You will actually find the filmout to 16mm will look better than a filmout
to the same super-8 stock will, regardless of the originating format. In
fact, you will find that a filmout to 35mm might even look better and not
cost all that much more.
In Canada, I think Cinebyte has an Arrilaser
Hi Scott,
Thank you for the great insights and I am now convinced that the 16mm
film out is the way to go. Yes, Cinebyte was on my list but I was
initially leery of approaching them. But your specifics regarding
...unattended transfer to color intermediate negative
and then a one-light print..
Nicholas:
The resolution and bit depth of your files are a bit low, IMHO. The higher
resolution the scan, the better the output, whatever res it is.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
On Dec 2, 2012, at 7:15 PM, Nicholas Kovats nkov...@gmail.com wrote:
Hi Scott,
Thank you
Thanks for the observation, Jeff. I am a big fan of your practical
implementation of the oversampling theory of scans aka the Nyquist
theorem.
However bitworks.org is my local resource here in Toronto and this is
what I have access to relative to my film work and testing.
On Sun, Dec 2, 2012 at
