http://www.nytimes.com/2008/07/06/opinion/06rich.html?th&emc=th

Wall-E for President

By FRANK RICH
NY Times Op-Ed: July 6, 2008

SO much for a July Fourth week spent in idyllic celebration of our country's
birthday. This year's festivities were marked instead by a debate -
childish, not constitutional - over who is and isn't patriotic. The
fireworks were sparked by a verbally maladroit retired general, fueled by
two increasingly fatuous presidential campaigns, and heated to a boil by a
24/7 news culture that inflates any passing tit for tat into a war of the
worlds.

Let oil soar above $140 a barrel. Let layoffs and foreclosures proliferate
like California's fires. Let someone else worry about the stock market's
steepest June drop since the Great Depression. In our political culture,
only one question mattered: What was Wesley Clark saying about John McCain
and how loudly would every politician and bloviator in the land react?
Unable to take another minute of this din, I did what any sensible person
might do and fled to the movies. More specifically, to an animated movie in
the middle of a weekday afternoon. What escape could be more complete?

Among its other attributes, this particular G-rated film, "Wall-E," is a
rare economic bright spot. Its enormous box-office gross last weekend
swelled a total Hollywood take that was up 20 percent from a year ago. (You
know America's economy is cooked when everyone flocks to the movies.) The
"Wall-E" crowds were primed by the track record of its creator, Pixar
Animation Studios, and the ecstatic reviews. But if anything, this movie may
exceed its audience's expectations. It did mine.

As it happened, "Wall-E" opened the same summer weekend as the hot-button
movie of the 2004 campaign year, Michael Moore's "Fahrenheit 9/11." Ah, the
good old days. Oil was $38 a barrel, our fatalities in Iraq had not hit 900,
and only 57 percent of Americans thought their country was on the wrong
track. (Now more than 80 percent do.) "Wall-E," a fictional film playing to
a far larger audience, may touch a more universal chord in this far gloomier
time.

Indeed, sitting among rapt children mostly under 12, I felt as if I'd
stepped through a looking glass. This movie seemed more realistically in
touch with what troubles America this year than either the substance or the
players of the political food fight beyond the multiplex's walls.

While the real-life grown-ups on TV were again rebooting Vietnam, the kids
at "Wall-E" were in deep contemplation of a world in peril - and of the
future that is theirs to make what they will of it. Compare any 10 minutes
of the movie with 10 minutes of any cable-news channel, and you'll soon be
asking: Exactly who are the adults in our country and who are the cartoon
characters?

Almost any description of this beautiful film makes it sound juvenile or
didactic, and it is neither. So I'll keep to the minimum. "Wall-E" is a
robot-meets-robot love story, as simple (and often as silent) as a Keaton or
Chaplin fable, set largely in a smoldering and abandoned Earth, circa 2700,
where the only remaining signs of life are a cockroach and a single green
sprout.

The robot of the title is a battered mobile trash compactor whose sole
knowledge of human civilization and intimacy comes from the avalanche of
detritus the former inhabitants left behind - a Rubik's Cube, an engagement
ring and, most strangely, a single stuttering VCR tape of "Hello, Dolly!," a
candied Hollywood musical from 1969. Wall-E keeps rewinding to the song that
finds the young lovers pledging their devotion until "time runs out."

Pixar is not Stanley Kubrick. Though "Wall-E" is laced with visual and
musical allusions to "2001: A Space Odyssey," its vision of apocalypse now
is not as dark as Kubrick's then. The new film speaks to the anxieties of
2008 as specifically as "2001" did to the more explosive tumult of its
(election) year, 1968. That's more than upsetting enough.

Humanity is not dead in "Wall-E," but it is in peril. The world's population
cruises the heavens ceaselessly on a mammoth luxury spaceship that it
boarded in the early 22nd century after the planet became uninhabitable. For
government, there is a global corporation called Buy N Large, which keeps
the public wired to umpteenth-generation iPods and addicted to a diet of
supersized liquefied fast food and instantly obsolete products. The people
are too bloated to walk - they float around on motorized Barcaloungers - but
they are happy shoppers. A billboard on the moon heralds a Buy N Large
outlet mall "coming soon," not far from that spot where back in the day of
"Hello, Dolly!" idealistic Americans once placed a flag.

And yet these rabid consumers, like us, are haunted by what paradise might
have been lost. How can they reclaim what matters? How can Earth be
recolonized? These questions are rarely spoken in "Wall-E," but are
omnipresent, like half-forgotten dreams. In this movie, a fleeting green
memory of the extinct miracle of photosynthesis is as dazzling and elusive
as the emerald city of Oz.

One of the great things about art, including popular art, is that it can hit
audiences at a profound level beyond words. That includes children. The kids
at "Wall-E" were never restless, despite the movie's often melancholy mood
and few belly laughs. They seemed to instinctually understand what "Wall-E"
was saying; they didn't pepper their chaperones with questions along the
way. At the end they clapped their small hands. What they applauded was not
some banal cartoonish triumph of good over evil but a gentle, if
unmistakable, summons to remake the world before time runs out.

You have to wonder what these same kids make of the political show their
parents watch on TV at home. The fierce urgency of now that drives "Wall-E"
and its yearning for change is absent in both the Barack Obama and McCain
campaigns these days.

For me, Mr. Obama showed signs of jumping the shark two weeks back, when he
appeared at a podium affixed with his own pompous faux-presidential seal. It
could have been a Pixar sight gag. In fact, it is a gag in "Wall-E," where,
in a flashback, we see that the original do-nothing chief executive of Buy N
Large (prone to pronouncements like "stay the course") boasted his own
ersatz presidential podium.
For all the hyperventilation on the left about Mr. Obama's rush to the
center - some warranted, some not - what's more alarming is how small-bore
and defensive his campaign has become. Whether he's reaffirming his
long-held belief in faith-based programs or fudging his core convictions
about government snooping, he is drifting away from the leadership he
promised and into the focus-group-tested calculation patented by Mark Penn
in his disastrous campaign for Hillary Clinton. Mr. Obama's Wednesday
address calling for renewed public service is unassailable in principle but
inadequate to the daunting size of the serious American crisis at hand. The
speech could have been - and has been - delivered by any candidate of either
party in any election year since 1960.

What Mr. Obama has going for him during this tailspin is that his opponent
seems mortifyingly out-to-lunch. Mr. McCain is a man who aspires to lead the
largest economy in the world and yet recently admitted that he doesn't know
how to use a computer, the one modern tool shared by everyone from the
post-industrial American work force to Middle Eastern terrorists to Pixar
animators. Getting shot down over Vietnam may not be a qualification for
president in 2008, but surely a rudimentary facility with a laptop is. What
Mr. McCain has going for him is a press corps that often ignores or covers
up such embarrassments.

The Republican's digital ignorance is not a function of his age but of his
intellectual inflexibility and his isolation from his country's reality. To
prove the point last week, he took a superfluous, if picturesque, tour of
Colombia and Mexico, with occasional timeouts for him and his surrogates to
respond like crybabies to General Clark's supposed slur on his patriotism.

For connoisseurs of McCainian cluelessness, the high point was his Wednesday
morning appearance on ABC's "Good Morning America." The anchor, Robin
Roberts, asked the only important question: Why in heaven's name was Mr.
McCain in Latin America when "the U.S. economy is really at the forefront of
voters' minds"?

"I know Americans are hurting very badly right now," he explained,
channeling the first George Bush's "Message: I care." As he spoke, those
hurting Americans could feast on the gorgeous flora and fauna of the
Cartagena, Colombia, tourist vista serving as his backdrop. "It's really
lovely here," Mr. McCain said. Since he can't drop us an e-mail, a video
postcard will have to do.

Mr. McCain should be required to see "Wall-E" to learn just how far adrift
he is from an America whose economic fears cannot be remedied by his
flip-flop embrace of the Bush tax cuts (for the wealthy) and his sham
gas-tax holiday (for everyone else). Mr. Obama should see it to be reminded
of just how bold his vision of change had been before he settled into a
front-runner's complacency. Americans should see it to appreciate just how
much things are out of joint on an Independence Day when a cartoon robot
evokes America's patriotic ideals with more conviction than either of the
men who would be president.

***

----- Original Message ----- 
From: [EMAIL PROTECTED]
Subject: Wed., July 9th, Vigil at Canadian Consulate in LA

Dear Canada: Let U.S. War Resisters Stay!

Join Progressive Democrats of Los Angeles
Participate in a Vigil and Delegation to Support GI Resisters
Become Part of a Nationwide Action in Every City
Lobby the Canadian Consulate in Los Angeles

Wednesday, July 9th, 2008
Noon to 1 pm Lunchtime Vigil
Followed by delegation visit to the Canadian Consulate in LA.
RSVP -- Yes, I'll be there.
Contact: Marcy Winograd    [EMAIL PROTECTED]

Location of Canadian Consulate
Meet in Front
550 S Hope St
Los Angeles, CA 90071
(213) 346-2700
Get directions


Background Information

Recently on June 3rd the Canadian Parliament passed an historic motion to
officially welcome war resisters! It now appears, however, that the
Conservative Canadian government may disregard the motion.

Iraq combat veteran turned courageous war resister, 25-year-old Sgt. Corey
Glass of the Indiana National Guard is still scheduled to be deported July
10th.

Ask that the Canadian government respect the democratic decision of
Parliament, the demonstrated opinion of the Canadian citizenry, the view of
the United Nations, and millions of Americans by immediately implementing
the motion and cease deportation proceedings against Corey Glass and other
current and future war resisters seeking sanctuary in Canada.

Join Progressive Democrats of America, Courage to Resist, Veterans for 
Peace,
and Project Safe Haven at Canadian Consulates across the United States.
Iraq Veterans Against the War will visit the Canadian Embassy in Washington 
DC.
A joint national call is forthcoming.


Anti-war activists mailed and delivered over 10,000 of the original letters 
to Canadian
officials. Please sign the new letter, "Dear Canada: Abide by resolution -
Let U.S. war resisters stay!"
http://www.couragetoresist.org/canada

If you do not live in Los Angeles, you can sign up to lead a vigil & 
delegation in your city.
Contact:
Courage to Resist
http://www.couragetoresist.org
510-488-3559
(List of consulate vigils nationwide coming soon)

- - - - - - - - - - - - - - - - - - -

ALSO: On Wednesday, July 2nd U.S. supporters are asked to join the
pan-Canadian "call in" day. Phone Canadian Prime Minister Stephen Harper at
613-992-4211 to ask that the government "abide by the June 3rd resolution
and let U.S. war resisters stay."


##    ##



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