Yes, it was at the 2003 IHS conference in Indiana - an incredible
performance too! I have no idea where you get it from though.
Steve
On Sat, Apr 12, 2008 at 6:19 PM, John Baumgart
[EMAIL PROTECTED] wrote:
If memory serves me correctly, Frank Lloyd performed this at either the 2001
or 2003 IHS
every 2 or 4 bars. They
start out fairly simply, but quickly get complicated and each one is
full of common pitfalls (like written Cb in D horn)!
Unfortunately I have no idea where to find it - the one I am using is
borrowed from my teacher.
Steven Slaff
On Dec 3, 2007 9:10 AM, [EMAIL PROTECTED
Fascinating, thank you for this link! They play extremely well
together! I hope this video isn't infringing in copyright too :)
Does anyone know the makes of the horns they each are playing on in this video?
Steven Slaff
On 3/14/07, Rob Kathner [EMAIL PROTECTED] wrote:
Just found this one
glad to read it.
Steven Slaff
On 3/13/07, Valerie WELLS [EMAIL PROTECTED] wrote:
[Oooops! Sorry I posted on the wrong program a few minutes ago. This
should read easier.]
Val: I use his warm up nearly every day [meaning Farkas].
Hans asked: Could you do the Farkas warmups before your Smiley
I performed the prelude to the 5th suite at a recital last year. It was
great fun and one of the most musically challenging things I've worked on in
years! I also did it in the original key though, not a P4 higher like some
arrangements.
Steve
On 10/23/06, Angela Gonzales [EMAIL PROTECTED]
Since the list is so quiet recently, maybe a discussion of air support
will liven things up a bit:
In the last few years I have been taught a number of different ways of
supporting air by a number of different teachers (all were employed or
retired from full time professional orchestras). The
All,
My experience years ago with braces was quite painful - they always cut my
lips badly, and by the time I got them off, I had developed very bad
embouchure habits. It took me a very long time to get back to comfortable
high range playing, but if I had known what I know now I would've been
on a low c and going straight up to a high
C (all while staying fairly relaxed and letting your air do most of the
work).
Hopefully this will help you, it has definitely improved my high register
over the past year or two.
Steven Slaff
On 8/6/06, Nicholas Hartman Hartman [EMAIL PROTECTED] wrote
Hi Dave,
For what it's worth, and as a fellow college student, whenever I have been
forced to take off 1-2 weeks of playing I always restart again slowly for
the first few days. I do drills, simple etudes (Kopprasch #1!) a lot of
buzzing, and pieces like Mozart concertos (depending on how I
if they are supposedly healthy/natural
such as Arnica.
Hopefully this will start an interesting discussion!
Steven Slaff
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) recommended.
Steven Slaff
- Original Message -
From: Steve Freides [EMAIL PROTECTED]
Date: Saturday, April 9, 2005 8:55 pm
Subject: RE: [Hornlist] Open Throat
Short a, as in father.
When singing, ideally the throat is open for all vowels.
For ah the mouth is also wide open
The line from Mozart 3 is
half of the
phrase from the piano concerto and all the clever horn players put
it in their
cadenzas.
Chris
I just found this out the other day, and it makes perfect sense now. The
interesting thing (if I remember correctly) is that in the pno concerto, the
been described as the
original orchestration (with most melodic material in the first horn, etc).
Did anyone else see/hear this performance? The horns played excellently and
seemingly with ease.
Steven Slaff
- Original Message -
From: David B. Thompson [EMAIL PROTECTED]
Date
discussed them in the archives either). Has anyone on the list
ever used them before to buy a new horn? I'd be interested in hearing about your
experiences with them. Reply off-list (unless others of you are interested in this as
well) so as to not crowd the already crowded hornlist!
Thanks!
Steven
because it has remarkably little resistance.
Steven Slaff
- Original Message -
From: william bamberg [EMAIL PROTECTED]
Date: Wednesday, September 8, 2004 3:16 am
Subject: Re: [Hornlist] Good Non-Conns
Are you saying that the Alex takes twice as much effort as the 8D?
Normally I would
current Conn,
I've tried playing my teacher's Alex, and when I blow into that it takes half the
effort to make the same sound on my Conn!!!
Any recommendations are appreciated!
Thanks very much!!!
Steven Slaff
- Original Message -
From: [EMAIL PROTECTED]
Date: Tuesday, September 7, 2004 6:30
I remember when the trombone one came out, I wondered if they'd ever make something
like it for horn. It does SEEM like a good idea, to help prevent injury from the
weight of heavier horns, but it looks ridiculous, and seems impractical with the
design shown on that website!
Steven Slaff
Hans and list,
Do you know where Vogelsang's performance of the Brahms trio may be purchased? I did
a search on Amazon.com and on Google but wasn't able to find it anywhere.
Thanks,
Steven Slaff
- Original Message -
From: [EMAIL PROTECTED] (Hans)
Date: Saturday, April 10, 2004 1:52
your tongue when you attack low notes?
What works best for you/what (if anything) is proper?
Thanks for your input!
Steven Slaff
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