Happy Onam to fellow Mallus on these lists (I'm half, and have eaten 
enough kalan and olan and pal-payasam and made enough Onam flower 
carpets as a kid - latent queer tendencies no doubt being manifested 
in the pink rose petal borders I'd put on them - to count pretty much 
as a full one). 

And Onam seems the appropriate time to announce that the queer 
community in India is about to receive a present from Kerala: 
Sancharam (The Journey), a really excellent feature film with a 
lesbian theme that's set in rural Kerala. The film has been written 
and directed by a Ligy Pullapally and has been released to very good 
reviews in Kerala. 

Ligy is a good friend and when she was in Bombay for a few days 
recently to do the subtitling the film in English, she managed to 
find the time to show it to a few of us. I knew that she was working 
on a film, but I had little idea of what it was about. 

I guess I'd thought vaguely it was a short film or documentary, so I 
was really surprised to see a full fledged feature - and such a good 
one, with a simple, but strong story line, lyrically shot and with 
very good performance. After all the crap news we've had to deal with 
in recent months, this was a real tonic. 

The film starts in rural Kerala - not the backwaters, but the hilly 
areas in the North, if I'm right - where the family of Kiran, a Nair 
girl, comes to settle in her mother's old tharavad (ancestral house). 
Next door there's a Christian family with whose daughter, Delilah, 
Kiran quickly becomes best friends. They grow up together, playing, 
swimming, going to school, making fun of the boys. 

As they grow older though Kiran realises her attraction for Delilah, 
who's really beautiful, but does her best to suppress it. A Cyrano de 
Bergerac like situation arises, when Rajan, one of the local boys 
who's besotted with Delilah asks Kiran to help him write love letters 
to her. Eventually though Delilah finds out it was Kiran writing the 
letters - and she responds to her. 

But people start talking, Delilah's family starts panicking and they 
start looking for ways to marry her off. Kiran fights back, trying to 
get Delilah to resist the pressure. And then... well, I'll leave it 
for when you see it, but I will say that the ending, while not of the 
storybook kind, isn't unhappy either. One person at least gains 
freedom. 

All this is filmed against the lush backdrop of Kerala, the histories 
and customs of the tharavads, the strong women who run the houses in 
this matrilineal society. This is very much a women's film with all 
the strong roles going to them. Men instigate and force things, but 
its the womens struggles that are at the fore. 

The character parts are excellent: Delilah's strong and shrewd 
mother, who runs the family since her husband is dead, her wise and 
loving grandmother, Kiran's rather cold mother, a teacher who is 
unnerved when she finds out about the affair, and the local village 
witch who susses the girls out, long before they realise themselves. 

But the film rests with the two main characters and they are 
excellent. Delilah is really pretty and she knows it. She's the 
outgoing, flirtatious, confident one - until the end when realities 
start closing in. Kiran is quieter, more inwardly focused, but 
idealistic and able to find the strength when she needs it. I also 
found her really attractive, all the more so for not being obviously 
so. 

The film is undoubtedly slow, but I never felt it dragging. My only 
criticism - apart from a computer generated image at the end which 
did NOT work - is that perhaps Ligy underplayed the hostility the 
girls would face. They encounter plenty, but its mostly shock and 
confusion, whereas I'd guess - and I'm really guessing, I could be 
quite wrong here - in real life the girls would be likely to face 
even more direct contempt and violence. 

Perhaps Ligy decided not to go down that route since that would 
unbalance the film, and give it a dark edge that would take away from 
the relationship which really is its focus. One scene though did ring 
true. After Delilah's family finds out she's shut up in her room 
while her mother, uncle and the priest come in turns to sit with her. 
The mother wrings her hands, the priest prays and tells her about the 
mercy of Jesus, but the uncle... he's sort of turned on. 

He sits on the bed next to her with a half mocking, half lewd 
expression on his face, he cups her chin in his hand and says, "So 
you've had your fun then!" It was a moment of toe-curlingly 
truthfulness. I can think of so many Mallu men of that type, the 
useless ones who are still so full of themselves, who sit around 
drinking tea and shaking their legs and passing crude comments on any 
woman who passes. That is _exactly_ how they would react. 


Ligy has returned to Kerala, and from there will be going back to the 
US, where she lives, but she will now be finalising the formal 
release of Sancharam, entering it for festivals, looking for 
distributors and so on. Perhaps if we're lucky it might find 
commercial distribution, but one way or the other, most people should 
be able to see it soon. Don't miss seeing it if you get a chance! 

Vikram







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