On Sat, 11 Aug 2007, Rohan Drape wrote:
Henning Thielemann [EMAIL PROTECTED] writes:
I boiled the problems down to a simple example. There are no errors
reported about the messages, but the result is not what we expect.
I've added encodeNRT and writeNRT to hsc3, these ought to work out
On Sat, 11 Aug 2007, Rohan Drape wrote:
Henning Thielemann [EMAIL PROTECTED] writes:
However I consider it a slight hack to first add magic number 2208988800
in utc_ntp, then subtract it in ntpZeroed again. Would you mind making the
Bundle time zero based and add the appropriate offset
On Mon, 13 Aug 2007, Rohan Drape wrote:
this all works here, apart from the fixed SR in the
audio file, which does not correspond to the SR that
scsynth runs at (-S doesn't seem to help, but
whatever...)
your osc file and the generated file are equal,
at least according to cmp...
~$ cmp
On Mon, 13 Aug 2007, Henning Thielemann wrote:
On Mon, 13 Aug 2007, Rohan Drape wrote:
your osc file and the generated file are equal,
at least according to cmp...
~$ cmp tone.osc ht-tone.osc
~$
not sure what the matter can be, a bad scsynth seems
unlikely, but what else
On Wed, 15 Aug 2007, Rohan Drape wrote:
On Tue, August 14, 2007 11:32 pm, Henning Thielemann wrote:
executed in unpredictable order. That is
send fd (Bundle 0 (d_recv g))
wait fd /done
send fd (Bundle 0 (s_new Anonymous (-1) AddToTail 1
On Thu, 16 Aug 2007, alex wrote:
Hi,
In case people are interested, here's a project I'm working on with
Haskell:
http://doc.gold.ac.uk/~ma503am/alex/asciirave
Very interesting! I also liked to create singing with Haskore. So, I'm
waiting for the source code, too.
On Wed, 12 Dec 2007, John Lato wrote:
One of the things I'd like to see is a conventional way to represent
audio data in haskell. What I've been using so far is:
type Sound = Double
type SoundFrame = [Double]
I'm using this this representation, too, and I hesitate to change it,
because it
Last autumn I found the 'alsa-midi' package by Soenke Hahn for controlling
digital music instruments over MIDI and I wanted to avoid duplicate MIDI
definitions. Thus I started extracting MIDI code from the Haskore project.
Months later I ended up with some more packages:
On Mon, 31 Mar 2008, alex wrote:
On Thu, 2008-02-21 at 14:59 +0100, Henning Thielemann wrote:
Last autumn I found the 'alsa-midi' package by Soenke Hahn for controlling
digital music instruments over MIDI and I wanted to avoid duplicate MIDI
definitions. Thus I started extracting MIDI code
On Mon, 31 Mar 2008, alex wrote:
Great stuff Henning, thanks!
I'm planning on using a midi device in a performance on Friday, does
anyone already have some example code for using this to control
supercollider patchecs made with Rohan's HSC3, to save me a bit of time?
If not I'll play
On Thu, 5 Jun 2008, Achim Schneider wrote:
The recent discussion about Markoff chains inspired me to try to
train one with all the Bach midi's I have on my disk, collecting
statistics on what intervals tend to get played simultaneously,
which follow others and in which way the pitch offsets
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