Hi Rick,
There are two good US recordings; the immortal Charles Munch with the
Boston on RCA (I cannot give you the number as my copy is Japanese
bought in Germany); more recently, Muti and the Philadelphia on EMI
Classics Red Line 7243 5 73235 2 9 - how about that for an
Hornlisters,
Although now living in Germany, I am British and take a keen interest
in what is happening back home. At least it means I have a more
objective view of the travails of the NHS and a comparison to make
between my experiences at home and those I have come across in Germany.
Mathew,
Late I know but holidays intrude.
The Shostakovitch is to be found in Orchestra Excerpts for Horn,
Volume 2, International Music Company, New York. The Ravel appears in
Philip Farkas's Orchestral Passages for Horn from the French Repertoire.
I'm surprised that anyone going in for
Hi Dave,
At the age of only 61, Zdenek Tylsar died on August 18th 2006. I had
the sad privilege of writing his obituary for 'The Horn Player', the
organ of the British Horn Society. Up until his death, he was the Solo
Horn of the Czech Philharmonic since 1968.
It is safe to say that most
, Vincent Duval wrote:
Ralph Hall wrote:
As a side issue, playing whilst watching TV makes the picture
appear to 'frizz' and vibrate.
Actually, Ralph, if I'm not mistaken, that is the result of your
eyeballs shaking around in their sockets. I'm not kidding. It
doesn't have anything
, brasshausmusic.com
On 30 May 2009, at 19:37, Francis Pressland wrote:
On 30 May 2009, at 10:16, Ralph Hall wrote:
my experience of 'frizzy' pictures in the high tessitura are pretty
limited!
Its just a sort of red haze really, as I'm sure you notice when
you end up having to count bars
Horn Listers,
My former colleague and good friend John Brownlee - late of the Royal
Scottish National Orchestra, the Tonkunstler in Vienna and the BBC
orchestra in Wales - is performing the Schumann very soon. He has sent
me some questions for the programme notes which I am unable to
from bl**dy hard work.
Cheers,
Lawrence
2009/4/27 Ralph Hall ra...@brasshausmusic.com
Hornlisters,
One of the reasons for Ifor's facility in the high tessitura is
because he
started out as a cornet player in British brass bands. It is also a
reason
for his technical ability
Hornlisters,
One of the reasons for Ifor's facility in the high tessitura is
because he started out as a cornet player in British brass bands. It
is also a reason for his technical ability. Hence, he was the
dedicatee and first performer of the Edward Gregson concerto for
French Horn and
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