.
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Simon Varnam
Sent: Tuesday, January 16, 2007 10:56 AM
To: horn@music.memphis.edu
Subject: [Hornlist] RE: Thoughts
:30 PM
To: The Horn List
Subject: RE: [Hornlist] RE: Thoughts on lip trills
At this very moment I am listening to the German Natural
Horn Soloists. A written E-F trill has been performed
beautifully. That was no machine trill.
What those guys do on natural horns, most of us only wish we
could
.
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Simon Varnam
Sent: Tuesday, January 16, 2007 10:56 AM
To: horn@music.memphis.edu
Subject: [Hornlist] RE: Thoughts on lip trills
As a relative newcomer to Kopprasch
AM
To: The Horn List
Subject: RE: [Hornlist] RE: Thoughts on lip trills
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
Behalf Of
Simon Varnam
Sent: Tuesday, January 16, 2007 9:56 AM
To: horn@music.memphis.edu
Subject: [Hornlist] RE: Thoughts on lip trills
But how, Jonathan, about the half step, written e - f
Where in the literature ?
Doesn't matter. As the purpose of the etude is to practice lip trills
between a range of adjacent harmonics, the fact that the f is out of tune
isn't of all that great importance, though if you can manage a
Hi Simon,
Barry Tuckwell's (see my previous post for the ISBN # as well as the
publisher's information) book has a very good chart with fingering
combinations. While they are not the last word, they are an excellent
starting point.
Whenever possible, I try and play lip trills on the F
Hello Wendell,
Thank you for your insights. I'm gratified that the thread has
stimulated some discussion on this topic.
Written Tutors:
-in addition to the Farkas book, Barry Tuckwell's book has a good
explanation, as well as a small selection of exercises. (My previous
post has the
Why no mention yet of the non-accelerating method of learning lip
trill? I didn't learn it that way so I can't vouch for it, but it seems
reasonable, and after learning to trill it is a nice refresher. It
involves playing the basic slur at full speed from the start, but then
increasing the
PROTECTED] On Behalf
Of hans
Sent: Tuesday, January 16, 2007 8:14 AM
To: 'The Horn List'
Subject: RE: [Hornlist] RE: Thoughts on lip trills
Alternated fingering would not be of any good help for an
half step lip trill. It is not within the normal compass of
the harmonics to provide any opportunity
]
[mailto:[EMAIL PROTECTED] On
Behalf Of martin bender
Sent: Tuesday, January 16, 2007 5:33 PM
To: The Horn List
Subject: Re: [Hornlist] RE: Thoughts on lip trills
Hi Simon,
Barry Tuckwell's (see my previous post for the ISBN # as
well as the publisher's information) book has a very good
chart
-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Simon Varnam
Sent: Wednesday, January 17, 2007 5:04 AM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Thoughts on lip trills
Thanks for all the replies to my badly phrased question.
Jonathan West saw through to the point
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