Bill Gross
Sent: Saturday, August 08, 2009 7:18 AM
To: 'The Horn List'
Subject: RE: [Hornlist] Re: Recording (NHR)
Just back from the subvault under Jack Benny's the recoding I have is a 10"
LP. The jacket has no indication of who released it. There is a note that
reads, &q
his.edu
[mailto:horn-bounces+bgross=airmail@music.memphis.edu] On Behalf Of
Warren Van Camp
Sent: Saturday, August 08, 2009 4:51 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Recording (NHR)
Are you sure that "Boulder, Boulder" was Tom Lehrer. I see Abe Burrows had
a skit
Are you sure that "Boulder, Boulder" was Tom Lehrer. I see Abe Burrows had a
skit like that. The discography in the back of my Tom Lehrer song book
shows...
Songs by Tom Lehrer (1953)
An Evening Wasted with Tom Lehrer (1959)
Tom Lehrer Revisited (1960) (live version of songs f
Ahhh, this discussion brings me back to my freshman year of university.
On keyboard/ sight singing days, our theory teacher would play "Who's Next"
between "victims". (She was a great teacher - the reasons I switched from a
biology major - with a music minor - to a major in music theory. Thanks Mrs
AM
To: The Horn List
Subject: Re: [Hornlist] Re: Recording (NHR)
Oh boy, is this a trip down memory lane. I was introduced to the Tom
Lehrer by my local record shop owner ("the ol' drug dealer..".). It was
the 10" LP. As I remember, the cover was mostly red, with a scratchy pe
That's the cover I eas looking at this morning.
On Aug 8, 2009, at 10:39 AM, "Richard V. West"
wrote:
Oh boy, is this a trip down memory lane. I was introduced to the Tom
Lehrer by my local record shop owner ("the ol' drug dealer..".). It
was the 10" LP. As I remember, the cover was most
Oh boy, is this a trip down memory lane. I was introduced to the Tom
Lehrer by my local record shop owner ("the ol' drug dealer..".). It was
the 10" LP. As I remember, the cover was mostly red, with a scratchy pen
and ink drawing of someone I took to be Tom Lehrer, adorned with devil's
horns an
Bill Gross
To: The Horn List
Sent: Saturday, August 8, 2009 8:17:49 AM
Subject: RE: [Hornlist] Re: Recording (NHR)
Just back from the subvault under Jack Benny's the recoding I have is a 10"
LP. The jacket has no indication of who released it. There is a note that
reads, "Copies o
rbert Foster
Sent: Saturday, August 08, 2009 7:35 AM
To: The Horn List
Subject: Re: [Hornlist] Re: Recording (NHR)
Since my interest is more technical, the first Google hit I got was
wackypedia:
http://en.wikipedia.org/wiki/Nikolai_Lobachevsky
He was a famous mathematician.
I am impressed that you
___
From: "Glick, Ed"
To: The Horn List
Sent: Friday, August 7, 2009 10:32:07 PM
Subject: RE: [Hornlist] Re: Recording (NHR)
I don't recall "Boulder, Boulder". but I think it's possible that he made
another recording at a later date. The recor
half Of
Glick, Ed
Sent: Friday, August 07, 2009 9:32 PM
To: The Horn List
Subject: RE: [Hornlist] Re: Recording (NHR)
I don't recall "Boulder, Boulder". but I think it's possible that he made
another recording at a later date. The recording I made was in 1953. The 10"
d be smart and googled "Lobachevsky, hoping to find out
something about Lobachevsky. I quit after finding 20 pages just of Lehrer's
"Lobachevsky" song. There were many more.
-Original Message-
From: horn-bounces+glick=unt@music.memphis.edu
[mailto:horn-bounces+
s.edu] On Behalf Of
> Richard V. West
> Sent: Friday, August 07, 2009 5:21 PM
> To: The Horn List
> Subject: Re: [Hornlist] Re: Recording
>
> Hey, I'm impressed! In my youth (just a few years younger than you, Ed),
> Lehrer was the MAN! "I hold your hand in mine dear
] On Behalf Of
Richard V. West
Sent: Friday, August 07, 2009 5:21 PM
To: The Horn List
Subject: Re: [Hornlist] Re: Recording
Hey, I'm impressed! In my youth (just a few years younger than you, Ed),
Lehrer was the MAN! "I hold your hand in mine dear, though you are far
away" Ah, th
Hey, I'm impressed! In my youth (just a few years younger than you, Ed),
Lehrer was the MAN! "I hold your hand in mine dear, though you are far
away" Ah, the beauty of it all.
Richard in Seattle
Glick, Ed wrote:
Incidentally, although I'm sure you're younger than I am (83 - me, not you),
riginal Message
Subject: RE: [Hornlist] Re: Recording
From: "Glick, Ed"
Date: Mon, August 03, 2009 11:52 am
To: The Horn List
Incidentally, although I'm sure you're younger than I am (83 - me, not
you), but you may be of the generation that heard (or heard of) the
rec
Howard Sanner
Sent: Monday, August 03, 2009 1:16 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Recording
Quoting Ed Glick:
>
> I went to your website and saw the picture of the Ampex 200 at the top. I k=
> now that the newer recorder we had with 15/7.5 speeds) was a 300. I'
Quoting Ed Glick:
I went to your website and saw the picture of the Ampex 200 at the top. I k=
now that the newer recorder we had with 15/7.5 speeds) was a 300. I'm wonde=
ring if the earlier one (30/15 ips) was a 200. It's been a long time (since=
1951) but I remembered that both recorders lo
..@music.memphis.edu] On Behalf Of Howard Sanner
Sent: Sunday, August 02, 2009 7:52 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Recording
Quoting Ed Glick:
>
> If you'll remember, the Ampexes were about the size of a washing machine.
I have no trouble remembering. I can to
Quoting Ed Glick:
If you'll remember, the Ampexes were about the size of a washing machine.
I have no trouble remembering. I can touch an Ampex 351-2 from where I
sit typing this.
The two recordings of the Bach "little" fugue in G minor linked at the
bottom of
http://www.ampexguy.com/
rders.
Ed
-Original Message-
From: horn-bounces+glick=unt@music.memphis.edu [mailto:horn-
bounces+glick=unt@music.memphis.edu] On Behalf Of Howard Sanner
Sent: Friday, July 31, 2009 4:44 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Recording
Quoting Allen Smithson:
Hello All,
ze audio recorders.
Ed
-Original Message-
From: horn-bounces+glick=unt@music.memphis.edu
[mailto:horn-bounces+glick=unt@music.memphis.edu] On Behalf Of Howard Sanner
Sent: Friday, July 31, 2009 4:44 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Recording
Quoting Allen Smith
--Original Message--
From: wells123...@juno.com
Sender: horn-bounces+hornboy101=gmail@music.memphis.edu
To: horn@music.memphis.edu
ReplyTo: The Horn List
Subject: [Hornlist] RE: Recording
Sent: Jul 31, 2009 11:40 AM
I use a digital Olympus voice recorder. I bought mine at Radio Shack
Quoting Allen Smithson:
Hello All,I'm currently shopping for a recording device so I can
quickly listen to practice sessions, lessons, auditions, and so on.
You can read my answer to this question at:
http://www.ampexguy.com/horn/rectips/rectips.html
You may have to copy and paste the UR
I use a digital Olympus voice recorder. I bought mine at Radio Shack. The
replay sound isn't the greatest, but sounds pretty good if I connect it to my
stereo or use ear phones. It's adequate to help me improve certain aspects of
my playing. For example, I used to have a bad habit of inhalin
Greg replied:
Now don't get ahead of yourself. You'll have to wait another year for
"French Horn Hero 2: Hottest Mellophone Party" just like everyone else.
is that like the Girls gone wild videos? I sure hope so! Boy, oh boy! Topless
female Mellophone players marching and playing the "Long Call
lewho...@yahoo.com wrote:
Now that's a video game that I'd gladly waste time playing!
Kendall, will the Good Professor market it on late night TV and sell
it for $19.95 plus shipping and handling? If one orders quickly, will
they get the Mellophone Marching Band version as an added bonus? I
can
them thar
Mellophones.
Wat Lewis
Sent from my Verizon Wireless BlackBerry
-Original Message-
From: kendallbe...@aol.com
Date: Mon, 23 Feb 2009 17:02:29
To:
Subject: [Hornlist] Re: Recording Techniques
Thanks for your input, Jeremy.
I must respectfully disagree, though, with your
Thanks for your input, Jeremy.
I must respectfully disagree, though, with your assertion that hacks can't
make "good" recordings. I've heard and worked with many so-called "artists"
both pop and classical whose live playing or singing did not live up to their
recordings. I've been on man
I heard that yelled at Ormandy a few times followed by a direct object.
KB
In a message dated 2/23/2009 1:02:15 P.M. Eastern Standard Time,
horn-requ...@music.memphis.edu writes:
date: Sun, 22 Feb 2009 17:49:48 -0600
from: Richard
subject: [Hornlist] Recording story
Joe Scarpelli r
Yesterday, I wrote:
< I'm just saying that you oughtn't fret over whether or not you have a
"good"
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
before he died at age 93.
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Peter Hirsch
Sent: Monday, October 09, 2006 9:03 PM
To: horn@music.memphis.edu; [EMAIL PROTECTED]
Subject: [Hornlist] Re: recording of Franz Stra
Mark,
This is the link to the 4 recordings carried by ArkivMusic.
http://www.arkivmusic.com/classical/albumList.jsp?name_id1=11680&name_role1=1&comp_id=49979&bcorder=15
I have heard them and they are all at least competent. Frankly, when you
are talking about a piece like this, there is really
Check out my recording of this work (and all of the other of his works for horn
and piano published during his lifetime) at
http://www.public.asu.edu/~jqerics/Les_Adieux.htm
John
+
Dr. John Ericson, horn
Arizona State University
www.hornarticles.com
>message: 8
>date: Sun,
On Jul 31, 2006, at 10:32 PM, Linda wrote:
Please, please, please don't rely on Google to find out information
about recording orchestras and horns... There is so MUCH bad
information
floating around on the net, it's hard to sort out the good from the
band
and the ugly!
I loved this quo
·'´)
«´.¸¸LACORNISTA¸¸.·`»
(¸.·'´(¸.·'´ ~ `'·.¸)`'·.¸)
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Jeremy Cucco
Sent: Sunday, July 30, 2006 15:33
To: horn@music.memphis.edu
Subject: [Hornlist] RE: Recording
Please, please, please don't rely on Google to f
Jeremy Cucco opines:
>
For all of you who are microphone savvy and are surprised at my obvious
omission of perhaps the most famous microphone company, Neumann - this
omission was intentional. I find most of the Neumann microphones of
today to be flawed, overpriced and hyped.
A man after my
~~~~
message: 6
date: Sat, 29 Jul 2006 18:52:08 -0400
from: "Steve Freides" <[EMAIL PROTECTED]>
subject: RE: [Hornlist] Re: Recording
Linda wrote:
> -Original Message-
On Behalf Of Donald J. Ankney
> On Jul 22, 2006, at 10:00 AM, [EMAIL PROTECTED]
Linda wrote:
> -Original Message-
On Behalf Of Donald J. Ankney
> On Jul 22, 2006, at 10:00 AM, [EMAIL PROTECTED] wrote:
>
> >>snip
>
> ...That being said, you also have to invest in serious mics
> and especially mic pre-amps to capture that signal.
>
> >>snip
>
> In the light of the
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Donald J. Ankney
Sent: Saturday, July 22, 2006 13:31
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Recording
On Jul 22, 2006, at 10:00 AM, [EMAIL PROTECTED] wrote:
>>snip
...That being said, yo
y great musicians running around
on that board.
Enjoy -
Jeremy
~~~
message: 1
date: Sat, 22 Jul 2006 10:31:08 -0700
from: "Donald J. Ankney" <[EMAIL PROTECTED]>
subject: [Hornlist
Howard Sanner said:
message: 2
date: Fri, 21 Jul 2006 17:40:48 -0400
from: Howard Sanner <[EMAIL PROTECTED]>
subject: [Hornlist] RE: Recording
Peter Hirsch says:
I have purchased 2 Marantz PMD (Models 660 and 670)units over the last
couple of years and am quite happy with their ease
On Jul 22, 2006, at 10:00 AM, [EMAIL PROTECTED] wrote:
If I were getting
something new today, I'd look, at least, for 24 bit sample size, and
probably also for 88.2 KHz or 96 KHz sampling rate. The longer sample
size makes setting levels less critical.
A friend whose opinion I respect (and w
Peter Hirsch says:
I have purchased 2 Marantz PMD (Models 660 and 670)units over the last
couple of years and am quite happy with their ease of use and quality of
recording.
The thing that bothers me about these Marantz units is that for
uncompressed audio they do 16 bit, 44.1 KHz (CD stand
folder.asp?FolderID=3629&CatID=18&SubCatID=169
http://www.d-mpro.com/users/folder.asp?FolderID=1582&CatID=18&SubCatID=169
Peter Hirsch
>message: 12
>date: Wed, 19 Jul 2006 20:18:23 -0400
>from: Howard Sanner <[EMAIL PROTECTED]>
>subject: [Hornlist] RE: Recording
Joni Rice wonders:
>
Where did you happen to buy this recorder, and what model # is it. I am looking
for something similar to record myself and my trio for a college project.
Thanks!
I have gotten all my minidisc equipment and supplies from
http://www.minidisco.com
I have no affili
Just a quick note -
Minidisc recorders are actually pretty cool for what they are, but there
are better things out there for around the same $$ which are even
better. Case in point, the Maudio MicroTrack (link to Sweetwater who
sells this in the states -
http://www.sweetwater.com/store/detail/Mi
Bill B wrote
I don't recall that short coming on my Sony Mini disc, but mine is so
old, one of the very first and much bigger, I've been told they they
only made a few of them and that it is more of a prototype. I use a
fairly good stereo condenser mic mounted on a golf ball retriever that
lets
l 2006 10:49 AM
Subject: [Hornlist] Re: recording level
Howard Sanner wrote:
> Now for the important question: Can you adjust the recording level
>on your Sony minidisc machine without putting it in pause? Mine,
>several years old now, I like quite a lot, with the glaring
>exception of th
At 07:49 PM 7/17/06 +0200, Daniel Canarutto wrote:
>In fact I did remember, from older posts, about that Sharp/Sony
>difference, and asked the shop: but they told me that the Sharp was
>out of production (maybe they just didn't have it).
I believe this is correct. Sharp has gotten out of MD alt
>= Original Message From The Horn List =
[snip]
>In fact I did remember, from older posts, about that Sharp/Sony
>difference, and asked the shop: but they told me that the Sharp was
>out of production (maybe they just didn't have it).
They are out of production, AFAIK. Minidisc now appear
Howard Sanner wrote:
Now for the important question: Can you adjust the recording level
on your Sony minidisc machine without putting it in pause? Mine,
several years old now, I like quite a lot, with the glaring
exception of that. Which is why I bought a Sharp.
Well, for the moment I c
There are also good, college-level textbooks about how to make
recordings. One is John Eargle's Recording Engineering Handbook,
which has been through three or four editions by now. These books
cover more than classical music, more recent editions including
how to do surround sound for video,
First, a little background about myself. I've been making
recordings since about 1967. When I was in school I had a small
business recording recitals, audition tapes (we used tape in
those days ), and the like. My most recent recording was an
audition CD for the Cleveland Orchestra. ("My" guy
use missing the basic technique of the horn & of
the music.
=
-Ursprüngliche Nachricht-
Von: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Im
Auftrag von germania
Gesendet: Samstag, 31. Mai 2003 16:05
An: [EMAIL PROTECTED]
Betreff: [
I hate to say it, but I always thought that I was not that great of a
player, just determined. Then when I needed to make a recording for some
summer camps I was pleasantly surprised that on 15-20yr old recording
equipment my tone was fantastic, even though the speakers vibrated like a
snare drum o
Sorry, Jay, I understood it right that way. As a pro I must be more sensitive than
others anyway. If there were big differences, they could never for an ensemble, but I
have seen so many "individualists" recently even in big orchestras, that I began to
doubt, if they really understood "ensemble
Perhaps the confusion is regarding the American (English?) idiom -
"not on the same page"
In this instance I think that Steve meant that the musicians have minor
differences about phrasing, interpretation, etc. - not that the musicians
have big differences, or lack of ability.
Listening to a rec
Sorry, Steve, my bloodpressure is lower than most expect, otherwise I could not do
Siegfried etc. And I am not yelling, as you suppose, when I say something absolutely
true. I just wonder about the "very curious" advise often given by people who have
zero ideas about real professional horn playi
Hans wrote:
> You have quite strange views about the reality of a professional musicians =
> life. If they are not on the same page, as you said, they can NEVER
perform=
> at that great level as Canadian or Empire Brass. AND FOR THE RECORDINGS.
T=
> HERE IS ALSO A PRODUCER; WHO CAN READ MUSIC
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