I agree with Danielle. The armhole is very interesting and I can't find any
pictures that show it better. The bottom part of the sleeve looks like it's
not attached to the armhole - as if a gusset were missing or it's left open
to allow movement. I hope detailed pictures show up and that an
Pull on it. If it snaps easily, pitch it out. Deterioration often has to do
with the dye and how the thread was stored.
Martha
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From the Argo web site:
Q: Can I make laundry starch from Argo and Kingsford's corn starch?
A: Yes you can starch clothing with regular corn starch. In a large bowl or
pot, stir 1/2 cup of corn starch into 1 cup of cold water. Stir in boiling
water (2 quarts for a heavy solution; 4 quarts for
Dede, is there anywhere you can post some pictures of the garments you're
looking at? Maybe a Facebook page or Flickr?
Martha
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My first thought was early 1850's, just before the hoop, as others have
said. But I wonder if, pound for pound, the 1770's and thereabout might
win. Stays that were solidly boned and several layers thick were heavier
than corsets, linen shifts were heavier than chemises, petticoats were worn
Wow! I TOTALLY agree with everybody who's told you to scan the photos
before you give them away or sell them. (I'd keep them, but that's my
personal interest.) Scan the front and the back of each photo if there's
information on the reverse side - like the photographic studio's ad, often
with the
Oh, Ann Wass, I LOVE that old, old Simplicity booklet, Sewing for Men and
Boys. (Shall we pretend we bought it used or admit that we were old enough
to sew when it came out in 1973?) The classic tailoring techniques are well
explained and well illustrated.
My go-to book for hard core tailoring
We just spent the weekend with outdoorsy friends who refer to all their
parkas and waterproof pants and windbreakers and hiking boots and such as
gear.
Martha
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I smiled at Tom Tierney. If I had seen Janet Arnold, I would have fallen on
the floor and kissed her toes!
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Once upon a time I was in the special collections room at FIT doing some
research and there was an elderly gentleman nearby similarly involved. We
left together when the library closed and we fell into conversation. I
asked what he was working on. Oh, he said, I do paper dolls. You mean
like
There's a very interesting show of 19th century garments at the Shippensburg
University Fashion Archives. Though the museum is a little difficult to get
to, it's great to look at clothes there because they're not in glass cases
and you can get a close view from several angles. Curator Dr. Karin
The Shippensburg Fashion Archives and Museum has a really nifty tote bag
(uh, if I do say so myself since I designed it) for sale on their web site.
http://webspace.ship.edu/fasharch/. The bag's graphics are a pattern in
the Janet Arnold manner for a dress in the SUFAM collection. The hang tag
The pattern on the tote bag is just for decorative purposes, so I used the
pieces that fit in artfully.
The pattern for the dress is real, however and one of a series of patterns
Shippensburg Fashion Archives and I (my alter ego Martha McCain) will be
making available next year. The patterns
I agree with De. I think it's late 1930's. I've just written Customer
Service at Butterick to ask.
Martha
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I learned to embroider because boyfriends liked their sign of the zodiac
embroidered on a chambray shirt. I went through several boyfriends and a
lot of astrological signs between '69 and '72!
Martha
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Hi Kate (Sweetbriar) and Catherine (Radford)
I was at Randolph-Macon Woman's College in Lynchburg, Virginia from
1964-1966. Then I went to Northwestern. Because I was there such a brief
time and because new clothes were bought for college, I have all sorts of
snapshots of my friends and myself
For Penny
If you don't find the dotted pattern paper easily, it's available at
Greenberg and Hammer http://www.greenberg-hammer.com/ and at Steinlauf and
Stoller http://www.steinlaufandstoller.com/Workroom%20Tools.htm
Martha
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Several years ago the Costume Institute mounted a wonderful little show of
odds and ends from their collection. I distinctly remember a little glass
case with five or six versions of sleeve supports. I know some were
down-filled 1830's. I've looked in their swell new data base and can't find
A hot iron with steam - absolutely, but did anybody mention a damp press
cloth? Damp, not wet. I iron the whole shebang with steam and then go back
and catch resistant wrinkles with the damp cloth.
Martha
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Years ago I fell in love with a charming watercolor by Louis de Carmontelle
(also known as Louis Carrogis) in MIRROR MIRROR by Michael and Ariane
Batterberry. It's three ladies having tea in the garden. I've been looking
for more of his work ever since. This it IT! Both Suzi's and Bjarne's
I'd love to see these watercolors, but the link doesn't work for me and when
I get to the web site all the error messages are in French. Can someone
help me?
Martha
Louis Carrogis made these water colours pictures of the french nobility:
Thank goodness I just got another external hard drive!
Martha
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I was interested in finding out more about the patternmaker, Karen Jacobi,
who did (most of, if not all) the patterns on the museum web site. She
seems to have been working in the 1970's -'90's in Denmark. I've found one
book, but for all the Danish I can read, it might be a book about carving
Wow! Just lovely!
When you say, Also pdf files of the pattern cuts and also zoom in. do you
mean sewing patterns laid out as in Janet Arnold? If so, how do I find
them?
Thanks again for this treat.
Martha
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I read with interest last week a discussion about dwindling fabric shopping
in New York.
No kidding! Ive been a costume designer in New York since 1972. Way back
then there were several fabric districts 57th Street, the 30s (the
Garment District), 14th Street (cheap fabrics for
Simplicity has an article on their web site explaining their version of
ease.
http://www.simplicity.com/index.cfm?page=section/classroom/sewingLessons/sew
ing101part2.cfm
If that link doesn't work, try Simplicity.com (http://www.simplicity.com/)
and go to Sewing 101 - Part 2.
Martha
I swear by Accessible Archives for the entire run of Godey's Lady's Book,
scanned at high resolution and word-searchable. A subscription is
affordable to an individual, not just a library or university. Does anyone
know of a comparable site for Peterson's or Harper's Bazaar - the sort of
thing
I'm going to stick my neck out here and recommend TWO Fabric stores. I live
in New York and I've been a costume designer since 1968. I'm one of those
people who doesn't think the shopping is over until I've hit every store in
the city. But here goes:
BJ at 525 Seventh Avenue on the 2nd floor.
Thank you so much for shating this. Isn't the top item a cap, rather than a
cape?
Martha
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I DO think I meant sharing! That's teach me to hit SEND before
SPELL-CHECK. Especially since I was asking about CAP versus CAPE.
Martha
Thank you so much for shating this. Isn't the top item a cap, rather than a
cape?
Martha
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Here's another reason I read h-costume and find it invaluable. Often times
other members mention books that sound delicious. If the book is hard to
find or really expensive, I go to the on-line catalogue of the public
library to see if it's there. After I've actually looked at the book in
Hi,
When adding 2 frills to an 18th century outfit, would you not gather each
frill up separately, and then attach them on top of eachother?
If i gather both on the same time, they make the same folds, wich i dont
think is right?
Bjarne
Bjarne
I've been studying some spectacular 18th century
Could someone please explain the point of listing one's books? I'm
afraid I don't see the point. Mine are all on shelves in my workroom.
I know what they are, and where they are. Why would I need to list
them? (More time I haven't got anyway!)
suzi
Two reasons for listing books:
1. So when
Subject: Re: [h-cost] Re:patterns
What I'm interested in knowing, is how Simplicity chooses
patterns--aside from market surveys, don't they do those?--and the
people who design them. Is it all freelance? I know someone via the
net--or used to, she's not posting any more--who had a small line
I can't wait for the 18cent patterns that Martha McCain/Simplicity that are
rumored to be coming out sometime in the future. Martha McCain, I know you
are out there...You go girl.
18c Mia in Charlotte, NC.
Thanks for the words of encouragement. I've been working on the 18th
century
I believe Martha prefers to work from as many original garments as she can
get her hands on. Alas, there are precious few extant 16th century
garments
available for study and are there any at all in the U.S.? - Ann Wass
So send me to England - to Europe - to Kyoto!!! Have tape measure, will
David? Sheridan?
I would LOVE to see the images you're talking about, but I can't figure out
how to use the system. Could you be a little more specific? Thank you!
Martha
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