Hi, great thread! I am wondering if this can be achieved with a digital transfer, and then loading the digital file into an nle, or after effects for example. Applying digital filters to 3 stacked video tracks and then using composite modes to generate the unified color output. Sorry if this has an obvious answer but I've poked around online, but can't find any info on this.
JV Trans-Temporal Constant Films Los Angeles On Wed, Jun 18, 2014 at 7:03 PM, Buck Bito - Movette <b...@movettefilm.com> wrote: > I was intrigued by this thread and compelled to see if I could find a > Kodak order number for a set of tricolor filters. I couldn't find it, but > the order numbers for the individual wratten filters are here including > the #47 Viktoria mentioned: > > http://motion.kodak.com/motion/Products/Lab_And_Post_Production/Kodak_filters/wrattten2.htm#s1 > > ---Buck Bito - Movette Film Transfer > > > On Wed, June 18, 2014 5:33 pm, Scott Dorsey wrote: > > I don't know the 47B offhand, but you can get a set of gelatin tricolor > > filters from the Kodak motion picture division if you can figure out the > > order numbers because they aren't in the H-1 book anymore. You might be > > able to get them from a graphic arts supply house too. > > --scott > > > > > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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