M. Elizabeth Fleming wrote:
Prior to orchestra rehearsal today, I was approached by a conducting
student with a question in regards to a particular notation in the
Ravel orchestration of /Pictures at an Exhibition/:
In the first movement, meaning Gnomus, there is an indication in
the second
Are there any Rauch Model 1 owners out there who have some insight
as to the differences between Rauch's standard model 1 pipe and his
model G pipe with regard to the effects on playing and sound, and
also technical knowledge? Thank you!
Aleks Ozolins
I don't know if my Rauch is Model 1 or
On Sep 25, 2007, at 11:39 PM, [EMAIL PROTECTED] wrote:
message: 1
date: Tue, 25 Sep 2007 12:55:02 -0500
from: Beth Duhon [EMAIL PROTECTED]
subject: [Hornlist] B-flat or F fingerings in the low register
With the recent activity on the list, I'm a little scared to post
but here
goes...
Greg Campbell wrote:
Real height meaning that it's new notation bass clef.
I guess old notation bass clef is wrong height since it's written an
octave too low.
They're both wrong, aren't they? One by 4 notes, the other by 5?
___
post:
To those who have received the DVD:
The glitch in the bonus2 (my own Beethoven Sonata) is not a
production failure but it is from the original recording. To
cut it out, would have shifted the whole synchronity between
picture sound, so I left it, as all my own recordings are
unedited absolutely
Jerry Houston wrote:
Greg Campbell wrote:
Real height meaning that it's new notation bass clef.
I guess old notation bass clef is wrong height since it's written an
octave too low.
They're both wrong, aren't they? One by 4 notes, the other by 5?
I forgot to add that, except
Thanks for the recommendation, Eldon.
I couldn't find a picture on the site.
Is this the kind that usually sends air through the horn but leaks if
you press too hard, or does it leak all the time?
Simon
On 2007/09/26, at 15:39, [EMAIL PROTECTED] wrote:
message: 15
date: Tue, 25 Sep 2007
Sorry about the vacation message autoreply if it went through to the list.
Right after I set the message, I got hornlist messages. I've disabled my
hornlist messages until my return.
Linda
(`'·.¸(`'·.¸ ~ ¸.·'´)¸.·'´)
«´.¸¸LACORNISTA¸¸.·`»
(¸.·'´(¸.·'´ ~ `'·.¸)`'·.¸)
Jonathan West wrote:
On 25/09/2007, Steve Freides [EMAIL PROTECTED] wrote:
I
know my son's teacher wanted him to learn a single fingering for every note
on the horn to avoid confusion.
Unless there is more to it than you have described here, I would
respectfully suggest that the
When I was in college and studying with Nolan Miller of the
Philadelphia orchestra, I would sometimes stumble when playing
because, knowing and using all the available fingerings, I would
freeze trying to pick the right one, even after practicing a piece
numerous times. His recommendation was to
Dear Hornlisters:
Since I don't teach many beginners I can only go from my own experience.
I played school horns--a single F in 6th and 7th grades and then a Conn 6D in
8th grade (only using F fingerings!) and at that point was playing from
Pottag-Hovey Book 2 and Mozart 3rd Concerto. I
Use the Double Horn as one instrument regardless of
which side you use more.
There are some determining factors that may influence
your choice at any given moment or any given note or
series of notes together.
1. Sound
2. Register
3 Projection requirements
4. Blending
5. Intonation
6.
Jerry Houston wrote:
Greg Campbell wrote:
I guess old notation bass clef is wrong height since it's written an
octave too low.
They're both wrong, aren't they? One by 4 notes, the other by 5?
right!
___
post: horn@music.memphis.edu
unsubscribe
Hi everyone,
Just a reminder about our inaugural Delaware Horn Day next Saturday, October 6,
featuring Julie Landsman, Principal Horn of the Metropolitan Opera and horn
faculty member of?the Juilliard School.
Delaware Horn Day begins at 9 a.m., Saturday, October 6 at the Amy E. DuPont
Music
Hello again,,
Correct online registration and information address for Delaware Horn Day is:
http://music.udel.edu/faculty/smithjd/?
In case you missed the original posting, I repeat it below (with correct online
address)
Jonathan. Not just for for purposes of improved tuning or
special effects, but to correct intonation (in case you
play together with Bb-instruments for certain chords, you
must stay on the Bb-side), to ease fingerings, to get an
easier forte attack in the low (using Bb-fingerings), to
smooth a
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