Please, I beg you, let this thread DIE! It has overrun it's useful life!!
LOL!!!
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I predict it would sound 'flat'.
-Original Message-
From: [EMAIL PROTECTED]
To: horn@music.memphis.edu
Sent: Sun, 29 Apr 2007 10:49 AM
Subject: RE: [Hornlist] RE: The preferred tone/sound these days?
If a tree falls on an 8D in the forest, and no horn jocks are around
to hear
If a tree falls on an 8D in the forest, and no horn jocks
are around to hear it, does it's sound have more 'core' than a Geyer?
This is way to ambiguous for me Do you mean more core than a Geyer
falling on an 8D or than a tree falling on a Geyer? And does it have to be a
real Geyer or
dat's da problem..too much thought. Ahhthe nebulous concept of the 8D
'core'...
Dennis Herrick [EMAIL PROTECTED] wrote:
If a tree falls on an 8D in the forest, and no horn jocks
are around to hear it, does it's sound have more 'core' than a Geyer?
This is way to ambiguous for
If horn jocks would spend less time talking incessantly about how they
shoulda/woulda/coulda sound, and more time listening and playing, maybe they
would become something greater than a horn jock-- maybe even develop the
ability to transcend the limitations of their musical voice (in this
: The preferred tone/sound these days?
This entire discussion is getting pretty boring.
The goal of any artist musician is to convey emotional images in sound.
To convey a message to the listener.
To effectively accomplish this one has to know much about the musical
intentions of the composer
.
- Original Message -
From: [EMAIL PROTECTED]
To: horn@music.memphis.edu
Sent: Sunday, April 29, 2007 12:41 AM
Subject: Re: [Hornlist] RE: The preferred tone/sound these days?
This entire discussion is getting pretty boring.
The goal of any artist musician is to convey emotional images in sound
, April 29, 2007 8:58 AM
To: The Horn List
Subject: Re: [Hornlist] RE: The preferred tone/sound these days?
Corno911 asked:
Would you enjoy looking at an artists paintings who only used one color of
paint?
It dependsAnsel Adams comes to mind.
Paul T.
- Original Message -
From: [EMAIL
: [Hornlist] RE: The preferred tone/sound these days?
BUZ!
Wrong answer, but thank you for playing. Ansel Adams excelled in the
realm
of shades of grey. He was not monochromatic but used the varying tones
in
both black and white.
-Original Message-
From: [EMAIL PROTECTED]
[mailto
, 2007 12:05 PM
Subject: RE: [Hornlist] RE: The preferred tone/sound these days?
BUZ!
Wrong answer, but thank you for playing. Ansel Adams excelled in the
realm
of shades of grey. He was not monochromatic but used the varying tones
in
both black and white.
-Original Message
thing!
Paul T.
- Original Message -
From: [EMAIL PROTECTED]
To: horn@music.memphis.edu
Sent: Sunday, April 29, 2007 12:41 AM
Subject: Re: [Hornlist] RE: The preferred tone/sound these
days?
This entire discussion is getting pretty boring.
The goal of any artist musician is to convey
Someone said sound doesn't matter any more. If that's the case, I'll listen
to the old recordings. I feel sound is a big part of the equation.
Ron
** See what's free at http://www.aol.com.
___
post:
joey horn guy wrote:
If a tree falls on an 8D in the forest, and no horn jocks are around
to hear it, does it's sound have more 'core' than a Geyer?
fish
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In a message dated 4/29/07 8:59:16 AM, [EMAIL PROTECTED] writes:
It dependsAnsel Adams comes to mind.
Might be a good time to take another look at Ansel Adams work -- black,
white, and innumerable shades of gray.
Paul N.
**
See what's free at
[EMAIL PROTECTED] wrote:
Might be a good time to take another look at Ansel Adams work --
black,
white, and innumerable shades of gray.
Yeah, take a really _close_ look, and you'll see tiny black dots on a white
paper background.
___
post:
:[EMAIL PROTECTED] On Behalf Of
Jerry Houston
Sent: Sunday, April 29, 2007 5:28 PM
To: The Horn List
Subject: Re: [Hornlist] RE: The preferred tone/sound these days?
[EMAIL PROTECTED] wrote:
Might be a good time to take another look at Ansel Adams work --
black,
white, and innumerable shades
Paul The Enforcer Navarro wrote:
This entire discussion is getting pretty boring.
Now, I must make the mostest of agreements that this has many, many, many
truths to it, and we certainly have the mostestest of truths in the mostestest
of obvious of ways to us all that the horn sound
]
subject: RE: [Hornlist] RE: The preferred tone/sound these days?
Hello Jeffrey, I agree with you, but I would even go
further. Too many players today produce just an acoustical
event, but no tone, no special tone, no personal tone, not a
beautiful tone, just a colorless more or less intonated
This entire discussion is getting pretty boring.
The goal of any artist musician is to convey emotional images in sound.
To convey a message to the listener.
To effectively accomplish this one has to know much about the musical
intentions of the composer and then do their best to bring these
Nobody cares about tone these days. The only thing that matters is to not
miss notes. Actually, that's not such a bad thing in itself, I think it was
Phil Farkas who said after you miss a certain number of notes, it ceases to be
espressivo.
I do know of more than one top US orchestra
).
Jeff Carter
-Original Message-
From: [EMAIL PROTECTED] on behalf of [EMAIL PROTECTED]
Sent: Fri 4/27/2007 4:48 PM
To: horn@music.memphis.edu
Subject: [Hornlist] RE: The preferred tone/sound these days?
Nobody cares about tone these days. The only thing that matters is to not
miss
Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Carter, Jeffrey
Sent: Friday, April 27, 2007 11:57 PM
To: The Horn List
Subject: RE: [Hornlist] RE: The preferred tone/sound these
days?
I think that as long as the tone does not take away from the
musical message
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