On Sat, Aug 15, 2009 at 3:17 AM, valkh...@aol.com wrote:
Can you post pictures of this underpart online somewhere?
http://www.hornmouthpiece.com/
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Crap...should have gotten that one since we just played it this past
season... :-/
Dan
On Mon, Jun 29, 2009 at 12:16 PM, Robert N. Ward rnw...@comcast.net wrote:
Ding Ding Ding!
We have a winner!
On Jun 29, 2009, at 10:12 AM, Debbie Schmidt wrote:
Bernstein: On the Waterfront (great
Weber - Oberon Overture
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Brandenburg #1, but #2 was just as enjoyable. I noticed the eye
trills, too...new technique? ;-) All the moving violins gave me a
bit of motion sickness, tho. ;-P
Dan
On Jul 8, 2008, at 10:31 AM, David Goldberg wrote:
Grazie a Daniel for pointing us to this elegant Bach Brandenburg
nope, he sold the entire lot.
On Dec 9, 2006, at 10:26 AM, Ms Lisa Honeycutt wrote:
Mouth pieces still for sale
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Most likely the exposed solo (with woodwinds), measure 381 to 391. I
worked this up for an audition in the early '90s
Dan
On Dec 7, 2006, at 10:07 PM, Mathew James wrote:
Hi all.
I am preparing a mock audition and one exceprt is Mahler 9, a first
honr
one.
I couldnt find it in any
I have a recording of this with the Austro-Hungarian Haydn Orchestra
and the horns are playing B natural alto.
Dan
On Jul 4, 2006, at 12:42 PM, John Schreckengost wrote:
Speaking of Haydn Symphonies, I have a question about Symphony No.
46. Are the horn parts in B natural alto or
I believe Christopher Leuba was principal on these recordings.
Others, I'm not sure of. I know there was a Horn Call from the early
80's that had an article about the use of horns in Haydn Symphonies.
It listed the 'unique' symphonies...ones in C or Bb alto, ones with 4
horns, as well
A couple of years ago, our section played the opening to the Tchaik
piano concerto...in E. We only made it to the first orchestral chord
because it was completely unexpected, even knowing it was coming up,
that we lost it along with the rest of the orchestra. The look on
the conductor's
Funny this should come up. I just heard on CNN radio today that
airlines are now going to allow small folding scissors and other
small tools. I'm still going to take these items out of my case when
I travel, just to be on the safe side.
Dan
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What about the clearly WRONG note that keeps getting corrected,
erased, corrected, erased, corrected, erased until the paper wears
through. Or the clearly EXTRA measure (in a reduced pit orchestra
part) of a repeated bar. I actually took a white mailing label and
stuck on the extra
I second this. He knows his stuff.
Dan
on 9/28/04 9:24, Walter E. Lewis at [EMAIL PROTECTED] wrote:
Jonathan,
Before you buy a Lawson, take time to check out a MooseWood. I use them
with my Alex and they slot excellently! Tom Greer (The Moose) is also a
hornist (as well as Walt Lawson)
Hey-
What is the most quickest and most efficient way to empty the water from a
667V?
Dan
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on 6/19/04 18:05, Greg Campbell at [EMAIL PROTECTED] wrote:
jlmthompson wrote:
So the question would be IF the extra weight of a Megamoose does in
fact enhance the 'slotting' of tones without the loss of slurring ability
and it allows for louder dynamics without overblowing as suggested
Try www.birdalone.com
They published several of these works. Unfortunately, I didn't see this
concerto on their site.
Dan
Dear Hornlisters,
I'm trying to get the music for a concerto by Reinhardt that is on the CD
Baroque Horn Concertos with Tuckwell and St.
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