[Hornlist] Transpostion Assistance

2008-09-17 Thread William Gross
I've been chasing Gustav, now Ike and finally hit a few moments respite. Managed to bring my horn along working on an upcoming performance. One of the works is in B Basso and my memory not as good in this matters as it should be, and logistics on this evolution being what they are, I am absent

Re: [Hornlist] Transpostion Assistance

2008-09-17 Thread [EMAIL PROTECTED]
___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org

[Hornlist] Re: Transpostion Assistance

2008-09-17 Thread Howard Sanner
Quoting William Gross: I've been chasing Gustav, now Ike and finally hit a few moments respite. Managed to bring my horn along working on an upcoming performance. One of the works is in B Basso and my memory not as good in this matters as it should be, and logistics on this evolution being

[Hornlist] Amati Brass Instruments

2008-09-17 Thread Steve Freides
Anyone have any experiences they'd care to relate about Amati brass instruments? I got asked by a parent about this, and it looks like they make all sorts of things - tubas, trumpet, and even French Horns. Student, intermediate, or better - or junk? As always with things like this, first- or

Re: [Hornlist] Transpostion Assistance

2008-09-17 Thread Richard V. West
You're looking at a Bb basso horn part (In German notation B=Bb; H=B natural). If you use the interval method (which generally works well since Bb basso parts typically just use harmonic intervals of a natural horn in Bb), transpose a fifth down. Richard in Seattle William Gross wrote: I've

Re: [Hornlist] Transpostion Assistance

2008-09-17 Thread [EMAIL PROTECTED]
___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org

Re: [Hornlist] Transpostion Assistance

2008-09-17 Thread Carlberg Jones
At 9:17 PM +0200 9/17/08, [EMAIL PROTECTED] wrote: Greetings - This is one of the ways to transpose I've heard of. Don't thing clefs. Don't think intervals. Think in the key. You've got to know your horn very well to do this, but it's no more difficult than playing a part in F. Okay.

Re: [Hornlist] Transpostion Assistance

2008-09-17 Thread Greg Campbell
Carlberg Jones wrote: Don't thing clefs. Don't think intervals. Think in the key. You've got to know your horn very well to do this, but it's no more difficult than playing a part in F. I think this is also the way I transpose most of the time. Horn parts are just movable-Do solfege. When

[Hornlist] Photos of Dennis Brain

2008-09-17 Thread phirsch
I just stumbled on this using the Facesaerch http://www.facesaerch.com/ engine. This image search engine filters so that only portrait-type images come up in the results. Whenever I am testing out a new search tool, I need some terms to search for and, for some reason, Dennis Brain seems to be

Re: [Hornlist] Transpostion Assistance

2008-09-17 Thread YATESLAWRENCE
I transpose by interval. For the less common keys like Db or Ab I do a double transposition (horn in D in E) It works for me. I teach my pupils as many methods I can think of and leave it to them to decide which one they find easiest - different minds think different ways. Cheers

Transposition WAS: RE: [Hornlist] Transpostion Assistance

2008-09-17 Thread Robert Dickow
Transposing is SO much a part of horn playing or Wagner tuba playing. Last weekend we performed Strauss' Alpine Symphony and I covered horn VI and B-flat tuben. Every time I play a tuben part I have to decode what method the composer chose to write the part. Sometimes they are in bass clef or

[Hornlist] Le Sacre tuben parts

2008-09-17 Thread Robert N. Ward
There is some confusion about this. This post caused me to go back and look at the score, and take another look. After doing so, it is clear to me that the parts are correctly in Bb alto. The key to determining this is looking at five and four bars before the end of the First Part. If

RE: [Hornlist] Le Sacre tuben parts

2008-09-17 Thread Robert Dickow
Bob, Interesting observation. I have to tell the story that the last time we did Sacre in Spokane, I read the B-flat alto tuben part UP, where it really is pretty high. I was instructed right then and there to do it down an octave. It DID sound a little goofy up high. I'll have a look at the