm = http://www.klarchivalfilmequipment.ca/Wetgates-Full.01.html
28mm = http://www.klarchivalfilmequipment.ca/Wetgates-Full.02.html
16mm =  http://www.klarchivalfilmequipment.ca/Wetgates-Full.03.html
16mm absent registration pins. For severe shrinkage =
http://www.klarchivalfilmequipment.ca/Wetgates-Full.04.html
9.5mm = http://www.klarchivalfilmequipment.ca/Wetgates-Full.06.html
R8/S8 = http://www.klarchivalfilmequipment.ca/Wetgates-Full.05.html

Lots of precious equipment and specialized adaptations. He was still
operational as of my 2009 email correspondence.

Nicholas


On Wed, Mar 18, 2015 at 9:45 AM, Jean-Louis Seguin  wrote:
> Our glorious tax dollars at work!
>
> Jean-Louis
>
> Sent from my iPhone
>
>> On Mar 18, 2015, at 8:25 AM, Amanda Christie  
>> wrote:
>>
>> I was just at the National Archives of Canada Preservation Centre this week, 
>> and they have AMAZING optical blow up facilities.
>> they have all the gates (not just regular 8, super8, 16mm, super 16mm, and 
>> 35mm, but also 9mm, 9.5 mm, and 28 mm). As well as a contact printer and 
>> their own lab.
>>
>> Sadly, their facilities can't be accessed by the public, it's only for 
>> working with their own archives and the collection... and double-plus sadly 
>> there is not a lot of support for acquiring art or experimental films 
>> hopefully that will change soon currently most of the films they acquire 
>> are anything produced through Telefilm Canada or the Canadian Media Fund, 
>> because there are infrastructures in place for all works made through those 
>> programs to be automatically acquired by the National Archives... however, 
>> there are currently no infrastructures in place or policies for regularly 
>> acquiring independent or experimental films... they do have some... but it's 
>> apparently, convincing them to acquire the works can be tricky.
>>
>> But at least those facilities exist!
>> They also have a few rooms full of intercines (including one that was 
>> modified to do 9mm and 28mm)... all of their gear is super clean and in 
>> working order.
>>
>>
>> Amanda Dawn Christie
>> 
>> 506-871-2062
>> www.amandadawnchristie.ca
>> ama...@amandadawnchristie.ca
>> ___
>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-18 Thread Jean-Louis Seguin
Our glorious tax dollars at work!

Jean-Louis

Sent from my iPhone

> On Mar 18, 2015, at 8:25 AM, Amanda Christie  
> wrote:
> 
> I was just at the National Archives of Canada Preservation Centre this week, 
> and they have AMAZING optical blow up facilities.
> they have all the gates (not just regular 8, super8, 16mm, super 16mm, and 
> 35mm, but also 9mm, 9.5 mm, and 28 mm). As well as a contact printer and 
> their own lab.
> 
> Sadly, their facilities can't be accessed by the public, it's only for 
> working with their own archives and the collection... and double-plus sadly 
> there is not a lot of support for acquiring art or experimental films 
> hopefully that will change soon currently most of the films they acquire 
> are anything produced through Telefilm Canada or the Canadian Media Fund, 
> because there are infrastructures in place for all works made through those 
> programs to be automatically acquired by the National Archives... however, 
> there are currently no infrastructures in place or policies for regularly 
> acquiring independent or experimental films... they do have some... but it's 
> apparently, convincing them to acquire the works can be tricky.
> 
> But at least those facilities exist!
> They also have a few rooms full of intercines (including one that was 
> modified to do 9mm and 28mm)... all of their gear is super clean and in 
> working order.
> 
> 
> Amanda Dawn Christie
> 
> 506-871-2062
> www.amandadawnchristie.ca
> ama...@amandadawnchristie.ca
> ___
> 
> 
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-18 Thread Amanda Christie
I was just at the National Archives of Canada Preservation Centre this week, 
and they have AMAZING optical blow up facilities.
they have all the gates (not just regular 8, super8, 16mm, super 16mm, and 
35mm, but also 9mm, 9.5 mm, and 28 mm). As well as a contact printer and their 
own lab.

Sadly, their facilities can't be accessed by the public, it's only for working 
with their own archives and the collection... and double-plus sadly there is 
not a lot of support for acquiring art or experimental films hopefully that 
will change soon currently most of the films they acquire are anything 
produced through Telefilm Canada or the Canadian Media Fund, because there are 
infrastructures in place for all works made through those programs to be 
automatically acquired by the National Archives... however, there are currently 
no infrastructures in place or policies for regularly acquiring independent or 
experimental films... they do have some... but it's apparently, convincing them 
to acquire the works can be tricky.

But at least those facilities exist!
They also have a few rooms full of intercines (including one that was modified 
to do 9mm and 28mm)... all of their gear is super clean and in working order.


Amanda Dawn Christie

506-871-2062
www.amandadawnchristie.ca
ama...@amandadawnchristie.ca
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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-17 Thread director
That would be a separate process.
John would shoot the negative.

You could get a 35mm track shot at Transit Audio/Skylight Studios
(http://www.skylightstudios.ca/), also in the Toronto area.

And you could get a married print (soundtrack + image) either at Niagara
Custom Lab (also Toronto) or your preferred local lab.

best
Chris

> Is he able to do a soundtrack on 35 as well, or just image blow ups?
>
> > From: lina.ro...@gmail.com
> Sent: Monday, March 16, 2015 13:04
> To: frameworks@jonasmekasfilms.com; Experimental Film Discussion List
> Reply To: Experimental Film Discussion List
> Subject: Re: [Frameworks] Super 8 to 35mm blowup?
>
> Yes, John is great and amazing to work with as he is a fellow filmmaker. 
>
> Sent from my BlackBerry 10 smartphone on the Bell network.
>   Original Message  
> From: direc...@lift.on.ca
> Sent: Monday, March 16, 2015 11:18 AM
> To: Experimental Film Discussion List
> Reply To: Experimental Film Discussion List
> Subject: Re: [Frameworks] Super 8 to 35mm blowup?
>
> Hi Mark,
>
> John's done two films for me (from super 8, regular 8 and 16mm to 35mm)
> and has done excellent work.
>
> He's also done Lina Rodriguez's super 8 to 35mmm blow-ups that you might
> have seen at views a few years ago.
>
> best
> Chris
>
>> Thanks Roger, just emailed John to ask him!
>>
>> And still happy to get other suggestions if anyone has them!
>>
>> Thanks,
>>
>> Mark
>>
>>
>>
>>> On Mar 14, 2015, at 5:55 PM, Roger D. Wilson
>>> 
>>> wrote:
>>>
>>> Not sure where you are located but I think John Kneller in Toronto
>>> still
>>> does blow ups but unfortunately I do not have his contact information
>>> anylonger but you might be able to get it through LIFT in Toronto.
>>>
>>> www.lift.ca
>>>
>>>
>>> Sent from Outlook
>>>
>>>
>>>
>>>
>>> On Sat, Mar 14, 2015 at 5:50 PM -0700, "mrktosc" 
>>> wrote:
>>>
>>> Hi all -
>>>
>>> Is anyplace/anyone doing optical (not using digital) blowups from super
>>> 8 (pos) directly to 35mm (neg)?
>>>
>>> Thanks,
>>>
>>> Mark
>>>
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>
> ___
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> ___
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> https://mailman-mail5.webfaction.com/listinfo/frameworks
> ___
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>


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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-17 Thread cbifilms
Is he able to do a soundtrack on 35 as well, or just image blow ups?

Sent from my BlackBerry 10 smartphone on the Rogers network.
  Original Message  
From: lina.ro...@gmail.com
Sent: Monday, March 16, 2015 13:04
To: frameworks@jonasmekasfilms.com; Experimental Film Discussion List
Reply To: Experimental Film Discussion List
Subject: Re: [Frameworks] Super 8 to 35mm blowup?

Yes, John is great and amazing to work with as he is a fellow filmmaker. 

Sent from my BlackBerry 10 smartphone on the Bell network.
  Original Message  
From: direc...@lift.on.ca
Sent: Monday, March 16, 2015 11:18 AM
To: Experimental Film Discussion List
Reply To: Experimental Film Discussion List
Subject: Re: [Frameworks] Super 8 to 35mm blowup?

Hi Mark,

John's done two films for me (from super 8, regular 8 and 16mm to 35mm)
and has done excellent work.

He's also done Lina Rodriguez's super 8 to 35mmm blow-ups that you might
have seen at views a few years ago.

best
Chris

> Thanks Roger, just emailed John to ask him!
>
> And still happy to get other suggestions if anyone has them!
>
> Thanks,
>
> Mark
>
>
>
>> On Mar 14, 2015, at 5:55 PM, Roger D. Wilson 
>> wrote:
>>
>> Not sure where you are located but I think John Kneller in Toronto still
>> does blow ups but unfortunately I do not have his contact information
>> anylonger but you might be able to get it through LIFT in Toronto.
>>
>> www.lift.ca
>>
>>
>> Sent from Outlook
>>
>>
>>
>>
>> On Sat, Mar 14, 2015 at 5:50 PM -0700, "mrktosc" 
>> wrote:
>>
>> Hi all -
>>
>> Is anyplace/anyone doing optical (not using digital) blowups from super
>> 8 (pos) directly to 35mm (neg)?
>>
>> Thanks,
>>
>> Mark
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>


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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-16 Thread lina . rodri
Yes, John is great and amazing to work with as he is a fellow filmmaker. 

Sent from my BlackBerry 10 smartphone on the Bell network.
  Original Message  
From: direc...@lift.on.ca
Sent: Monday, March 16, 2015 11:18 AM
To: Experimental Film Discussion List
Reply To: Experimental Film Discussion List
Subject: Re: [Frameworks] Super 8 to 35mm blowup?

Hi Mark,

John's done two films for me (from super 8, regular 8 and 16mm to 35mm)
and has done excellent work.

He's also done Lina Rodriguez's super 8 to 35mmm blow-ups that you might
have seen at views a few years ago.

best
Chris

> Thanks Roger, just emailed John to ask him!
>
> And still happy to get other suggestions if anyone has them!
>
> Thanks,
>
> Mark
>
>
>
>> On Mar 14, 2015, at 5:55 PM, Roger D. Wilson 
>> wrote:
>>
>> Not sure where you are located but I think John Kneller in Toronto still
>> does blow ups but unfortunately I do not have his contact information
>> anylonger but you might be able to get it through LIFT in Toronto.
>>
>> www.lift.ca
>>
>>
>> Sent from Outlook
>>
>>
>>
>>
>> On Sat, Mar 14, 2015 at 5:50 PM -0700, "mrktosc" 
>> wrote:
>>
>> Hi all -
>>
>> Is anyplace/anyone doing optical (not using digital) blowups from super
>> 8 (pos) directly to 35mm (neg)?
>>
>> Thanks,
>>
>> Mark
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>


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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-16 Thread director
Hi Mark,

John's done two films for me (from super 8, regular 8 and 16mm to 35mm)
and has done excellent work.

He's also done Lina Rodriguez's super 8 to 35mmm blow-ups that you might
have seen at views a few years ago.

best
Chris

> Thanks Roger, just emailed John to ask him!
>
> And still happy to get other suggestions if anyone has them!
>
> Thanks,
>
> Mark
>
>
>
>> On Mar 14, 2015, at 5:55 PM, Roger D. Wilson 
>> wrote:
>>
>> Not sure where you are located but I think John Kneller in Toronto still
>> does blow ups but unfortunately I do not have his contact information
>> anylonger but you might be able to get it through LIFT in Toronto.
>>
>> www.lift.ca
>>
>>
>> Sent from Outlook
>>
>>
>>
>>
>> On Sat, Mar 14, 2015 at 5:50 PM -0700, "mrktosc" 
>> wrote:
>>
>> Hi all -
>>
>> Is anyplace/anyone doing optical (not using digital) blowups from super
>> 8 (pos) directly to 35mm (neg)?
>>
>> Thanks,
>>
>> Mark
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>


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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-14 Thread Pip Chodorov

Is Mike Saunders / Optimage / Edmunton Canada still in business?
His father had ground his own lens for blowups and the work was fantastic.
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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-14 Thread Bernd Luetzeler
ANDEC in Berlin does it but it’s very costly. The price per meter relates to 
the length of the final 35mm Negative. Plus 19% VAT. And there will be a 
minimum charge of 30 meters. So suppose you blow up a complete Super-8 roll of 
15 meters, your Blow-up will be 67.2 meters. You can do the calculations 
yourself.
Since I couldn’t afford that at all, a couple of times I got a 16mm Blow up on 
negative from Andec, which was really good quality.
And that I took to my lab in India, to get a blow-up on 35mm print. And even 
that looked great. But not every one goes to India all the time…

Bernd



Am 15.03.2015 um 06:20 schrieb mrktosc :

> Hi all -
> 
> Is anyplace/anyone doing optical (not using digital) blowups from super 8 
> (pos) directly to 35mm (neg)?
> 
> Thanks,
> 
> Mark
> 
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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-14 Thread mrktosc
Correct!  They can scan/filmout, but the optical printer is no longer in 
operation there.

Mark



> On Mar 14, 2015, at 9:15 PM, Julian Antos 
>  wrote:
> 
> Does that mean no 16>35 as well?
> 
>> On Sat, Mar 14, 2015 at 10:51 PM, mrktosc  wrote:
>> Colorlab no longer does any optical work.  But thanks Kevin for Andy Busti's 
>> info (and Andy himself)!
>> 
>> Mark
>> 
>> 
>> 
>> > On Mar 14, 2015, at 6:36 PM, Scott Dorsey  wrote:
>> >
>> > I think Colorlab can do it, but I suspect you'll pay a big setup charge
>> > for the optical printer since it's not something they do every day.
>> > --scott
>> > ___
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> 
> 
> 
> -- 
> Julian Antos
> Northwest Chicago Film Society
> www.northwestchicagofilmsociety.org
> 773 827 8991
> 
>   
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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-14 Thread Julian Antos
Does that mean no 16>35 as well?

On Sat, Mar 14, 2015 at 10:51 PM, mrktosc  wrote:

> Colorlab no longer does any optical work.  But thanks Kevin for Andy
> Busti's info (and Andy himself)!
>
> Mark
>
>
>
> > On Mar 14, 2015, at 6:36 PM, Scott Dorsey  wrote:
> >
> > I think Colorlab can do it, but I suspect you'll pay a big setup charge
> > for the optical printer since it's not something they do every day.
> > --scott
> > ___
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-- 
Julian Antos
Northwest Chicago Film Society
www.northwestchicagofilmsociety.org
773 827 8991
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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-14 Thread mrktosc
Colorlab no longer does any optical work.  But thanks Kevin for Andy Busti's 
info (and Andy himself)!

Mark



> On Mar 14, 2015, at 6:36 PM, Scott Dorsey  wrote:
> 
> I think Colorlab can do it, but I suspect you'll pay a big setup charge
> for the optical printer since it's not something they do every day.
> --scott
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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-14 Thread Scott Dorsey
I think Colorlab can do it, but I suspect you'll pay a big setup charge
for the optical printer since it's not something they do every day.
--scott
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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-14 Thread Kevin Rice
Hey Mark,

Andrew Busti is doing them in Colorado; It's listed here in the service
section of his website: http://www.analogue-industries.com/services

His contact info is analogueindustr...@gmail.com

Cheers,

Kevin Rice
processreversal.org
pcn03031989.com
(720) 270.3857

On Sat, Mar 14, 2015 at 6:50 PM, mrktosc  wrote:

> Hi all -
>
> Is anyplace/anyone doing optical (not using digital) blowups from super 8
> (pos) directly to 35mm (neg)?
>
> Thanks,
>
> Mark
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
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>
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Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-14 Thread mrktosc
Thanks Roger, just emailed John to ask him!

And still happy to get other suggestions if anyone has them!

Thanks,

Mark



> On Mar 14, 2015, at 5:55 PM, Roger D. Wilson  
> wrote:
> 
> Not sure where you are located but I think John Kneller in Toronto still does 
> blow ups but unfortunately I do not have his contact information anylonger 
> but you might be able to get it through LIFT in Toronto. 
> 
> www.lift.ca
> 
> 
> Sent from Outlook
> 
> 
> 
> 
> On Sat, Mar 14, 2015 at 5:50 PM -0700, "mrktosc"  wrote:
> 
> Hi all -
> 
> Is anyplace/anyone doing optical (not using digital) blowups from super 8 
> (pos) directly to 35mm (neg)?
> 
> Thanks,
> 
> Mark
> 
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


Re: [Frameworks] Super 8 to 35mm blowup?

2015-03-14 Thread Roger D. Wilson
Not sure where you are located but I think John Kneller in Toronto still does 
blow ups but unfortunately I do not have his contact information anylonger but 
you might be able to get it through LIFT in Toronto.
www.lift.ca

Sent from Outlook




On Sat, Mar 14, 2015 at 5:50 PM -0700, "mrktosc"  wrote:
Hi all -

Is anyplace/anyone doing optical (not using digital) blowups from super 8 (pos) 
directly to 35mm (neg)?

Thanks,

Mark

___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks