Hi.  I've added the just-received Austrailia story as neither the LA nor
NY Times has yet carried it.  And it's very important, contrary to what
the AP reporter writes.  The entire US project in Asia, east and west
will be critically evaluated by the labor party, from impending attack
on Iran to blind support for the Israeli occupation by Howard.  The
new Prime Minister, Kevin Rudd, is just that , not President, and
serves the judgment and the pleasure of Labor MP's and their party.
Ed

From: All the News That Doesn't Fit <[EMAIL PROTECTED]>
Subject: [NYTr] Landau: Norman Mailer Will Not R.I.P.:

[Landau on "Harlot's Ghost," the Mailer novel much neglected in the
recent obits, as well as other works and some political and
personal realities about Norman Mailer left unsaid, perhaps as too
indelicate, in all those  lavish tributes. An intelligent and honest
piece. -NY Transfer]

Progreso Weekly - Nov 22, 2007
http://progreso-weekly.com/index.php?option=com_content&task=view&id=242&Itemid=1

Norman Mailer Will Not R.I.P.

By Saul Landau

As a teenager, I learned to appreciate fiction by reading "The Naked
and the Dead." High school teachers force fed us "The Odyssey" and "The
Iliad" and other 'classics,' but Mailer gave teenage boys thirsty for
sex and violence (vicariously, of course) a reason to read.

In the 1960s, Mailer turned anti-war activist and reporter. Not all his
books succeeded in achieving the literary excellence he demanded, but
he retained his courage and determination to express ideas about
subjects most writers avoid.

In his personal life he often behaved like an immature,
publicity-seeking asshole, picking fights and causes without thought.
In that sense he also represented a large stain and strain of American
life. His death at 84 represents a loss of a national treasure.

The obituaries on Norman Mailer offer little or no space to his
literary contribution that offers unique insight into the Cold War.
"Harlot's Ghost" explored the U.S.-Soviet clash as no historian or
sociologist dared -- or had the capacity to probe.

By using Herrick "Harry" Hubbard, a CIA officer, as his protagonist who
somehow finds himself present at CIA designed coups, failed invasions
(Bay of Pigs) and other Cold War milestones, Mailer explores the real
life acting company that played its parts in the four decade long drama
of the late 20th Century, a group of spiritually agitated -- even bored
-- Nabobs and lower class types they were forced to acquire acting out
a dangerous high stakes game. Like their playboy ancestors in
Fitzgerald's "The Great Gatsby," these capricious and irresponsible
adult brats, who eschewed concepts like patriotism and loyalty, thought
to satisfy their whims by playing Cold War on the world stage.

Mailer, through fiction, showed the ridiculous world of the Ivy League
preachers and professors, the sons and daughters of old wealth, who
wrote the script for the supposed clash of Mammoth Powers. The United
States has not had a rival since England. It created the Soviet Union
as a super power in order to play the most exciting game in all of
history, one that became downright frightening in 1949 when the Soviets
achieved nuclear weapons.

The Soviets possessed nothing but those weapons to challenge U.S.
power. They never developed a viable economy; nor did they achieve the
ability to export a competitive culture -- a la Hollywood and Madison
Avenue. Imagine, Soviets programming TV and radio stations and trying
to offer fare equal to 24/7 shopping, flesh almighty and bang bang bang!

Mailer begins his novel in the early 1980s. He picks up from F. Scott
Fitzgerald in describing the wealthy and irresponsible WASPs in New
England, a man with a solid reputation, a pedigreed wife (at home) and
an equally aristocratic, but much hotter mistress -- his cousin no less.

Harry's godfather and guru, Harlot, has apparently blown himself away
-- like some real CIA bigwigs did. In this case, the dead man
represented counterintelligence. But, like several CIA hotshots, he may
have been a KGB mole. Indeed, his death might also fall into the realm
of cloak and daggerdom.

Harry's wife, Kittredge, once Harlot's femme fatale, has been bonking
Harry's CIA pal and sometimes foe, Dix Butler. Dix adores criminal
behavior and will commit almost any bizarre act to make money --
including assassinate his wife. Mailer?s characters covering walk in
and out of episodes that cover decades of personal and national
misalliances and betrayals. At each turn, the reader finds the leaders
of U.S. 'intelligence? to lack any ideological foundation except to
their own capricious pleasures.

The top CIA dogs in the book helped create the myth of Soviet power
while politicians and media flaks sold their bullshit to the public.
Mailer explores major CIA fiascos carried out in the name of advancing
freedom or gathering advantages in the Cold War: In the 1950s, they dug
the Berlin Tunnel under KGB headquarters only to discover they had
fallen into a KGB trap; they launched the invasion of Cuba after
convincing themselves Cuba would fall like Guatemalan President Arbenz
did in 1954 in a similar 'invasion.' The inventors of these plans
really don't care about consequences -- then or now. Mailer also
explores assassination plots -- and the bizarre set of assassins the
Agency chose -- to kill Castro.

We meet the top dogs, like Allen Dulles and the psychopathic planners
of hits, like, E. Howard Hunt. The history of the CIA is after all the
abbreviated nuts and bolts of Cold War history.

The characters playing the lead roles are seriously disturbed. A CIA
psychologist plays with deadly drugs and studies the psychic processes
by which covert ops adapt to multiple identities -- all this nonsense
in the name of defending freedom.

The WASPS who lead the adventurous game know the Soviets pose no
threat. When Harry, the eager young CIA op discovers that the Soviets
never adjusted their railroad gauges to coincide with those of Eastern
Europe, thus making impossible a notion of supplying troops invading
Western Europe, his superior tells him not to report that information.
If the public should get wise that the CIA and its political and media
cohorts had invented the 'Soviet threat' to attack the West, the Cold
War would end -- and with it the grand adventure. The mass media never
reported this 'little fact.' Imagine pubic reaction to a report that
the supposed Soviet attack plan against the West required supplies for
its armies to stop at the Eastern Europe borders, get unloaded onto
trucks and then reloaded onto different trains! Hardly a scenario for
lightning surprise attack!

The gurus of Mailer?s great game are Protestant ministers, literature
professors, rock climbing addicts and practitioners of sexual
perversity -- much like the old European aristocracy for whom old
fashioned sex had become a yawn.

Mailer had previously reported on the Vietnam War, spoken at anti-war
demonstrations and wrote an allegorical novel ("Why Are We In Vietnam?")
using a group of Texans hunting grizzly bears in Alaska as his metaphor
for U.S. engagement in Southeast Asia. Americans hunt whatever happens
to be around, the novel suggests. Vietnam presented the leading hunters
(Presidents) with a chance to seek a new kind of prey. And they use
technology to achieve their success: helicopters to help them find and
destroy the bears. Yet, there is a trace of admiration, even longing in
Mailer?s often comic descriptions of the super macho characters. This
short but pugnacious Jewish intellectual wanted to be a tough guy, and
when he tried to be one at cocktail parties or luncheons, he invariably
made a fool of himself. And his behavior found its way into the media.

His bad boy image, however, didn?t stop Mailer from expressing his
insights into the real tough guys, the killers who didn?t seem to
possess a soul, who could not be explained by poverty or parental
abuse. Such a character, Gary Gilmore, became central in "The
Executioner's Song," where Mailer paints an original picture of what
Joan Didion called "that vast emptiness at the center of the Western
experience, a nihilism antithetical not only to literature but to most
other forms of human endeavor, a dread so close to zero that human
voices fadeout, trail off, like skywriting." (New York Times, October
7, 1979)

Mailer writes a painful sketch of Gary Gilmore, the murderer. He offers
a detailed sociological fact sheet on Mormon passivity in the face of a
killer in their midst. He analyzes and explains the absurdities of the
police and legal system before a person gets executed.

Mailer tackled the big issues: war, corruption, hypocrisy at the
highest levels.

He also loved publicity and the art of coining the perfect phrase. He
was homophobic and misogynistic. Indeed, Mailer never learned to
portray women in a realistic dimension. He clearly didn't understand
them; not a comment on his six wives.

Mailer understood American duplicity, the fog of religious-based
freedom rhetoric that covers the most devious political behavior. He
also understood the banality that marries heroism in war. In "The Naked
and The Dead" the six remaining platoon members share a mission. A Jew,
some non Jews and a few anti-Semites, some learned and some ignorant,
all share the same horrid conditions on a Pacific island. This is
Mailer's American democracy, the bonding of mismatches in battlefield
conditions. Equally American is the troops killing Japanese POWs and
stealing souvenirs from enemy corpses. They worry about their wives
screwing other guys while feeling a little uneasy about screwing other
women. Then, they discover their mission -- which killed more than half
of them -- meant absolutely nothing in winning the war. He could have
been writing about almost any war.

[Saul Landau is an Institute for Policy Studies Fellow and author of A
BUSH AND BOTOX WORLD, His new award-winning film is WE
DON'T PLAY GOLF HERE.]

***

http://www.guardian.co.uk/worldlatest/story/0,,-7100497,00.html

Labor Party Wins Big in Australia

By ROHAN SULLIVAN
AP Writer: Saturday November 24, 2007

SYDNEY, Australia (AP) - Labor Party leader Kevin Rudd swept to power in
Australian elections Saturday, ending an 11-year conservative era and
promising major changes to policies on global warming and his country's role
in the Iraq war.

``Today Australia has looked to the future,'' Rudd said in a nationally
televised victory speech, to wild cheers from supporters. ``Today the
Australian people have decided that we as a nation will move forward ... to
embrace the future, together to write a new page in our nation's history.''

The win marked a humiliating end to the career of outgoing Prime Minister
John Howard, who became Australia's second-longest serving leader - and who
had appeared almost unassailable as little as a year ago.

In a nationally televised concession speech, Howard announced he had phoned
Rudd to congratulate him on ``a very emphatic victory.''

``I accept full responsibility for the Liberal Party campaign, and I
therefore accept full responsibility for the coalition's defeat in this
election campaign,'' Howard said.

Howard also admitted he was likely to lose his seat in Parliament, becoming
only the second sitting prime minister in 106 years of federal government to
do so.

Official figures from the Australian Electoral Commission showed Labor well
ahead with more than 70 percent of the ballots counted. An Australian
Broadcasting Corp. analysis showed that Labor would get at least 81 places
in the 150-seat lower house of Parliament - a clear majority.

ABC radio reported that Howard aides said the prime minister had phoned Rudd
to concede defeat. Rudd was expected to formally claim victory later
Saturday.

The change in government from Howard's center-right Liberal-National Party
coalition to the center-left Labor Party also marks a generational shift for
Australia.

Rudd, a 50-year-old former diplomat who speaks fluent Chinese, urged voters
to support him because Howard was out of touch with modern Australia and
ill-equipped to deal with new-age issues such as climate change.

Howard campaigned on his economic management, arguing that his government
was mostly responsible for 17 years of unbroken growth, fueled by China's
and India's hunger for Australia's coal and other minerals, and that Rudd
could not be trusted to maintain prosperous times.

Rudd said he would withdraw Australia's 550 combat troops from Iraq, leaving
twice that number in mostly security roles. Howard had said all the troops
will stay as long as needed.

However, a new government is unlikely to mean a major change in Australia's
foreign relations, including with the United States - its most important
security partner - or with Asia, which is increasingly important for the
economy.

But one of the biggest changes will be in Australia's approach to climate
change. Rudd has nominated the issue as his top priority, and promises to
immediately sign the Kyoto Protocol on greenhouse gas emissions.

When he does so, the United States will stand alone as the only
industrialized country not to have signed the pact.

Labor has been out of power for more than a decade, and few in Rudd's team -
including him - has any government experience at federal level. His team
includes a former rock star - Midnight Oil singer Peter Garrett - and a swag
of former union officials.

But analysts say his foreign policy credentials are impeccable, and that he
has shown discipline and political skill since his election as Labor leader
11 months ago.

Rudd's election as Labor leader marked the start of Howard's decline in
opinion polls, from which he never recovered.

Howard's four straight election victories since 1996 made him one of
Australia's most successful politicians. He refused to stand down before
this election - even after being urged to do by some party colleagues.
However, Howard earlier this year announced plans to retire within about two
years if he won the election.

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