Knowing I'm not going opt be able to get to this, I thought I'd search the
internet. The exhibition's website has an impressive picture of what looks
like the main hall, showing the scale of some of the pieces:
http://lostinlace.org.uk/
Sue
sueba...@comcast.net
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On 10/12/2011 12:08, Jane Partridge wrote:
I managed to get to the Lost in Lace exhibition on Thursday. There is
still some building work going on in the Museum and Art Gallery, which
if you go in by the main entrance is between the Bridge Gallery and
the stairs down to the Gas Hall, and a lot
I managed to get to the Lost in Lace exhibition on Thursday. There is
still some building work going on in the Museum and Art Gallery, which
if you go in by the main entrance is between the Bridge Gallery and the
stairs down to the Gas Hall, and a lot of the lifts between floors are
out of acti
When I first learned bobbin lace (20 years ago) I was taught to use
a working cloth underneath the bobbins for a particular element. When
that element was finished I just lifted a working cloth with both hands,
keeping the bobbins flat and the cloth taught, and lifted it to the side
of my
My favorite holders for continental (Swiss) bobbins is a U made of wood. John
Aebi is one of the makers of these. I know there's a Belgian gizmo that's like
a large U with a spike at the bottom, but these are different. The wood is
thinner and there's no spike. Instead there are two fine hol
