In a message dated 5/2/2007 6:54:45 P.M. Mountain Daylight Time,
[EMAIL PROTECTED] writes:
Of course, actor safety, comfort, and the ability to do quick-
changes, dance moves, sword fights, or whatever else needs to happen
in the show also often have an impact. I once draped an HMS
I didn't either. As both a historian and a costume designer, I see no
reason to be embarrassed about the very good reasons why accuracy is
often compromised on the stage. I still groan when I watch films with
terribly bastardized fashions, but I can often tell why they did it.
Telling
On May 2, 2007, at 8:45 PM, Carmen Beaudry wrote:
I didn't either. As both a historian and a costume designer, I
see no reason to be embarrassed about the very good reasons why
accuracy is often compromised on the stage. I still groan when
I watch films with terribly bastardized
Of Carmen Beaudry
Sent: Wednesday, May 02, 2007 5:45 PM
To: Historical Costume
Subject: Re: now costume design, was Re: [h-cost] new Butterick pattern 5061
I didn't either. As both a historian and a costume designer, I see no
reason to be embarrassed about the very good reasons why accuracy
On May 2, 2007, at 8:49 PM, Melanie Schuessler wrote:
Of course, actor safety, comfort, and the ability to do quick-changes,
dance moves, sword fights, or whatever else needs to happen in the
show also often have an impact.
Out of lurkdom for a moment.
First, thanks for all the insight
(or whatever)generation ...
Kathleen
- Original Message -
From: Carmen Beaudry [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Wednesday, May 02, 2007 8:45 PM
Subject: Re: now costume design, was Re: [h-cost] new Butterick pattern 5061
I didn't either. As both
From: Sharon Collier [EMAIL PROTECTED]
She wrote a book, too, Geisha, By Liza Dalby
ISBN #0-394-72893-9. Mine was published by Vintage Books, division of Random
House, in 1985.
Originally published Berkeley: University of California Press 1983
Yep, I've got that one, also the book she
