Re: [Gimp-user] Color Printing

2006-09-28 Thread John R. Culleton
On Wednesday 27 September 2006 18:03, Øyvind Kolås wrote:

 Color management support is improved in the latest development
 versions of GIMP, this is not the same as editing in CMYK mode, but it
 should be the thing more than 90% of the people asking for CMYK needs,
 even though they think it is not.

 It is sufficient to do the conversion to CMYK when exporting from GIMP
 to file/the printer to achieve correct colors if you have a color
 correction profile for your display as well as your printer. This is a
 separate issue from being able to work with the image in CMYK mode.
 Manipulating a photograph in CMYK mode is in most cases mostly
 pointless since the source of the data is the RGB model and the human
 visual system operates in RGB as well. The separation needed for CMYK
 varies between printers whilst sRGB is a standard color space for
 image exchange.

 /Øyvind K.

Welll perception is everything. It is necessary for Gimp not to
be as good as but better than its competition to gain
acceptance. As soon as the CMYK lack is mentioned people in my
industry are turned off and won't consider the product further. 

The product of professional print designers today is not
separations or an sRGB file but a PDF or tiff file in CMYK model.
Prepress, making of separations etc. is a separate process. If
conversion is done at the end of the designer's workflow then
there is no chance to put back the brightness that is lost.

But there is perhaps a way to do it. If a display function can be
added to Gimp whereby a double conversion is done, from RGB to
CMYK and back again, then the user could view the illo in Gimp
with the gamut limited to what it will be in CMYK model, and
adjust saturation etc. to bring the photo back up to
requirements. Since there is already a function to separate into
CMYK colors it could possibly be a recombination of those
separations into a single image.  

In the meantime people like the OP who want to use Gimp instead
of Photoshop in their workflow will need to understand its
limitations for photos  destined for print jobs and
develop workarounds. We need to be honest about this up front.  


-- 
John Culleton
Able Indexing and Typesetting
Precision typesetting (tm) at reasonable cost.
Satisfaction guaranteed. 
http://wexfordpress.com


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RE: [Gimp-user] Color Printing

2006-09-28 Thread Rob Ogle
John,

I'm the OP'er...since I'm a network tech and not a graphic designer I want
to make sure I understand what I'm getting from these posts before I go back
to the designer. When you wrote, ...will need to understand its limitations
for photos  destined for print jobs and develop workarounds

Does that mean that there is no fix? Or is the fix to convert the visible
image to cmyk in the Gimp so the designer can adjust colors, etc so the
print should match the screen? 

I've been using the Gimp in a limited capacity for the past 4 years and I
love it. I like to promote it as much as possible.

Rob Ogle, MCSE
Computer Server Solutions, inc
http://www.css1.cc


-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of John R.
Culleton
Sent: Thursday, September 28, 2006 8:07 AM
To: Øyvind Kolås
Cc: gimp-user@lists.xcf.berkeley.edu
Subject: Re: [Gimp-user] Color Printing

On Wednesday 27 September 2006 18:03, Øyvind Kolås wrote:

 Color management support is improved in the latest development 
 versions of GIMP, this is not the same as editing in CMYK mode, but it 
 should be the thing more than 90% of the people asking for CMYK needs, 
 even though they think it is not.

 It is sufficient to do the conversion to CMYK when exporting from GIMP 
 to file/the printer to achieve correct colors if you have a color 
 correction profile for your display as well as your printer. This is a 
 separate issue from being able to work with the image in CMYK mode.
 Manipulating a photograph in CMYK mode is in most cases mostly 
 pointless since the source of the data is the RGB model and the human 
 visual system operates in RGB as well. The separation needed for CMYK 
 varies between printers whilst sRGB is a standard color space for 
 image exchange.

 /Øyvind K.

Welll perception is everything. It is necessary for Gimp not to be as good
as but better than its competition to gain acceptance. As soon as the CMYK
lack is mentioned people in my industry are turned off and won't consider
the product further. 

The product of professional print designers today is not separations or an
sRGB file but a PDF or tiff file in CMYK model.
Prepress, making of separations etc. is a separate process. If conversion is
done at the end of the designer's workflow then there is no chance to put
back the brightness that is lost.

But there is perhaps a way to do it. If a display function can be added to
Gimp whereby a double conversion is done, from RGB to CMYK and back again,
then the user could view the illo in Gimp with the gamut limited to what it
will be in CMYK model, and adjust saturation etc. to bring the photo back up
to requirements. Since there is already a function to separate into CMYK
colors it could possibly be a recombination of those separations into a
single image.  

In the meantime people like the OP who want to use Gimp instead of Photoshop
in their workflow will need to understand its limitations for photos
destined for print jobs and develop workarounds. We need to be honest about
this up front.  


--
John Culleton
Able Indexing and Typesetting
Precision typesetting (tm) at reasonable cost.
Satisfaction guaranteed. 
http://wexfordpress.com


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Re: [Gimp-user] Color Printing

2006-09-28 Thread John R. Culleton
On Thursday 28 September 2006 08:31, Rob Ogle wrote:
 John,

 I'm the OP'er...since I'm a network tech and not a graphic designer I want
 to make sure I understand what I'm getting from these posts before I go
 back to the designer. When you wrote, ...will need to understand its
 limitations for photos  destined for print jobs and develop workarounds

 Does that mean that there is no fix? Or is the fix to convert the visible
 image to cmyk in the Gimp so the designer can adjust colors, etc so the
 print should match the screen?

That is more or less what I am asking for. The problem is the
limited gamut of CMYK. What looks great in RGB looks dull in
CMYK.

For serious color work you need a monitor that can be adjusted
for color temperature and software that will accept icc profiles
and so on. Then you need to run tests, perhaps with a calibrated
color target. Photoshop has a lot of this stuff built in.
Scribus, which lacks the plugins etc. of Gimp, nevertheless will
deal with the CMYK model and ICC profiles. Of course ImageMagick and
GraphicsMagick can do conversions back and forth. At this point
however it is mostly cut and try with Gimp. You have to do a lot
of tests on your setup to get it right. 

I bought a used sony pro monitor on EBay, model CPD G250 and I
have adjusted the color temperature to my flourescent environment.
But I haven't gone much further with it,

 I've been using the Gimp in a limited capacity for the past 4 years and I
 love it. I like to promote it as much as possible.


As do I, but the color model thing is serious and I have to be
honest about it. 

-- 
John Culleton
Able Indexing and Typesetting
Precision typesetting (tm) at reasonable cost.
Satisfaction guaranteed. 
http://wexfordpress.com


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Re: [Gimp-user] Color Printing

2006-09-28 Thread Sven Neumann
Hi,

On Thu, 2006-09-28 at 08:07 -0400, John R. Culleton wrote:

 But there is perhaps a way to do it. If a display function can be
 added to Gimp whereby a double conversion is done, from RGB to
 CMYK and back again, then the user could view the illo in Gimp
 with the gamut limited to what it will be in CMYK model, and
 adjust saturation etc. to bring the photo back up to
 requirements. Since there is already a function to separate into
 CMYK colors it could possibly be a recombination of those
 separations into a single image.  

This option exists since GIMP 2.2 (or even 2.0, I don't remember). It's
called a Soft Proof and there's a display filter for it. With 2.4 it
will become even easier to use this functionality.


Sven


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Re: [Gimp-user] Color Printing

2006-09-27 Thread John R. Culleton
On Sunday 24 September 2006 10:46, Rob Ogle wrote:
 I'm trying to get a wedding chapel to move away from Photoshop and start
 using the Gimp. They are almost on board except for a printing issue. If we
 print a photo from Photoshop to an Epson Stylus 2200 the photo looks great.
 But when we print from the Gimp, the colors are wrong. I don't know
 enough graphics terms to describe it. The picture has a greenish and/or
 faded quality to it.

 We're running Gimp for Windows on a new XP Pro box w/ a P4 cpu, 1GB RAM and
 a 200GB drive.

 Any suggestions?

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Photoshop and the free programs TeX, Scribus, Inkscape, Krita
etc. can work in the CMYK color model. Gimp only works in RGB.
CMYK has a more limited range of colors than RGB. Printers, both
desktop and four color commercial work in CMYK.  

This is the major hangup with using Gimp as a Photoshop
replacement. Apparently adding the additional color model would be
a huge undertaking. 
-- 
John Culleton
Able Indexing and Typesetting
Precision typesetting (tm) at reasonable cost.
Satisfaction guaranteed. 
http://wexfordpress.com


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Re: [Gimp-user] Color Printing

2006-09-27 Thread Øyvind Kolås

On 9/27/06, John R. Culleton [EMAIL PROTECTED] wrote:

Photoshop and the free programs TeX, Scribus, Inkscape, Krita
etc. can work in the CMYK color model. Gimp only works in RGB.
CMYK has a more limited range of colors than RGB. Printers, both --
desktop and four color commercial work in CMYK.

This is the major hangup with using Gimp as a Photoshop
replacement. Apparently adding the additional color model would be
a huge undertaking.


Color management support is improved in the latest development
versions of GIMP, this is not the same as editing in CMYK mode, but it
should be the thing more than 90% of the people asking for CMYK needs,
even though they think it is not.

It is sufficient to do the conversion to CMYK when exporting from GIMP
to file/the printer to achieve correct colors if you have a color
correction profile for your display as well as your printer. This is a
separate issue from being able to work with the image in CMYK mode.
Manipulating a photograph in CMYK mode is in most cases mostly
pointless since the source of the data is the RGB model and the human
visual system operates in RGB as well. The separation needed for CMYK
varies between printers whilst sRGB is a standard color space for
image exchange.

/Øyvind K.

--
«The future is already here. It's just not very evenly distributed»
-- William Gibson
http://pippin.gimp.org/http://ffii.org/
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