Hello all,
Seeing as it's application season again, I briefly wanted to encourage
those who may have thoughts of applying to the SF Conservatory that
this year is a really good year. We have more students graduating
than usual and this will leave a significant number of openings, both
Hi all,
For those of you in the Bay Area, I wanted to alert you to the Bay
Brass Christmas concert, this year with special guest conductor
Donald Runnicles, Music Director of the San Francisco Opera.
The concert will take place:
Monday, December 10, 2007 7:00 pm
For more info, please go
Hello all,
Pardon the mass mailing, but I wanted you to know that the San
Francisco Conservatory Brass Ensemble will be premiering a piece that
I wrote:
Tuesday, December 11, 8:00 PM at the San Francisco Conservatory, 50
Oak St., San Francisco.
The piece is called Elegy Variations and
Hi all,
Don't really know why I'm that interested, but I had some more time
to poke around and found the following info:
Willard T. Culley, Jr., was born 21 Mar 1920 in Los Angeles County
California, and died 12 March 2003 in Delaware, OK. His father (b.
Mississippi 1899, d. Oct. 1975,
Hi Pete,
I think that you are probably right, based on this page:
http://www.answers.com/topic/1942-2001-album-by-harry-james-1
On various other pages he is erroneously listed as playing
fluegelhorn (or maybe he did)...anybody know anything about him? His
is not a name I have heard
Hi hornlisters,
Recently I was talking to my Dad, who said he saw an old movie:
Springtime in the Rockies
which featured the Harry James Band. In it was a horn player, and we
were both curious to know who it was. I didn't see the film, but it
was notable to Dad because a violinist
Good guess, although Graas was 18 in 1942, and according to this:
http://www.answers.com/topic/john-graas
in the army then...
Any other takers?
B
Bob Ward
Principal Horn
San Francisco Symphony
http://www.rnward.com
On Oct 26, 2007, at 10:26 AM, [EMAIL PROTECTED] wrote:
.My guess id
I believe that the name you are looking for is Liz Freimuth.
Technically, Susanna Drake won the ensuing audition, but then went
instead to the Chicago Symphony, so after that they held yet another
audition, won by Alberto. At least I think that's pretty close.
Bob
On Oct 17, 2007, at
That one I don't know...
On Oct 17, 2007, at 9:23 AM, [EMAIL PROTECTED] wrote:
Who was it even before Freimuth and Drake?
Robert
--Original Message-
From: Robert Ward [EMAIL PROTECTED]
To: The Horn List horn@music.memphis.edu
Sent: Wed, 17 Oct 2007 11:19 am
Subject: Re: [Hornlist
Hi all,
We are off this morning for a European Tour, and I just wanted to let
those across the pond know what the dates are in case you wanted to
stop by and hear us.
Aug 29, 30 Edinburgh
Sept 1, 2 London (Proms)
Sept. 3 Hannover
Sept. 5 Berlin
Sept. 6 Cologne
Sept. 7 Dusseldorf
Sept. 9,
Hi all,
I hope you are all enjoying your summer - many folks have really
liked our Christmas CD which we in the Bay Brass made several years
ago, and I wanted to update you on the new recording project that we
have undertaken.
Essentially, we are one day of recording away from finishing
Thanks very much for this - I had not seen it, and it is quite
interesting.
B
Bob Ward
Acting Principal Horn
San Francisco Symphony
http://www.rnward.com
On Apr 22, 2007, at 10:39 AM, Daniel B. Hrdy wrote:
This is the only research that I know of concerning the effects of
different
I'm always interested in these things - so I'd love a copy too.
Bob
On Apr 7, 2007, at 5:14 PM, LOTP wrote:
Pete Nowlen, the excellent horn instructor at California State
Univ - Sacramento and University of California - Davis, has
written an equally excellent concise history of the horn.
You might want to consider this one too:
http://www.bremnermusic.com/
I have one and it's pretty good. And cheaper.
B
Bob Ward
Acting Principal Horn
San Francisco Symphony
http://www.rnward.com
On Jan 25, 2007, at 7:50 AM, Tom Spillman wrote:
I need to go out of town to a major cancer
Three, actually.
Bob Ward
Acting Principal Horn
San Francisco Symphony
http://www.rnward.com
On Dec 5, 2006, at 10:37 PM, David Goldberg wrote:
Well, four horns make the wolf in Peter the Wolf. Are we any
other animals?
___
post:
I too went through an embouchure change, in between my junior and
senior year of college. I played in the red of my upper lip before
that and did really well that way, but Clevenger, at a master class,
convinced me to move the mouthpiece up some. Basically I figured it
all out myself from
Hi all,
Just wanted to let you know that the broadcast dates have been set
for the next 3 TV broadcasts of the San Francisco Symphony's TV
series Keeping Score:
Beethoven's Eroica: Nov. 2 10 pm on PBS
Stravinsky's Rite of Spring: Nov. 9 10 pm on PBS
Copland and the American Sound: Nov. 16
Hi all,
For all who were wondering about Gail William' stolen Geyer - here's
a note that it's been found. Yay!
Begin forwarded message:
hey all,
just wanted you to know that today my geyer was found at a pawn
shop in Omaha. Loius Stout Jr. ID'd the horn so now I'll figure out
the next
Hi Catherine,
I have this concerto - this is the info that I can see:
Editio Supraphon, Praha - Bratislava
Export - Artia - Prague
Copyright 1959 by Statni nakladatelstvi
krasne literatury, hudby a umeni, Praha
Orchestral parts can be hired from Cesky hudebni fond, Prague
OCLC lists it as
Anybody ever play this?
Night Under Big Sky - flute, oboe, clarinet, horn, bassoon and piano
Was just curious...
B
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From Karl Hill - keep an eye out everyone...
Begin forwarded message:
Today (9/6/06), Gail Williams real Carl Geyer was stolen along with
alot of her belongings from her car in Council Bluffs, Iowa.
Serial # 1066 is located near the engraved name of Carl Geyer on
the bell. The bell
Hello all (and there are many of you...),
Dave Krehbiel's 70th birthday is on September 2, a cause for much
celebration! (For those of you on the horn mailing lists who perhaps
do not know Dave by name, he was the Principal Horn here in San
Francisco from 1973 until his retirement in
Hi friends,
Just a brief note to say that I am premiering a new piece which I
wrote for horn and choir with the San Francisco Choral Artists:
Oakland (St. Paul's Church) on Sunday June 11 at 4pm
Palo Alto (St. Mark's Church) on Saturday June 17 at 8pm
San Francisco (St. Gregory's Church) on
Hi all,
One of the best we ever did was at Tanglewood in 1977 (great horn
section, btw: included Roger Kaza, Larry Ragent (4th in SF Opera),
Laurel Bennert (assoc. in National Symphony), Rick Todd and myself).
The piece was Rite of Spring, and it was a day where the student
conductors
My $0.02 worth is that as a performance major, you should be
practicing (in addition to rehearsing) 3 hours/day. I'm sure that
the various ear training and analysis is helpful, but if you are
substantially below that amount of practice, you might want to think
about making some changes to
Sounds like an Urban Myth to me. I want to see sources...
B
On May 16, 2006, at 11:35 AM, Wendell Rider wrote:
It related (quite horribly and graphically) the story of a
'screech' trumpet player who enjoyed a long career until one day,
during performance of a jazz work; he hit a
Me too.
Bob Ward
Acting Principal Horn
San Francisco Symphony
http://www.rnward.com
On Mar 31, 2006, at 8:34 AM, Tyler Holt wrote:
A hearty second to Ion Balu's mutes. Beautiful sound, perfect
intonation. I
love mine.
___
post:
Which way sounds better?
On Mar 1, 2006, at 9:59 AM, Steve Freides wrote:
I thought I'd share my thinking on a fingering choice and see what
y'all
say.
Last night I was handed Horn 4 on Copland's Fanfare for the Common
Man. My
part opens with the figure F-C-F which also happens several
Have a look at:
http://www.hornplayer.net/archive/a35.html
for some good discussion regarding this issue.
B
On Feb 25, 2006, at 2:58 PM, WIlliam Botte wrote:
Why continue this nonesence?
Republish every thing horn in F or C. In one clef. The key
notations aren't all that irritating
Hi,
Recently bought a practice mute from these guys - it's great,
although you might have to change your tuning slide a bit. Much more
even response and feel than the Yamaha.
http://www.bremnermusic.com/
B
On Feb 21, 2006, at 5:22 PM, Melvin Baldwin wrote:
Hi,
I just joined this horn
Hi all,
I also recently heard this CD as I was driving to a concert, and I
agree - this is exquisite playing at the very highest possible
level. Do yourselves a favor and listen to an incredible artist who
transcends the instrument.
Bob
On Jan 26, 2006, at 6:59 AM, Daniel Canarutto
Oops - sorry about that - private mail to the list again...
B
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I think that the question of what intonation system orchestras use is
a complex one. Generally speaking, winds and brass tend to use just
intonation more than strings. We are taught to lower our major
thirds and minor sevenths, and for the most part we do that. However
exceptions happen
Thanks very much, David - glad you enjoyed the show. We certainly
had a good time playing it! The usual schedule of release for these
Mahler recordings is that they come out about 6 months later, so you
should look for it in the spring sometime. In the meantime, if you
need another new
Nolan Miller became principal horn of The Philadelphia Orchestra in
the 1978-79 season. He joined the Orchestra in 1965 as co-principal
horn upon graduation from the Curtis Institute of Music. A native of
Hamburg, Pennsylvania, Mr. Miller received a bachelor of music
education degree from
Hi hornlisters,
Recently, I had a chance to tour the under-construction San Francisco
Conservatory that will be opening in the Civic Center near Davies
Symphony Hall in September 2006, and I must say that I was blown away
by the facilities, planning, spaciousness, classiness and attention
On Aug 5, 2005, at 8:29 PM, John A.Putnam wrote:
1. How many of you use a descant horn. If so how often do you use it?
4-5 times/season
2. What type of descant is it? (i.e. Bb/F alto or Bb/ Eb and so on)
Bb/Hi F made by Karl Hill
3. If you don’t use the descant as your main
Let's take this discussion off the list please.
Bob
On Jun 16, 2005, at 9:08 AM, Bill Gross wrote:
Did I say that? I don't think so. I said the power base had shifted.
Those who felt that PBS/NPR has been biased in favor of the newly
minted
outs are the newly minted ins. They now
My point exactly. There are plenty of places to debate questions
about NPR. I'd like to keep this list from straying too far. Just
my opinion.
B
On Jun 16, 2005, at 10:51 AM, Dan Phillips wrote:
From the beginning, Gary has maintained an absolute hands off
policy, so members are free
Have a look at my web page:
http://home.earthlink.net/~rnward/mechanics.html
On Apr 27, 2005, at 12:25 PM, Patrick Morgan wrote:
absolutely not. the horn requires more air than a trumpet. more tubing
= more air, at least for making it speak.
in the words of my teacher: you think way too much.
Hi all,
The Master class that Phil was going to give at the SF Conservatory on
Apr. 27 has been cancelled.
Bob
Bob Ward
Acting Principal Horn
San Francisco Symphony
http://home.earthlink.net/~rnward
___
post: horn@music.memphis.edu
unsubscribe or
Hi all,
We're looking for some more horn applicants for the Summer Brass
Institute, July 9-17 in Menlo Park, CA (just south of San Francisco).
If you have any interest, or know of someone who might, please visit...
http://brass.menloschool.org
for more information...
Thanks!
Bob
Bob Ward
I think you're mistaking it for the Barkarolle from Tales of Arfman.
On Feb 15, 2005, at 2:39 PM, David Goldberg wrote:
On Tue, 15 Feb 2005 [EMAIL PROTECTED] wrote:
That was written by Richard's best friend, Rex?
Might have been Hugo Woof.
___
post:
This old post by cabbage ought to end this right here...
#
Shane McLaughlin, keeper of Cabbage utterances, seems surprised that his
dog sings when he practices horn. That is, when Shane practices horn.
He does not indicate whether the dog responds appropriately to suitable
manipulations of a
From Dave Krehbiel -
Perfect! If anything, it was a little off.
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For those who get driven crazy by stuff like this, there's a great book:
Eats, Shoots Leaves: The Zero Tolerance Approach to Punctuation
by Lynne Truss
Funny, and right on.
Happy New Year to All...
B
On Jan 3, 2005, at 10:37 AM, Paul Mansur wrote:
Excuse the double post, but I want this rant to
Reminds me of my favorite Yogi Berra quote:
Q: Hey Yogi, what time is it?
A: Ya mean NOW?
On Oct 29, 2004, at 11:06 PM, [EMAIL PROTECTED] wrote:
He can be seen on Paxman advertissements and he is teaching at the
Mozarteum in Salzburg a few other institutions. But I have no idea
WHAT HE IS DOING
Hi all,
Here is a link to an interview with me - it's in advance of our TV
broadcast of Tschaikovsky 4 on June 16. Hope you will all tune in!
http://www.pbs.org/wnet/gperf/dialogue/dialogue_t4_rward.html
B
___
post: [EMAIL PROTECTED]
set your options
Hi all,
Have been trying to find a copy of this piece, but it is out of print.
Would anyone out there be willing to lend me a set of parts (and a
score if the have it)?
Please contact me off list.
[EMAIL PROTECTED]
Thanks,
Bob
Bob Ward
Acting Principal Horn
San Francisco Symphony
oops - that's yodeling - my handwriting's not so good these days...
On Jan 26, 2004, at 11:14 AM, Robert Ward wrote:
the so-called vodeling solo
___
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set your options at http://music.memphis.edu/mailman/options/horn/archive
Hi all,
Just wanted to point you to a Quicktime movie (20 MB) I've posted about
our recording project - we're doing a new piece by Bruce Broughton,
Fanfares, Marches, Hymns and Finale, plus some other things - check
it out! Don't know when it'll be released, since we have more to do,
but
http://www2.bostonherald.com/news/local_regional/trum2003.htm
Bob Ward
Acting Principal Horn
San Francisco Symphony
http://home.earthlink.net/~rnward
___
post: [EMAIL PROTECTED]
set your options at
Hi all,
Was moved to write by Hans comment below - over the years, my thinking
on Schoenberg and his buddies has changed - when I was a student and
then as a young professional, I used to think of that style of 12-tone
music as very intellectual and cold - but now, I have realized that the
At 06:17 PM 9/3/03 -0500, germania wrote:
I was wondering what everyone thought was the best straight mute in the
world and which is the very best for the money $75-$150 range..?
I own a Pöltl mute made in Cologne (my main one), a Hausotte (beautiful
workmanship), and a Knopf leather covered
Do your colleagues a big favor and don't use scented oils. It's just
like perfume - there is nothing worse than trying to take a big breath
and inhaling vanilla or grape or whatever. Just say no to scented
oils. They are obnoxious.
B
Bob Ward
Acting Principal Horn
San Francisco
Marquette 61
Kansas 94
On Saturday, April 5, 2003, at 10:43 PM, [EMAIL PROTECTED] wrote:
Hope all is well on the left coast. BTW, did anyone catch the
score of the Kansas vs. Marquette basketball game ??
___
post: [EMAIL PROTECTED]
set your options at
Fabulous - just as I thought - my Berg doesn't miss lots of notes.
On Saturday, April 5, 2003, at 10:51 AM, [EMAIL PROTECTED] wrote:
Now, I'm am the mostest of happies that we are finally back to
discussions of
horns and I am now in a position to make the mostestest erudite,
knowledgeable,
Hi all,
Fred asks a good question. As many of you know, I teach my students to
try and accept a brighter sound close up, because I think that at a
distance, if your sound is too covered or dark, it will sound unclear.
Obviously we all adjust to the acoustical space that we play in -
playing
Regardless of our individual views, I think it now time to remove this
discussion from the Horn List. I hope that the list administrator will
take that position as well.
Bob
Bob Ward
Acting Principal Horn
San Francisco Symphony
http://home.earthlink.net/~rnward
Hi all,
Have just put up some technique tips on my page - have a look...
http://home.earthlink.net/~rnward/mechanics.html
Bob
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We just played this, and I did it (and so did the 3rd horn when she has
it) as a breath accent.
Later,
Bob
On Thursday, January 23, 2003, at 12:42 PM, Olav Traa wrote:
Any guidance appreciated.
Bob Ward
Acting Principal Horn
San Francisco Symphony
http://home.earthlink.net/~rnward
Hi all,
I feel duty bound to present an alternative view on this paragraph by
Bob Osmun - I think that there are a lot of folks (especially in SF,
Chicago, Boston and Europe) who who would disagree with him. My
feeling is that smaller belled instruments are *better* suited to
orchestra playing
Oops - sorry, that note that I quoted was written by Stan Johnson, not
Bob, even though it came from [EMAIL PROTECTED]
Sorry about that...
Bob
Bob Ward
Acting Principal Horn
San Francisco Symphony
http://home.earthlink.net/~rnward
___
Horn
I'm curious why it matters. There are plenty of people who play each
general style - I say play what you like...
B
On Wednesday, November 27, 2002, at 04:59 PM, J. Kosta wrote:
It seemed that for a while the Geyer wrap, and 'smaller throated' horns
were all the rage. Has the pendulum swung
I'd rather forget it, if you don't mind. :)
B
On Wednesday, November 13, 2002, at 04:10 PM, [EMAIL PROTECTED] wrote:
Let's not forget the flutter-tongued fff hi C in movement
5 (Cloudburst) of Grofe's Grand Canyon Suite.
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