Re: [Frameworks] This week [August 16 - 24, 2014] in avant garde cinema
This listing arrives as a massive block of text: single spaced lines with around thirty words per line, rendering it so difficult to read that I sometimes can't be bothered. Any chance of returning to something like the previous format? Thanks, Nicky. -Original Message- From: Weekly Listing weeklylist...@hi-beam.net To: frameworks@jonasmekasfilms.com Sent: Sun, 17 Aug 2014 22:51 Subject: [Frameworks] This week [August 16 - 24, 2014] in avant garde cinema This week [August 16 - 24, 2014] in avant garde cinemaTo subscribe/unsubscribe to the weekly listing, go tohttp://www.hi-beam.net/cgi-bin/mailto.pl?mailto=subscribeor send an email to weeklylist...@hi-beam.net.Enter your announcements (calls for entries, new work, screenings,jobs, items for sale, etc.) at:http://www.hi-beam.net/cgi-bin/ann.plNEW FILM/VIDEO: FEATURE:===What I Love About Concrete by Katherine Dohan http://www.hi-beam.net/cgi-bin/ann.pl?type=newworkfreadfile=141.annNEW CALLS FOR ENTRIES:=the8fest (Toronto, Canada; Deadline: September 30, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1718.ann22nd Chicago Underground Film Festival (Chicago, IL USA; Deadline: December 15, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1720.annBASEMENT Media Fest (NY, NY, USA; Deadline: December 31, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1721.annExperiments in Cinema (Albuquerque, New Mexico, USA; Deadline: November 01, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1722.annBig Muddy Film Festival (Carbondale, IL, USA; Deadline: September 15, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1723.annDEADLINES APPROACHING:=BELOIT INTERNATIONAL FILM FESTIVAL (Beloit, WI, USA; Deadline: August 31, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1691.annAlchemy Festival Touring Programme: Works from Scotland (Hawick, Scotland, UK; Deadline: September 01, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1708.annMADATAC (Madrid, SPAIN; Deadline: September 08, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1714.annAnchorage Museum of Art (Anchorage, AK United States; Deadline: September 01, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1717.ann2014 Transient Visions: Festival of the Moving Image (Johnson City, NY, USA; Deadline: August 24, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1719.annBig Muddy Film Festival (Carbondale, IL, USA; Deadline: September 15, 2014) http://www.hi-beam.net/cgi-bin/ann.pl?type=callsreadfile=1723.annTHIS WEEK'S PROGRAMS (SUMMARY):== * New Works Salon: Brookbank, Marin, Sweeney, Toscano [August 16, Los Angeles, California] * A Minor Cinema [August 16, Washington, DC] * Art World Crossover [August 17, Washington, DC] * Steve Cossman's Rituals of Restoration [August 18, Durham, NC] * George Kuchar's Secrets of the Shadow World [August 19, Brooklyn, NY] * Late Night With Carl Sagan By Shanna Maurizi [August 20, New York, New York] * Vinegar Syndrome! Selections From the Epfc Film Library [August 21, Los Angeles, California] * Essential Cinema: Jean Genet/Robert Frank Alfred Leslie Program [August 21, New York, New York] * Soundwave ((6)) (Sub)Mersion [August 21, San Francisco, California] * Essential Cinema: Une Simple Histoire [August 22, New York, New York] * San Francisco Beat Films of the 50's [August 22, San Francisco, California] * Recent videos By Suzy Poling [August 23, Los Angeles, California] * Archival Finds [August 23, Washington, DC] * Russell Etchen Presents An Breakpoint [August 24, Austin, TX] * Essential Cinema: Crockwell/Grant/Jacobs Fleischner Program [August 24, New York, New York] * Sential Cinema: Jerome Hill Program [August 24, New York, New York]Events are sorted by CITY within each DATE.-SATURDAY, AUGUST 16, 2014-8/16Los Angeles, California: Echo Park Film Centerhttp://www.echoparkfilmcenter.org/8 pm, 1200 N. Alvarado St. NEW WORKS SALON: BROOKBANK, MARIN, SWEENEY, TOSCANO The New Works Salons series is a casual forum for the presentation and discussion of new works in film and video, with local and visiting artists in-person to introduce their work. Nora Sweeney will show her new film Sweet Oranges (2014, 16mm, 18.5 minutes): �Heading west from my house, I explore the back roads off of California State Route 126, finding small, historic towns, farms, and railway tracks nestled between mountains and orchards - a landscape that evokes a dream of California�s past. Along the way, I meet Jaime, Blanca, and Hugo, a group of orange pickers from Michoacan, Mexico, who share with me their songs, dreams, aspirations, and thoughts about work.� Ursula Brookbank will
Re: [Frameworks] This week [August 16 - 24, 2014] in avant garde cinema
Hi Nicky, That's not how I receive it. It's quite readable in Eudora. (sample below) What e-mail software are you using? Pip Events are sorted by CITY within each DATE. - SATURDAY, AUGUST 16, 2014 - 8/16 Los Angeles, California: Echo Park Film Center http://www.echoparkfilmcenter.org/ 8 pm, 1200 N. Alvarado St. NEW WORKS SALON: BROOKBANK, MARIN, SWEENEY, TOSCANO The New Works Salons series is a casual forum for the presentation and discussion of new works in film and video, with local and visiting artists in-person to introduce their work. Nora Sweeney will show her new film Sweet Oranges (2014, 16mm, 18.5 minutes): ï¿12Heading west from my house, I explore the back roads off of California State Route 126, finding small, historic towns, farms, and railway tracks nestled between mountains and orchards - a landscape that evokes a dream of Californiaï¿12s past. Along the way, I meet Jaime, Blanca, and Hugo, a group of orange pickers from Michoacan, Mexico, who share with me their songs, dreams, aspirations, and thoughts about work.ï¿12 Ursula Brookbank will show Crystallography and the She World Archive: The principals of X-ray Crystallography used by biochemist Dorothy Hodgkin to study molecular structures applied to film projection. Ms. Hodgkin was awarded the Nobel Prize in chemistry in 1964 for confirming the molecular structure of insulin using X-ray Crystallography where a crystal is gradually rotated while being bombarded with X-rays producing refraction patterns and molecular data for study. For this salon, recently acquired 16mm film from the SHE WORLD ARCHIVE similarly becomes a light beam projected through gradually rotating crystals. Pablo Marï¿12n, in town from Buenos Aires, will show his brand new Angelus novus, and we'll have a selection of new items by Mark Toscano. At 8:00 -0400 18/08/14, nicky.ham...@talktalk.net wrote: This listing arrives as a massive block of text: single spaced lines with around thirty words per line, rendering it so difficult to read that I sometimes can't be bothered. Any chance of returning to something like the previous format? BLONDE COBRA 1959-63, 35 min, 16-to-35mm blow-up, bw/color. With Jack Smith. Preserved by Anthology, with the generous support of The Film Foundation. BLONDE COBRA is an erratic narrative no, not really a narrative, it's only stretched out in time for convenience of delivery. It's a look in on an exploding life, on a man of imagination suffering pre-fashionable Lower East Side deprivation and consumed with American 1950s, 40s, 30s disgust. Silly, self-pitying, guilt-strictured and yet triumphing on one level over the situation with style - enticing us into an absurd moral posture the better to dismiss us with a regal 'screw off.' K.J. Total running time: ca. 85 min. 8/24 New York, New York: Anthology Film Archives http://www.anthologyfilmarchives.org/http://www.anthologyfilmarchives.org/ 8:00 pm, 32 2nd Avenue ESSENTIAL CINEMA: JEROME HILL PROGRAM These 35mm prints are the result of a recent preservation project undertaken by the Museum of Modern Art. DEATH IN THE FORENOON (1934/66, 2 minutes, 35mm, color) CANARIES (1969, 4 minutes, 35mm, color) FILM PORTRAIT 1971, 81 minutes, 35mm, color. A pioneering work in autobiographical cinema; masterfully combines actual and staged footage and painting over images. Filmmaker, painter, and composer Jerome Hill was descended from the famous railroad-building family and lived on the same street with F. Scott Fitzgerald. Here he re-creates wonderfully with old family footage the period and milieu of the American upper class at the beginning of this century. Total running time: ca. 90 minutes. Enter your event announcements by going to the Flicker Weekly Listing Form at http://www.hi-beam.net/cgi-bin/thisweek.plhttp://www.hi-beam.net/cgi-bin/thisweek.pl The weekly listing is also available online at Flicker: http://www.hi-beam.nethttp://www.hi-beam.net ___ FrameWorks mailing list mailto:FrameWorks@jonasmekasfilms.comFrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworkshttps://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] This week [August 16 - 24, 2014] in avant garde cinema
Webmail via Firefox. -Original Message- From: Pip Chodorov framewo...@re-voir.com To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Mon, 18 Aug 2014 13:06 Subject: Re: [Frameworks] This week [August 16 - 24, 2014] in avant garde cinema Hi Nicky, That's not how I receive it. It's quite readable in Eudora. (sample below) What e-mail software are you using? Pip Events are sorted by CITY within each DATE. - SATURDAY, AUGUST 16, 2014 - 8/16 Los Angeles, California: Echo Park Film Center http://www.echoparkfilmcenter.org/ 8 pm, 1200 N. Alvarado St. NEW WORKS SALON: BROOKBANK, MARIN, SWEENEY, TOSCANO The New Works Salons series is a casual forum for thepresentation and discussion of new works in film and video, with local andvisiting artists in-person to introduce their work. Nora Sweeney willshow her new film Sweet Oranges (2014, 16mm, 18.5 minutes):ï¿1Ž2Heading west from my house, I explore the back roads off of California StateRoute 126, finding small, historic towns, farms, and railway tracksnestled between mountains and orchards - a landscape that evokes a dream of Californiaï¿1Ž2s past. Along the way, I meet Jaime,Blanca, and Hugo, a group of orange pickers from Michoacan, Mexico, who share withme their songs, dreams, aspirations, and thoughts about work.ï¿1Ž2Ursula Brookbank will show Crystallography and the She World Archive: Theprincipals of X-ray Crystallography used by biochemist Dorothy Hodgkin tostudy molecular structures applied to film projection. Ms. Hodgkinwas awarded the Nobel Prize in chemistry in 1964 for confirming themolecular structure of insulin using X-ray Crystallography where acrystal is gradually rotated while being bombarded with X-rays producingrefraction patterns and molecular data for study. For this salon, recentlyacquired 16mm film from the SHE WORLD ARCHIVE similarly becomes a lightbeam projected through gradually rotating crystals. PabloMarï¿1Ž2n, in town from Buenos Aires, will show his brand new Angelus novus, andwe'll have a selection of new items by Mark Toscano. At 8:00 -0400 18/08/14, nicky.ham...@talktalk.net wrote: This listing arrives as a massive block of text:single spaced lines with around thirty words per line, rendering it sodifficult to read that I sometimes can't be bothered. Any chance ofreturning to something like the previous format? BLONDE COBRA 1959-63, 35 min, 16-to-35mm blow-up,bw/color. With Jack Smith. Preserved by Anthology, with thegenerous support of The Film Foundation. BLONDE COBRA is anerratic narrative no, not really a narrative, it's only stretched outin time for convenience of delivery. It's a look in on an explodinglife, on a man of imagination suffering pre-fashionable Lower EastSide deprivation and consumed with American 1950s, 40s, 30s disgust.Silly, self-pitying, guilt-strictured and yet triumphing on one levelover the situation with style - enticing us into an absurd moralposture the better to dismiss us with a regal 'screw off.' K.J.Total running time: ca. 85 min. 8/24 New York, New York: AnthologyFilm Archives http://www.anthologyfilmarchives.org/ 8:00 pm, 32 2nd AvenueESSENTIAL CINEMA: JEROME HILL PROGRAM These 35mm prints are the resultof a recent preservation project undertaken by the Museum of ModernArt. DEATH IN THE FORENOON (1934/66, 2 minutes, 35mm, color) CANARIES(1969, 4 minutes, 35mm, color) FILM PORTRAIT 1971, 81 minutes,35mm, color. A pioneering work in autobiographical cinema; masterfullycombines actual and staged footage and painting over images.Filmmaker, painter, and composer Jerome Hill was descended from thefamous railroad-building family and lived on the same street with F.Scott Fitzgerald. Here he re-creates wonderfully with old familyfootage the period and milieu of the American upper class at thebeginning of this century. Total running time: ca. 90 minutes. Enteryour event announcements by going to the Flicker Weekly Listing Format http://www.hi-beam.net/cgi-bin/thisweek.pl The weekly listing is alsoavailable online at Flicker: http://www.hi-beam.net___ FrameWorks mailinglist FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
