So hubby and I watched The Sound of Music last night (there was nothing else
on and those old classics are fun sometimes anyway) and I found myself
wondering about the authenticity of the costuming. The outfits that Baroness
Schraeder wears struck me as not particularly 1930s, but I really
My husband got me _Fashions of the Gilded Age_ vols 12, and a number of
other non-costume books I had been wanting to read.
Dawn
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So hubby and I watched The Sound of Music last night (there was nothing
else on and those old classics are fun sometimes anyway) and I found myself
wondering about the authenticity of the costuming. The outfits that Baroness
Schraeder wears struck me as not particularly 1930s, but I really
Oh, if only they had looked behind the tombstone!
-C.
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How'd one of translate to one???
In a message dated 28/12/2009 19:03:10 GMT Standard Time,
h-costume-requ...@indra.com writes:
I think that honor belongs to Mark Twain (A Connecticut Yankee in King
Arthur's Court).
Fran
Lavolta Press
New book on 1820s clothing!
The outfits that Baroness Schraeder
ears struck me as not particularly 1930s, but I really don't know anything
bout that period, so I thought of asking what this list had to say. Any
pinions?
When I worked in a local theatre costume shop, several of the regulars were big
fans of the
I noticed that too when watching Giant, I think it was. It starts in
the early 1920s but the costumes look like 1950s, when the movie was
made. For some reason, it seems like costume designers from the 50s
and 60s were not at all interested in any sort of historical accuracy.

Sylvia
Directors and stars have a huge amount of input on what people wear in the
movies. Most stay pretty close to the current styles--- which date really
fast. However, these were made before the VCR/ DVD era where people can
watch and appreciate (or not) the clothes more often and more critically.
Edward Maeder's book, Hollywood in History, pretty much sums up what Hollywood
does in theory and practice. It is a must-have-must-read. There are even
charts of hair and make-up. The general idea is that American audiences
apparently cannot relate to main characters that look too foreign
For some reason, it seems like costume designers from the 50s and 60s were not
at all interested in any sort of historical accuracy.
They aren't.
In America anyway... a little more so in Britain. Accuracy becomes a thing in
the late '60's. The 1st movie I can remember as being accurate
I noticed that too when watching Giant
Moss Mabry designed Liz's costumes for Giant. I worked with him once and we
talked about period costuming. He thinks that all period designers have to do
is copy portraits. He DESIGNER and will just do fashions for the characters.
He tries to get
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