date: Wed, 1 Nov 2006 10:15:00 -0700
from: "Mathew James" <[EMAIL PROTECTED]>
subject: [Hornlist] Valve question
Hey list. I'm looking to pick some of your brains today.
I have begun to develop a interest In horn design (features more so than
entire wraps and such) such as valve mechanisms, and
I hope you're preparing with a good technical education. I much prefer
a pure science, like physics, over more specialized engineering
courses. That will prepare you to read meaningful advanced articles
searching for solutions. A basic physics course will introduce you to
Helmholz and resonator
Original Message:
date: Wed, 1 Nov 2006 10:15:00 -0700
from: "Mathew James" <[EMAIL PROTECTED]>
subject: [Hornlist] Valve question
Hey list. I'm looking to pick some of your brains today.
I have begun to develop a interest In horn design (features more so than
entire wraps and such) such as val
Mathew (One-Tee) wrote:
"Hey list. I'm looking to pick some of your brains today.
I have begun to develop a interest In horn design
have learned a fair amount but am
wondering if anyone can direct me to some concrete sources."
Take care young man, there's a Cabbage about..
Fox
Unless I have missed it, no one has mentioned the Concerto in Eb for 2
horns and strings from Tafelmusik, part III.
Telemann wrote many more works (concerti, suites, overture-suites) with two
or more horns. Follow the links below to see some recordings of a number of
them (but definitely not all
I am not sure about that. Last year I had Lawson go over my 8D, when I
got it back I found my range had not increased at all, my articulation was
still what one could expect of an earnest amateur and well, nothing had
changed at all. Should I ask for my money back?
> Ken wrote:
> "I guarantee yo
Matt J wondered
Hey list. I'm looking to pick some of your brains today.
I have begun to develop a interest In horn design (features more so than
entire wraps and such) such as valve mechanisms, and such. And also mute
design, all cool stuff. I have been digging through the Internet and my
libr
Dear Matthew, just reading books about that, is not the
right method to get into that stuff. One has to learn first,
how the mechanical functions work with different material,
how the opening & closing of the valves work, what influx
the details will have on the sound column if valves go into
actio
Hey list. I'm looking to pick some of your brains today.
I have begun to develop a interest In horn design (features more so than
entire wraps and such) such as valve mechanisms, and such. And also mute
design, all cool stuff. I have been digging through the Internet and my
library for books on
Hi Paul,
I was once told that this "English" tradition was amongst the recording
orchestras (i.e. BBC because of something to do with mike placement and/or
early
recording techniques.
I didn't think they used this seating plan when they were perfoming live.
Cheers, (and ready to be corr
Message text written by The Horn List
>Dennis Brain used to sit the length of his horn uncurled (the site
claims 12 ft. 9 in. ) from the nearest wall in order for his playing to
have the best acoustics.<
Dear All
This I have not heard before but in fact, the standard seating in many
British hor
Larry, this does not work. Why gripping so high (really
high) ? If you make a mistake in Konzertstueck, nobody will
complain. But if you play Oberon a thousand times without
any lightest scratch on the beginning, nobody would talk,
but if you ruin it just ONCE, all people would speak about
it for g
12 matches
Mail list logo
