[EMAIL PROTECTED] wrote:
When I descend on a g scale from space above staff, I feel like I
would like to reposition my lips around the d. Should this be done,
or do you need to play through it with air?
Different teachers have different opinions on this.
In Randy Gardner's book _Mastering
On the other hand, Arnold Jacobs taught that there is nothing wrong with
some repositioning. Concentrate on the quality of sound, and if you need to
make some changes, particularly in extreme tessituras - high or low, do so.
Try to be minimally disruptive to yourself. When he played in the area
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