The issue is not 'what looks good', but what's the best looking thing you can
send out to to an ad hoc venue like a festival — where they typically have
limited tech resources and clueless people manning the projections — with the
highest level of assurance that a) they can actually get the work
I agree that you shouldn't use 44.1 kHz and still see h264 as a streaming
format and not fit for theatrical projection. Unless the theater has a slow ass
computer of course. Find out if they have a dcp server wherever it is your
screening. If so then check out opendcp.org
dk
> On Jul 16, 2
Don't know why you're getting dropout, but all audio for video is
supposed to be at 48 kHz sample rate. 44.1 kHz is supposed to be for
audio CDs only.
Regarding video codecs: someone mentioned ProRes, but that is not an
easy thing to accomplish on Windows without paying for an extra
plugin. M
