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GOA: THE BIRTH-PANGS ARE THERE, BUT AN ORCHESTRA IS SOON TO BE BORN

Goa means delays and difficulties. But determination can see things through.
Nigel Dixon, a British musician and son-in-law of Goa, is currently in the
process of giving the finishing touches to the Goa State Strings Orchestra.

"Originally, we planned to start off in January (2002), straight after 'The
Messiah' performance last December. But there were delays," says he. The
good news is that his dream-plan is getting going, says Dixon, as he makes
an appeal for help from those who believe such a venture should showcase
Goa's multifaceted musical talent.

Dixon (52) studied music in the University of Durham and is a former choir
member of St George's Chapel at Windsor Castle.

Excerpts from an interview with FREDERICK NORONHA <[EMAIL PROTECTED]>:~

FN: What stage is you plan at presently?

The orchestra is presently rehearsing for its August 14 debut. There has
been an excellent response from corporates so far approached and private
individuals. Funds already coming in which is very good news seeing that
nobody has heard the orchestra as yet!! Concert bookings post Aug 14 are
also materialising.

FN: What's your view of classical music talent in Goa?

As I have said often in the press, there is excellent talent here in Goa.
The problem is opportunity and experience. That is what the orchestra is
designed to create.

FN: What are the 'broken links' in making things happen?

No broken links detected so far. This why everything is so encouraging.

FN: What are the three strongest points Goan classical music has in its
favour?

Access to music tuition in certain instruments. The innate musicality that
Goans have. Sorry -- cannot think of a third at present!!!

FN: What are the three weakest aspects?

Susegad attitude -- i.e. lack of commitment. Geographical isolation from
major Western classical music centres. The limit of instrumental interest --
i.e. plenty of takers for the violin, piano, guitar and voice but what of all
the other instruments? This severely limits the repertoire available for
performance.

FN: Why did you choose Goa to put your energies in?

Came to Goa because of my wife's family links, and, believe it or not, for a
less stressful lifestyle!! However, once a performing musician always a
performing musician and love the challenge of creating something which is
not already available.

FN: Can radio help the classical world? How?

Classical music on radio is *vital* as it is the only means to introduce the
Western music repertoire to local populace. Availability of WCM recordings
is virtually zero in Goa and frankly not much better in Mumbai --
particularly of up-to-date performances. 

This why the (recent reduction of) classical music broadcasts is such a
tragedy. Of all music broadcast, WCM is most dependent on high quality FM
Stereo broadcasting - 'A' channel just will not do.

FN: What will the strings orchestra look like?

It will have 13 players, four first-violins, four second-violins, two
violas, two cellos and a double-bass.

FN: How could expats help out?

By giving money! A small amount by foreign standards goes a long way in
local currency terms. The whole orchestra can operate on the equivalent of a
single person's salary in London or USA.

FN: What are the long-term goals?

To bring up younger people. To hit the national stage, initially and the
international stage eventually. We would like to play a series of concerts
in season, at very special and unusual locations. Maybe at a museum or an
old Portuguese house, or the ruins of a fort. Musicians here don't realise
how good they are... or, should I say, how good they could be.

FOOTNOTE: Nigel Dixon can be contacted via email [EMAIL PROTECTED]

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